During Shakespeare’s time, the societal norms that cultivated women were very precise. Women were held to high standards both look and act in a specific way, but did society ever take it too far? Many poets during Shakespeare’s time wrote traditional blazon sonnets, ones that compared women to the most wondrous things life has to offer; gems, jewels, plants, and stars. Such beautiful comparisons were made, but the women were made out to be so unrealistic. Women had become a collection of objects rather than human, but Shakespeare shed some light on the matter at hand and presented a new way of thinking. In Shakespeare’s My Mistress’ Eyes, he purposefully contradicts the typical blazon tradition, uses enjambment, and uses rhyme schemes to create …show more content…
The poem can be considered a blazon traditional sonnet although it presents the tradition in an unconventional way. The typical way a blazon sonnet presents itself is through the broken-down description of a woman’s qualities. Women are usually highly praised and they are made to appear so out of reach; they become unobtainable even by the poet themselves. Women are portrayed as a collection of objects rather than human which accentuates the idea that they are so unattainable because no woman like them actually exist. The idea that beauty is what defines, and what controls a man’s love for a woman, is not depicted in Shakespeare’s sonnet, My Mistress’ Eyes. In fact, Shakespeare takes a completely new twist on the tradition, one that many individuals find insulting, while the rest find …show more content…
Throughout the poem, Shakespeare emphasizes the societal norm or perspective that is relatively respected and then denounces it with the exception. For example, in the third line of the first quatrain, Shakespeare wrote, “If snow be white, why then her breasts are dun.” The idea that the whiteness of skin is so widely recognized as the beautiful type of skin asserts the fact that she does not have white skin, “her breasts be dun.” This line shows how powerful the comparison truly is. The normal beauty is being defied by the woman being described, but she is not being put down, she is simply being described, and beauty norms are being
This study will focus on the way in which Shakespeare crafts his play and uses dramatic devices in his portrayal of Lady Macbeth in order to confront the gender stereotypes of the time, femininity and the natural order of society. During the early 17th century there was a substantial fear that if women were liberated from their domestic, maternal roles, the historically patriarchal society would unravel. With prevailing challenges of gender such as “When you durst do it, then you were a man” Shakespeare uses the character of Lady Macbeth to transgress the natural limits concomitant with her sex. In order to be able to answer the research question, it is vital to concretely establish the contemporary gender roles and the context of the play.
Her sonnet may have fourteen lines, but it does not follow a rhyme scheme or iambic pentameter (Mullen Lines 1-14). By breaking away from the standard conventions and structure of a sonnet, she creates a creative and sarcastic method of criticizing Shakespeare’s typical male speaker. Criticizing this classic speaker plays into Mullen’s criticism of sonnets that focus on love as a whole. Her sarcastic and comedic word choice directly contrasts Shakespeare’s, which permits her criticism. Shakespeare’s speaker focuses on the woman’s ugly features in order to bring out her personality (Lines 1-14).
For example, "Coral is far more red than her lips red." (Line 2) This line identifies how her lips are colorless. Furthermore, it shoes how she is bland and does not conform to the cliché beauty standards. Throughout the poem he puts down the woman only to try and prove his point of interior beauty in the ending of the sonnet.
In the popular play Macbeth, Shakespeare compares the gender stereotypes portrayed to those different pre-existing ideas from other generations such as the 1900’s, the 50’s, and even today 's society. Macbeth has plenty of examples of the exaggeration of gender roles that clearly differentiate male and female by construing their proper roles as polar opposite or complementary. Examples proving that there are gender stereotypes in Macbeth pertain to characters such as Lady Macbeth, The Witches, and Macbeth himself. In Macbeth, the many different stereotypes of gender roles from throughout the century to today’s society have been displayed in many aspects of the play. With examples of the exaggeration of gender constructs pertaining to the male
It’s no surprise, that Shakespeare’s Macbeth was clearly constructed as a rebellion against femininity roles of the time. During the Elizabethan era, women were raised to believe they were inferior to men since men obtained desired masculine qualities such as strength, and loyalty, whereas women were viewed as figures of hospitality (1; 6; 28-31). Obviously, not being tempted by the luxury of subservient women, William Shakespeare rebuked this twisted belief, applying that women deserve more respect than their kitchen tables.
It can be hypothesised that Shakespeare was testing the waters to break gender norms and perceiving women as independent, dominant and powerful beings through his
As the curtain closes, the audience is struck with a newfound love, and because of the excellent use of literary devices, Shakespeare’s writings continue to live to this
A Modern View of Feminist Criticism William Shakespeare 's "Othello” can be analyzed from a feminist perspective. This criticism focuses on relationships between genders, like the patterns of thoughts, behavior, values, enfranchisement, and power in relations between and within sexes. A feminist examination of the play enables us to judge the distinctive social esteems and status of women and proposes that the male-female power connections that become an integral factor in scenes of Othello impact its comprehension. I believe that the critical lens that provides modern society with the most compelling view of literature is Feminist Criticism because it analyzes distrust and disloyalty among relationships, women being treated as possessions
In Shakespeare’s ‘Othello’, women are portrayed as either pure angelic beings and jewels, or as whores who are impure. They are objectified and shown as something to be used. The only women in this play are Desdemona, Emilia and Bianca compared to the main 6 male characters, not to mention the minor characters, who are also all male. Their depicted purpose is to belong to a man; Desdemona, Emilia and Bianca’s lives revolve around being wives to Othello, Iago and Cassio. This fits into the idea of a perfect Elizabethan woman, who’s lives are subject to their husband’s rule across all aspects, to be disposed of as men wish.
Paul Vu Dr. Elizabeth C. Ramírez THTR 475A.03 2 May 2017 Macbeth and Medea: Breaking Expectations Macbeth by William Shakespeare and Medea by Euripides are known for their powerful critiques on the social expectations of women. Women during the time of Elizabethan and Greek theatre were often stereotyped and considered the weaker sex. Men were depicted as strong individuals who supported and protected women. However, both Shakespeare and Euripides broke expectations by portraying strong and iconic female characters in their respective plays. The idea of a strong female character was often unheard of during the time of Elizabethan and Greek Theatre.
In today’s world, gender expectations and roles of men and women are a highly debated topic. However, the reconsidering of these expectations is not a new phenomenon. Set in Verona, Italy, the play Romeo and Juliet by William Shakespeare explores the reversal and fluidity of characteristics usually assigned to a specific gender. In this play, two young people fall in love and end up tragically taking their lives as a result of their forbidden love. Shakespeare suggests that men are not necessarily masculine, women are not necessarily feminine, and that when people are forced by society to act the way their gender is “supposed” to, problems will arise.
In the essay “Shakespeare Meets The 21st Century” (297), Michael Kahn believes that all renditions of Shakespeare’s plays are “interpretations” that reflect the approach to acting and producing at the time of production. In recent times the productions of Shakespeare’s plays have undergone changes to the manner of speaking to be more “conversational” while attempting to retain the rhythm and tone of the play. He explains that Shakespeare’s plays were themselves adapted from those of other playwrights. He marvels at the experience of those who originally witnessed and had no prior knowledge of Shakespeare’s plays must have had. Kahn states “I believe all theater artists who approach these plays envy that encounter and explore strategies to re-create
In order to adequately analyze both Chaucer and Shakespeare’s works, we first have to understand the culture in the times that they were writing, specifically in reference to obscenity and the people’s response to vulgarity. People of medieval England at the time of Geoffrey Chaucer did not share our
First, Shakespeare challenged the policies of the day was through examining the role of courtship using the single women of the play, Helena and Hermia. One way was through the belief that women should have the right to reject men. Hermia says: “I do entreat your grace to pardon me/ I know not by what power I am made bold/
William Shakespeare was a visionary and is the most well-known playwright in the English language, and was also known for acting and poetry (“William Shakespeare.”). His plays have been translated into almost all other languages and are some of the most often performed plays by any playwright (“William Shakespeare.”). When it comes to his poetry, Shakespeare’s 154 Sonnets which were published in 1609 are what most people refer to and analyze (“William Shakespeare.”). Some themes of these sonnets are love/lust, real beauty as opposed to fake beauty, as well as the responsibilities of being beautiful all the time. Due to where he resided being ravaged with illness that caused early deaths, his sonnets were also littered with themes of death,