The Chicago World Fair is an extraordinary attraction during the contrasting Gilded Age as innovations were constantly forming and shifting the world into a new age of technology. Celebrating Columbus's discovery of America, millions of people and many familiar faces such as Helen Keller, Jane Addams, Thomas Edison and etc., came together in the “White City” of Chicago to witness a dreamlike fantasy. Furthermore, the fair is an impactful influence formed by the architect, Daniel Burnham, and created a proud unification within the country. However, the fair is also the making of one of the first serial killers in American history, H.H Holmes. Holmes trapped people inside his “hotel” and committed murder to an estimated count of 200 people. The …show more content…
Larson uses this to display the different effects the fair has in the city. Contrasting “garbage” and “clean,” he displays a new and improved Chicago after the fair commences. Furthermore, the new “White City” introduces many benefits from the fair such as ambulance services and electric streetlights; this serves as a positive and innovative effect for the readers. Moreover, Chicago’s major transformation from the “smoke and garbage” of the “Black City” shows how much of an impact the surreal innovations of the Fair exhibits on the harsh reality outside of the dreaming city. The “Black City’s” expansion also kept growing as it got “bigger, taller, and richer” but also “dirtier, darker, and more dangerous” to convey the actuality of Chicago (27-28). Larson contrasts “bigger” and “dirtier” to show the readers that the more expansion of buildings, the more trash will get thrown around. He uses this to convey the reality of what’s going to happen when the fair is built. Throughout the novel, he shows the readers how the effect of the dreamlike fair actually causes a harmful impact in the city after being torn down. Furthermore, Larson continues to contrast “taller and richer” and “darker and more dangerous” to illustrate how the high class is going to cause more corruption onto the city itself. This conveys to the readers as a depraved society brainwashing the citizens to do unlawful acts and proves that the reality of the city is horrifying. Overall, Larson displays the difference between the “Black City” and the “White City” in order to contrast the harsh and frightening state of Chicago to the whimsical and wistful imagination of the
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The World fair was the engineering project of its time. It brought plenty of excitement and attention to itself, but it also brought crime. The problem is, even though everything seems fine with the fair, there were bad things still happening. Stealing, cheating, and in extreme cases even murder. Chicago was in charge of building the World’s fair, but ended up hosting a murderer in its walls.
Chicago could emerge as a powerhouse over other populated cities in the United States and the United States could emerge as an evolving supreme nation over all others. The an unthinkably short deadline to meet, the success and the beauty Burnham was able to capture is truly miraculous. His’s intentions for the fair were pure; he truly desired Chicago to be molded into the “white city” and many would say he achieved his goal. On the opposite end of the spectrum, but a few blocks away from the exposition, Holmes also saw potential. Holmes was already a criminal, but his bloodthirsty desire grew when the opportunity arrived to prey on the people swarming to Chicago because of the opportunities and the exposition.
The Devil in the White City is a nonfiction novel, written by Erik Larson, which focuses on the time spent during the building of the Chicago World’s Fair in 1893. The Fair was designed to commemorate the landing of Christopher Columbus in America. The novel, instead of focusing on just one story, splits into two distinct plot lines of two real men, whose lives were destined to become intertwined. They, however, could not be more different in character. The first man, named Daniel Burnham, is the architect who is put in charge of building the Fair.
The Devil in The White City, by Erik Larson is a curious piece of history work, the book is not historical fiction nor is it a basic book of history. Mister Larson has created a book that is an essential work in understanding America and her people in the early 1890’s and the rise of Chicago as being one of the most important cities in the United States. Before the magic that transformed Chicago into the famous White City, Chicago was known by a different title: The Black City. Chicago in the late 1800’s was not an easy or clean place to live in, as one Chicagoan, Ben Hecht, states “It was pleasant, in a way, to know that outside their windows the devil was still capering in a flare of brimstone.” What change Chicago from staying as the dangerous
The Chicago World Fair stirred many emotions in this great time of industrialization, but not only was Chicago shining in the spotlight from the fair, it was also promoting something much more sinister, this dark enclosing spotlight shined directly on H.H Holmes. Burnham the leader of the World Fair and H. H Holmes the notorious serial killer, are the two main characters in this novel that Erik Larson uses the balance between light and dark between these two’s personalities. In the novel The Devil in the White City Erik Larson uses Imagery, paradox, and alliteration to show the balance between the light and dark in the ever growing city of Chicago. Imagery paints an ever expanding picture for the audience, the detailed descriptions such as “but his eyes are as blue as ever, bluer at this instant by proximity to the sea" (Larson 3).
If the the non fiction novel “The Devil in the White City” were to have been written 10 years ago or even 100, it would have definitely been written differently. Although history is history, and some events cannot be changed, the way in which author Erik Larson wrote the novel would fluctuate. The further and further we look back into the past, the more difficult it is to put yourself in that time period and feel what characters could’ve felt in those very moments. With advancements being made on the daily, Erik wrote his book at the perfect time to grasp readers from the eldest and latest generations.
The juxtaposition of two opposing stories is enough to get anyone’s head spinning. Comparing the glamorous production of the Chicago World Fair to the ominous destruction and killing caused by H.H. Holmes in the background is all the more interesting. Erik Larson’s 2003 nonfiction novel does just that. One would never think to relate murder to art until after reading this book. In The Devil in the White City, Erik Larson uses figurative language, imagery, and juxtaposition to create a vivid illustration of the contrast between good and evil in Chicago in 1893.
Jack the City History is fraught with serial killers that committed unbelievable crimes. One of the most celebrated and commercialized is called Jack The Riper. Jack the Ripper is not the most notorious, successful or the first serial killer the world saw. Yet a lot of people consider him to be the godfather of the whole concept of serial killers. One of those killers, who easily outran Jack the Ripper is Herman Webster Mudgett, better known as H. H. Holmes, who bought and renovated a building in Chicago thus transforming it into a hotel where he killed foreigners, mainly women but also men and children during the World 's Columbian Exposition in 1893.
The Devil in the White City Rhetorical Analysis Essay The Chicago World’s Fair, one of America’s most compelling historical events, spurred an era of innovative discoveries and life-changing inventions. The fair brought forward a bright and hopeful future for America; however, there is just as much darkness as there is light and wonder. In the non-fiction novel, The Devil in the White City, architect Daniel Burnham and serial killer H. H. Holmes are the perfect representation of the light and dark displayed in Chicago. Erik Larson uses positive and negative tone, juxtaposition, and imagery to express that despite the brightness and newfound wonder brought on by the fair, darkness lurks around the city in the form of murder, which at first, went unnoticed.
“if everything went perfectly- if his health did not degrade any further, if the weather held, if Burnham completed the other buildings on time, if strikes did not destroy the fair, if the many committees and directors…” (118) uses parallel sentence structure to get his point across that numerous areas of the fair could fail. Larson conveys good and bad in one sentence that has the same structure. He says, “it got bigger, taller, and richer, but it also grew dirtier, darker, and more dangerous” (28). The parallel structure in this statement enhances the marvelous and atrocious side of the growing city. By enhancing that, Larson conveys his proposition of good and evil in the
Book Analysis- The Devil in the White City The Chicago World’s Fair continues to be one of America’s defining moments. This is where America proved to the world they had grown up and were able to hold their own. Erik Larson eloquently illustrates the entire fair in little black words on paper. Although he was not alive during this event, Larson is able to reconstruct the story with factual events; he created twists to keep you ensnared into the story.
The Chicago World’s Fair was an opportunity for the city to come together and create event so spectacular to shock the world. However, as Chicago prepared to awe people with this extravagant fair the city faced skepticism on weather or not issues of urbanization, sanitation, and crime would be fixed in time for the World’s Fair. In beginning of the novel, Larson takes the reader back to the start before Chicago wins the bid for the World’s fair to be held in Chicago. The idea of the World’s Fair in the United
Erik Larson uses this simile and strong words that place a vivid image to further emphasize how the city continues to get dirtier as time goes by and more people move to Chicago. Larson wrote how as the city grew in population and in size the more dangerous and filthy the city became. The simile “like pus from a wound” paints a vivid image in the reader 's mind on how dirty the streets of Chicago are by using a simile that the readers would understand. Furthermore, Larson also uses strong words such as “oozed,” “muck,” and “swelled” to further paint an imagery of the contaminated streets and to show the continued growth of the filth in Chicago. This simile further helps Larson create a better image of how the city of Chicago has become contaminated.
The Devil in the White City The Devil in the White City is a historical non-fiction book written by Erik Larson that reads like a novel. The book follows two, real main characters, during the building and existence of the Chicago World’s fair. The first is an American architect named Daniel Burnham.
Being a black woman raised in a white world, Ann Petry was familiar with the contrast in lives of African Americans and whites (McKenzie 615). The Street, centered in 1940’s Harlem, details these differences. While Petry consistently portrays Harlem as dark and dirty, she portrays the all-white neighborhoods of Connecticut as light and clean. This contrast of dark vs light is used in the expected way to symbolize despair vs success.