As discussed in the previous chapter, cultural and language barrier have caused serious obstacles for the mothers and daughters. Not being able to see and think from each other’s perspective blocks the path to effective communication which result in silence between them. The focus of this chapter is to analysis in details of Jing-mei’s change after her mother’s death and her trip to China to meet her lost sisters, which symbolizes that her split identity is healed and her relationship with her mother is reconciled as well. The mother-daughter relationships between the other mothers and daughters in The Joy Luck Club will also be studied When Jing-mei is young, she is the same as the other three daughters - an outsider of their mothers’ world. She laughs at her mother’s “fractured English” and she “[grows] impatient” when her mother speaks Chinese (40). She does not understand the concept and meaning of Joy Luck Club either. In Jing-mei’s understanding, ‘joy luck’ is not a word, it does not exist”; instead, she thinks it is “a shameful Chinese custom, like the secret gathering of the Ku Klux Klan or the tom-tom dances of TV Indians preparing for war” (40, 28). This preconceived picture shows the limitation of Jing-mei’s knowledge of her mother and her history, therefore, she can only relate the Joy Luck Club to pessimistic or aggressive traditions. Moreover, Jing-mei also takes Suyuan’s criticisms as “her Chinese superstitions, beliefs that conveniently fit the circumstances”
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Tan expresses the life experiences of Chinese immigrants to the United States and attempts to depict the relationship of a mother and daughter through her significant piece of writing ‘The Joy Club’. Therefore, all these authors somehow portrayed their early struggles and their view point towards life from their literary
Throughout the novel The Joy Luck Club, Jing-Mei Woo struggles with her sense of identity and belonging in a community as she is often embarrassed of her heritage, and prefers to live her life in the shadows. However, at the end of the book, Jin-mei finds peace when she seeks her roots and sisters in China. She finally finds her inner Chinese that she described is “in your blood waiting to be let go” (Tan 306). This shows that although immigrants of the time period often struggled with self identity, deep down they wanted to find acceptance in their
In Amy Tan’s The Joy Luck Club, mother and daughter relationships are put to the test. Four women meet to play a game of Chinese mahjong, keeping a tradition alive. Suyuan Woo, founder of the club, had a daughter named Jing Mei June Woo. Suyuan had two daughters which she expected both to succeed to her standards.
Shame is a very powerful and social emotion that has been also classified as a form of physical pain. According to Alan Fogel, Ph.D., “When people feel emotional pain, the same areas of the brain get activated as when people feel physical pain…” Additionally, it requires an audience: someone cannot actually experience shame without having people around them. Shame is an evident theme that occurs frequently in the novels: The Joy Luck Club and Flight.
The Woman Warrior by Maxine Hong Kingston addresses prevalent topics faced in America today. How should women act? Should women be treated differently from men? In her memoir, Kingston faces many obstacles with her Chinese-American identity such as finding her voice as a young woman. In “White Tigers,” Kingston tells her own version of a popular Chinese ballad, “Fa Mu Lan,” while incorporating her own reality back into the section.
It is my family. It is in our blood. After all these years I can finally be let go” (Tan 159). For the first time in her life of being stuck between two cultures and believing that she does not belong to either, Jing-Mei feels like she belongs. As it was previously stated about the meanings of this family’s poetic names, these names that were given to them by their mother created a meaningful theme.
Mother and daughter relationships aren’t always perfect. Most of the time, they see things from different perspectives. This could be caused from bad communication or being brought up differently. Amy Tan shows this through Jing-Mei and Suyuan in The Joy Luck Club. Tan is trying to prove that even though a parents and child's relationship isn’t always perfect they can still learn from each other.
Thesis Statement about theme of literary work- In Amy Tan’s The Joy Luck Club, expressions of love and hatred are shown in multiple mother-daughter relationships resulting in negative impacts such as pain, bitterness, and regret because of their differing opinions. Support Point #1- Suyuan Woo guiltily leaves her twin daughters on the ground in China as she walks away in tears.
Through analyzing the stories about their lives’ hardships and experiences, it is revealed that Suyuan’s American Dream is achieved by Jing-mei by going back to her own country, retrieving her two sisters, and makes the family whole again. The story of Suyuan and Jing-mei chasing their American Dream teaches us a lesson: Never gives up your dreams casually. One day, you will be thankful for your persistence, when the dream comes
Jing-Mei’s American upbringing hindered her ability to understand her mother’s perspective – which was based on Chinese heritage – resulting in strong differences of opinion that led to arguments. In addition, since Jing-Mei and her mother failed to communicate effectively about their different perspectives, they became frustrated and upset with each other. The relationship between Jing-Mei and her mother was harmed by their emotional distance from each other. The absence of verbal affection between them translated to increased resentment and disappointment. Positive emotional connection between a parent and child proves vital in maintaining a healthy relationship in the face of
In general, the parent and child relationship can be very challenging and even straining but can get easier once they understand each other. Amy Tan, the author of “ The Joy Luck Club” uses a mother-and-daughter relationship to show people how these relationships are. Amy uses these characters, Suyuan and Jing Me, to include how their experiences and their cultural differences, and even their misunderstanding are part of the challenges of these relationships. In this novel, the main character Suyuan and Jing-Mei have a typical parent-child relationship. Suyuan is Jing Mei’s mother and she has an interesting past.
As a whole, while the story was very depressing at times, it still has an underlying tone of family ideals, as the relationship between the mother and daughter still remained despite the arguments they had. In my opinion, I think the author’s message that she wished to convey was that despite any event that may occur, family members will always be there support you. This is shown in how, despite Jing Mei’s failures at becoming a prodigy, her mother still supported her and did not give up hope on helping her daughter becoming a successful person. As such, it strengthens the idea that “family will always be there for you”, no matter what hardships come their way. In addition, it helped to add a sense of togetherness in the short story, as it inadvertently revealed how much Jing’s mother actually loved her, despite her tough exterior.
Throughout the entire novel, the mothers and daughters face inner struggles, family conflict, and societal collision. The divergence of cultures produces tension and miscommunication, which effectively causes the collision of American morals, beliefs, and priorities with Chinese culture which
Mother knows best. And yet so many daughters in Amy Tan’s The Joy Luck Club feel slighted by what the matriarchal figures in their lives have in mind for them, or rather, what they believe their mothers have in mind for them. A perfect storm of expectation, true and false, about love, about success, about being Chinese. The souring of mother-daughter relationships in The Joy Luck Club stem from unrealistic or ill conceived expectations that both parties hold for the other.
As seen by the mothers’ and daughters’ behavior towards each other in The Joy Luck Club, it is difficult to preserve one’s culture when one is exposed to a new environment or country. With a difference of two distinct generations between them, the four main pairs often come across cultural collisions. Other than facing the age gap, these mothers and daughters also have to deal with a language and communication barrier. Already, at the beginning of the story, Jing-Mei Woo is able to understand how the mothers of the “Joy Luck Club” are displeased with their daughter’s rejection of their Chinese culture. She speaks to herself, admitting that “they are frightened.