The art work that is analyzed below is the “Noah Sacrificing Deluge” by Benjamin West. This particular painting was painted in the 1800s and the artist used an Oil Paint on a canvas. This art was 1 out of 36 in a series for the Windsor Castle in England. Mr. West lived to be 82 years old and was the first Americans to become a success on the foreign market. He would become a historical painter for King George III and president of the Royal Academy of Arts. He completed 18 painting before the king’s mental state of mind and suspicion questioned West’s political loyalties which ended the project. The colors that Mr. West used in the painting are dimmed and dull with the exception of a white gown worn by a woman in the center of the painting (I will elaborate on that later). The color palette that he choose I believe was to show that atmosphere of doom and gloom for the passing apocalyptic flood that just cleansed the land of sin. The brush strokes that make up the human figures are thin and almost invisible to the naked eye. The painting has a light and smooth finish to finish to it, and at the same time the bold outlines of the male figures appear like a sketching. Little detail compared to the woman in the center of the canvas. The clouds are dark and made with …show more content…
The group is painted as if she was the true center of the art work. She is wearing the brightest color in the painting. This makes her the second focal point in the painting. This raises the question who is this woman? Is she an angle that is sent down by god to give the message to Noah? Is she the wife of Noah? The group behind Noah was painted leaning towards the woman in white. The women are in a clam and peaceful state, as if they were pleased with the sacrifice. The men are drawn with fear and agony, as they are bowing and kneeling. This was again toward the woman in
Additionally, everyone is assigned stereotypical gender colors; the men are in blues while the woman is in a pale pink gown. One of the most striking aspects; however, is the perspective at which this painting is portrayed. It is
She can be seen as an Athena figure. Athena was the Greek Goddess of Wisdom, War and Crafts. In the movie there is a betting theme that can be referring to the name “Bettina” God’s bet with the devil in the book if job and also a wedding bet at
The appealing factor of this paintings comes from its message and juxtaposition of colours and stroke
In addition to that, on the wall shows a portrait of his grandmother's former slave family member. Allowing to show his ability to demonstrate different brush styles in one piece of painting. Not to mention, leaving the painting in the left corner blurry and dim and his grandmother detailed and realistic. Portraying that his grandmother's past was left in the past and she is the life of the
The grey scale makes the painting cloudy and moody, and the contrasting develops a water like texture
“ I have an idea that Gatsby himself didn’t believe it would come, and perhaps he no longer cared. If that was true he must have felt that he had lost the old warm world, paid a price for living too long with a single dream. He must have looked up at an unfamiliar sky through frightening leaves and shivered as he found what a grotesque thing a rose is and how raw the sunlight was upon the scarcely created grass.” Nick is showing that Gatsby is waiting for a call, from daisy or someone who found out he killed Myrtle. Frankly Gatsby didn’t really care, nor was worried about getting caught for what he did.
The painting depicts what seems to be a panoramic view from afar but looking closely each aperture and objects make up the impressions of faces. From the left side there seems to be an aperture looking over a big cliff with branches of trees. This cliff and branches make up the face of an old person. The rock exposures within the cliff form the illusions of wrinkles, wrinkly lips and a long and untreated mustache. The branches give the effect of baldness, contributing to the overall appearance of an old man’s face.
The White bridge is an exquisitely beautiful oil painting created by “John Henry Twachtman”. This piece of art dimension is 30.32 inches wide * 30.32 inches high. Although the title of the painting is white bridge, the painting holds in it many of variety colors, that shows the spring in 1896, with the gradients of a green color, and tendency of rich and light brown color. During the late of the 18th century, John Twachtman purchased a farm near Greenwich, Connecticut. Then he began painting his piece of art, while his journey through his Connecticut property, and the white bridge is representation of Horseneck Brook.
The portrait was 2D with 3D texture including the lines, and the color scheme use were majority dark colors. Harmony was use in this painting, combining the elements in this painting made the painting flow smoovely. The work of art that Mackalene created means that “Black is Beautiful,” from past to present notions of the black culture in America. The artistic choices made by the Mackalene in this portrait shows me, in my eyes that the women is doing what she wants, getting what she wants while also getting what she
The painting I chose to recreate was “Emperor Jones” which was a series of four paintings (Bravado, Defiance, Flight, and Surrender). These four paintings were inspired by the play “The Emperor Jones“by Eugene O’Neil. This plat tells the tale of Brutus Jones, who was an African American with the respect work of a Pullman Porter, that visits a Caribbean Island and there he stabbed a local man, goes to prison, escapes, and then goes about setting himself up as a emperor and he has to make his way through the jungle in an attempt to escape former subjects that rebelled against him. I recreated the Surrender because it stood out from all the others and my drawings lean towards the more abstract side of art.
Presents accepted historical truths from a new perspective. The drowning man depicted symbolises that Anglo-Saxon people are drowning out the communities, and cultural differences of the African Americans and aboriginal people, ruining their unique identity. The group of indigenous Australians sitting around a camp fire and one larger figure on the right in the composition, portray Bennett’s feeling of not being accepted by either the Aboriginal people or the Anglo-Celtic. This painting directly links with the lost identity of Gordon Bennett and many others of the lost generation people with his confused cultural background. He raises questions through his artworks about both his own individual understanding of who he is and also the oppression and racism towards the Australian Aboriginal people particularly as recorded in
Even the woman’s frame and posture seem to follow the lines created by the railings of the viewing box. The railings are also implied lines, the first thing our eyes go to is the woman, and then we follow the railings to the man who has his gaze set on the woman. The man’s gaze gives us implied lines that lead us back to the main focus of the painting, the woman. The artist also uses light and dark to guide our eyes to the important parts of the artwork. Most of the artwork is dark, while the woman and the man looking at her are in the light.
This canvas is covered with messy colorful splatters that gives it a boost of sudden energy. It looks almost as if he started off painting vibrant colors and then angrily decided to splash darker colors to cover it. The painting also portrays dripping lines that help to not only create a direction, but also gives the feeling of sorrow. The splotches have paint dripping continuously towards the bottom that almost resembles tear drops.
The paint is not put on evenly an example would be her skin and the sky. Both have layers of a translucent gray so that the light passes through the layers producing a soft radiant. There’s no depth in this oil painting the works depends on aerial perspective for its effect, on scaled variations of color, tone and form as perceived at different distances? In brief this painting depicted social construct of the Tahiti women it during that decades poor, miss guided. They were rarely seen and they were used as an object, even in their own land such as the native
Noah’s Ark is an oil on masonite painting done by Aaron Douglas in 1927. The 48 by 36 inches painting is currently on display at The Carl Van Techten Gallery of Fine Arts at Fisk University in Nashville, Tennessee. The representational portrait painting shows an outdoors scene. There is a source of light coming from the top right corner. Following down the painting, there is a man at the front of a large boat, pointing to the left.