In Cold Blood Rhetorical Analysis

In his book, In Cold Blood, Truman Capote utilizes several rhetorical devices and strategies in pages 246-248 in order to establish a theme for the fourth section of the book, The Corner, and in order to properly end the third section, The Answer. Capote uses metaphor, diction, and tone shift in order to provide a comparison for Dick and Perry, to most effectively transition into the last section of the book, and to establish a grim and dismal mood.

Truman Capote uses variety of language devices such as diction, similes and symbolism to vividly develop Perry Smith in his novel In Cold Blood and reveal aspects of the murder. Perry Smith is a sensitive, somewhat frightening and psychologically unstable character, but then again

In the beginning of the book Richard says to Perry, “Ain’t that what I promised you, honey-plenty of hair on them-those walls?” (37). This quote manipulates the reader to believe Richard remains the cruel person in the duo. Then, Capote described Perry Smith as an innocent boy who had an unpleasant childhood.

Dick says to Andrews, “The trouble with you, Andy, you’ve got no respect for human life. Including your own.” (318). The description of Lowell Lee Andrews insane and ruthless character, make him a memorable secondary character. The technique Truman Capote use to characterize the killers is using the opinions and encounters of their families and the people they have met.

Perry’s erratic spontaneous outbursts is what caused him to go through with the murders and slit Mr. Clutter’s throat which put him on the killing frenzy that ended the rest of the Clutters lives. Capote highlights Perry’s sociopathic tendencies by comparing them to that of Dicks Psychopathic tendencies which exemplifies how when put together they are at each others fault for the

In the book “In Cold Blood” by Truman Capote, Capote blantly describes the murderous acts of two men who killed an entire family they knew nothing about. The Clutters were good people who had no intention on hurting anyone. Dick and Perry, the murderers, had no reason to do this, meaning they had no motive for these actions and they can not be excused for their actions.

Above, on the ceiling, a relief ornament shaped of a wreath, and in the center of it a blank space, plastered over, like the place in a face where the eye has been taken out.” gives the reader a first impression of dull, boring, broken spirited. The short sentences and the commas in them force the reader to pause or break in the flow of reading, so any chance of the moment intensifying never happens. The author does this on purpose to create that more dull, boring tone in the form of simple sentences. She does this because that is just what that moment is, boring, nothing interesting is happening and that is exactly what the character is experiencing at the moment.

In the gripping novel In Cold Blood, the protagonist, Perry Edward Smith, is depicted as a good-spirited person, who is strongly influenced by the people who are the closest to him. Those three people are his father, his mother, and his partner in crime Dick Hickock. His father denies him of an education and treats him like a slave. His mother never loves him and never shows him how to love others. And Dick, takes control of Perry’s vulnerability and leads him into doing awful things.

Passage 2: Page 28-30 Truman Capote’s In Cold Blood challenges the conventional boundaries of the true crime genre and plumbs the psychological and emotional depths of the Clutter family murders. Capote’s masterpiece incorporates diction to create a sympathetic tone and juxtapose the brutality of the murders in which he foreshadows. The included descriptions of Bonnie Clutter evokes sadness or pity from the reader.

Through similar tactics Capote allows the reader to feel sorry for Dewey, even though he is the man who catches the killing pair. Detective Dewey is first introduced in part two of In Cold Blood, where the readers learn that this would not be an easy case and the Dewey would be the head detective, even though he had personal ties with the Clutter family. The reader would automatically feel sorry for Detective Dewey because he was going to do heavy investigating on a murder of a family he knew and there was very little time to mourn the deaths. Detective Dewey spent countless hours trying to chase down every lead that popped up, taking family time away, which wears on all family members. The reader feels sympathy for Dewey as he loses time with his family around the holiday time because he has become so involved in the case.

In Cold Blood Rhetorical Analysis Essay Although Capote conveys the Clutters as a simple mid western family, his primary purpose was to display how pivotal the Clutters were to the flow and function of Holcomb’s community, therefore; Capote asserts that everything in life is a chain reaction, nothing just affects one individual. Though the Clutters are seen to be a typical mid western family, with their traditional values, hard working spirit as well as with their high standards of class and dignity. They are to Holcomb what an engine is for a car. They are essential for the town to run properly. This practically seen through Nancy, arguably the most upstanding of all of the Clutters.

The non-fiction novel ‘In Cold Blood’ interestingly begins as a fiction novel would-with the author setting up the scene of the gruesome quadruple murder about to take place, unbeknownst to the victims. Capote describes the isolated flatlands of rural Kansas, and introduces the victims and their killers as if they were the main characters of a fictional murder mystery. What immediately struck me is how Capote uses literary techniques like the simultaneous narration of the lives of the killers and victims, and the fragmented retelling of the story not specifically in the order of events, which makes the story read more like a work of fiction than of pure journalism. As one gets engrossed in the book, it gets easier to forget that the story is based on truth and is not just a fictional story born in Capote’s head. Capote also demonstrates his mastery over the ‘thriller and suspense’ genre, detailing the Clutter family’s everyday lives, emotions and experiences but with progressively higher levels of anticipation as the pages go by, employing versions of the omnipresent phrase, ‘and that was their last’ for dramatic effect.

Before this remark, the narrator only would put one to two words maximum in all capital letters. This remark has the total of four words which if a big jump from one

Within the book, “The Back Door of Midnight”, the effects of syntax can be seen throughout the entirety of the novel. Firstly, the author, Elizabeth Chandler, uses italic to emphasize the narrator’s, Anna O’Neill Kirkpatrick, thoughts. The first example can be found in her first out-of-body experience when she yells “Please stop!” within her mind. This is used to emphasize when the main character is actually thinking versus her normal narration of the events, and helps the reader gain a greater understanding of the character.

The reader proceeds to blow off this idea, not thinking much of it, and continues reading. However, only two pages later the reader stumbles upon another word that is spelled in all capital letters, SETTLEMENTS (pg. 8). This has now caught the reader’s attention for the writer must have purposefully put these words in all caps, this must not be a coincidence. As the reader keeps reading they see more, some that are even phrases, “EDUCATION, DISTANCE, MEANWHILE HAD GONE