In Stephen King’s essay “Why We Crave Horror Movies,” King is conveying that because we are human, we are insane. We may not be in asylums, but that does not mean we are not insane, it just means we hide our insanity better than others. By watching horror movies we are just asking to have the constant nightmares. However, we watch horror movies to prove to others that we can watch them, and sometimes we watch them so that we feel normal compared to the people in the film. Other times we watch the movies for enjoyment, which is a very weird enjoyment since we are watching people get killed. Horror movies are a “fairytale” to us and allow us to “ become children again, seeing things in pure blacks and whites.” Insanity is a matter of degree.
The Chemical That Rules Us Adrenaline. It’s the chemical that courses through a person’s veins whenever their body thinks something is particurally exciting. In acient times, it was deployed when a sweaty caveman was being attacked by a predator. Today, however, it is used when comfortable viewers watche scary images on their televisions in their cushy chairs. In Stephen Kings’s essay “Why We Crave Horror,” Stephen King challenges the sanity of mankind becaude they like to watch scary movies.
The American obsession with spectatorship is a phenomenon created by the inaccessibility of timely and relevant knowledge. This oddly leads to an increase in the demand and likeability of terror. In her piece “Great to Watch”, Maggie Nelson explores the origins of this fascination with horror and gives an
Insanity and emotions control the minds of humans. Without lynching, from the past, and horror films today the insanity of humans would be through the roof. Its more than entertainment, its containing ourselves to behave like the human beings which we are expected to act
You may be less motivated to do such things when you are 60 (King 357). • Freda Jackson’s performance as the hideous melting lady in Die, Monster, Die! shows that we still have a long way to go before we are completely ugly, even though Robert Redford and Diana Ross have a long way to go before they are hideous (King 357). • One reviewer said watching horror movies is like going to a public hanging in the 21st century compared to watching professional football (King 357). • The famous “fairy tale” horror movie tries to be as honest as possible for its target audience (King 357–358).
Horror keeps our insanity, “down there” and our average selves, “up here” (King, “Why We Crave” 4). As we hear of a serial killer slaughtering a college student and taking “her head with them” (King, “Strawberry Spring” 5), or smearing, “HA! HA!” in human blood all over a car windshield (King, Strawberry Spring” 8). Due to the morbid side of our Human Condition, we satisfy our, “nastiest fantasies” because of horror (King, “Why We Crave” 3). Horror supports Stephen King’s third claim on why humans hunger horror for the reason that we need to, “keep the gators fed” (King, “Why We Crave” 4).
(Phillips) is reminding the audience that this is not the first time people have committed acts of terror onto others. In the story, Gerald is made out to be almost an isolated character, as though he is the only one who has ever committed an act of terror. In reality, many people have done similar or even worse. Throughout history, mental illness has been prevalent in being the underlying reason as to why awful events are done. For instance, the Salem witch trials.
Stephen King’s birthplace is Portland, Maine. His parents are Donald and Nellie Ruth Pillsbury King. Stephen King is a university of Maine graduate, he graduated with a B.S. in English and a minor in dramatics. King has several major achievements for his literary masterpieces. King is most known for writing novels, short stories and screenplays; not many people know about the children’s book he published.
Alfred Hitchcock’s 1960 film Psycho redirected the entire horror genre, and in doing so dismantled the prudent 1950’s societal barriers of cinema. Although unseen for its potential by the large studios of the time, Psycho became one of the crowning achievements of film history. While based partially on a true story of murder and psychosis from Wisconsin, the widespread viewing of this tale made way for a new era of film and ushered in a new audience of movie goers. The use of violence, sexual explicitness, dramatic twists, sound, and cinematography throughout this film gave Hitchcock his reputable name and title as master of suspense.
However, film critic, Robin Wood, argues that ‘since Psycho, the Hollywood cinema has implicitly recognised horror as both American and familial’ he then goes on to connect this with Psycho by claiming that it is an “innovative and influential film because it supposedly presents its horror not as the produce of forces outside American society, bit a product of the patriarchal family which is the fundamental institution of American society” he goes on to discuss how our civilisation either represses or oppresses (Skal, 1994). Woods claim then suggests that in Psycho, it is the repressions and tensions within the normal American family which produces the monster, not some alien force which was seen and suggested throughout the 1950 horror films. At the beginning of the 60’s, feminisation was regarded as castration not humanization. In “Psycho” (1960) it is claimed that the film presents conservative “moral lessons about gender roles of that the strong male is healthy and normal and the sensitive male is a disturbed figure who suffers from gener confusion” (Skal, 1994). In this section of this chapter I will look closely at how “Psycho” (1960) has layers of non-hetro-conforming and gender-non conforming themes through the use of Norman Bates whose gender identitiy is portrayed as being somewhere between male and female
He characterizes fear by saying that it includes a belief that one is endangered by what they fear and one will be motivated to act as a result of this belief (Walton 263). Since the person watching the horror movie cannot be said to exhibit either of these qualities, they cannot be said to be genuinely afraid. Walton explains the phenomenon of “fear” when one watches a horror movie by saying that when the person watches the movie, they enter a game of make-believe in which they have a fictional belief that they are threatened, and therefore possess fictional fear (Walton 264). The problem with this view is that the person watching the movie is not aware that they are playing this game. Since games require awareness of the structure of the game and objectives in order to play, it cannot be said that the person watching a horror movie is really playing a game, since they have no such awareness.
In the article “Why Do We Crave Horror Movies” King shows the idea of why humans crave to watch horror movies. To watch horror movies, people show to others that they have no fear of these things. King’s argument is that the horror films is a way for people to get the sense of normality. King believes that “We also go to re-establish our feelings of essential normality; the horror movie is innately conservative, even reactionary” (King 16). Re-establishing our feelings of essential normality allows us to release our emotions and enjoy our time watching horror films.
How it affects us, our emotional muscles. It may be that horror movies provide psychic relief on the level because it is an invitation to lapse into simplicity, irrationality and even outright madness extended rarely. “But anticivilization emotions don't go away” (king,Why we crave. 3) this explains why some people think this way. King thought about “ if we share a brotherhood of man, then we also share an insanity of man.
To the unknown eye, Hitchcock has carefully and skillfully used Mise-en-scene to his advantage, causing the audience to feel fear and a sense of caution towards the character of Norman Bates. It isn’t until we reflect back on the scene and notice how intelligently Hitchcock uses the positioning of props and the characters, lighting, camera angle and staging, that we notice how he has added meaning to his characters but has also to the film, creating suspense and fear from one scene to the end of the film. Ultimately proving the point that Hitchcock “the master of suspense” uses Mise-en-scene to not only help make a brilliant film but also uses it as his disposal to add meaning in his
Around the world there are many kind of problems that afflict kids of all age but there is one in particular that is relevant, this problem is the bullying. Also many kids commit suicide because of this problem, this isn't an actual problem, the bullying exist many years ago almost all generations of humans witness the bullying in the childhood.
There are multiple people who are intrigue and love horror movies without knowing the reason. In Stephan Kings essay, “Why We Crave Horror Movies” he does his best to find an answer to the question “why do people crave horror movies?” Throughout his essay he came up with certain key points to answer the question. At the beginning of his essay, he makes a bold statement that “we are all mentally ill.” He motions that people just watch horror movies to portray their fearlessness while suppressing their true emotions.