Janie, at first, doubts Tea Cake loves her because of her age and then, on account of her fortune, fears he may have married her only to run off with her money. However, Tea Cake proves through and through that he loves Janie for Janie and treats her with love accordingly. Though Janie and Tea Cake’s marriage is not perfect, (such as when he beats her to show Mrs. Turner and her brother that he is in possession of Janie) she has found the “bee for her bloom” in Tea Cake. Willingly, unlike with Killicks who would have forced her, Janie works with her husband in the fields when she and Tea Cake make a home in the Everglades (184–185). When jealousies arise through the flirtation of Nunkie, a girl who takes a liking to Tea Cake, Janie and Tea Cake fight but talk through and express their feelings over the flirtation to one another until each gives in and they become united once more (188–191).
He remains placid even with knowledge that his wife has become more accomplished than him. Although he does beat her in chapter seventeen, Janie is blinded by the love she shares for Tea Cake and does not let the incident affect their love. Arguably, her silence may signify the strength she possesses after maturing. For Janie, the positive aspects of her relationship with Tea Cake can outnumber the negative
Janie’s grandmother, Nanny, forces Janie to marry a man she is not in love with out of convenience. Nanny does not want Janie to suffer the necessities of life, but Janie cares little about materials and seeks love. Nanny’s ideology haunts Janie for much of her life, influencing decisions she takes later in marriage. Huston says, “The memory of Nanny was still powerful and strong,” which shows how Janie conforms to the ideology her grandmother instilled in her. And although Janie conforms, she continues to question inwardly about love.
In her childhood, Sissy did not care if the attention she got from her mother was good or bad, as long as Rose acknowledged that she was there. Sissy is very loyal to her mother, loving her, craving her attention. However, after Rose leaves, Sissy learns to break her loyalties with her mother, move on, and build her own life. In The Patron Saint of Liars, relationships are built on the characters’ loyalty to each other. Rose’s total lack of loyalty is what spurs the novel across the country, beginning with Rose leaving her husband.
When Elisa’s husband leaves her alone on the farm, she meets a tinker whose interaction liberates Elisa’s sense of self worth, but later crushes her spirit. She attempted to break free from the feminine restraints of society but fails at it. John Steinbeck 's “The Chrysanthemum” embodies how women are restricted and placed in subordinate roles in society. When compared to Allen 's, Elisa’s role in society is much more insignificant. Elisa’s job is to tend her garden and to care for her husband.
This can also explain why Janie ran away with Joe Starks. Janie was enticed with Starks’ words and thought that he could be the one that could give her the love she was searching for. However, she was not happy with being the “mayor’s wife,” that just did what Starks told her to do. Janie did not feel love until, as Hibben’s describes, “Tea Cake came along with his trampish clothes and his easy way and his nice grin,” allowing Janie to fall for him. Even if Tea Cake was younger he made her feel something she never had before,
The Yellow Wallpaper is considered to fall in the genre of realism because it represents the way life was for women during the nineteenth century. Gilman intentionally tried to make Jane a typical woman of the time period. She is economically dependent on her husband, as she does not work out of the house. She is not allowed to make her own decisions, John will not let her out of bed, even though she wishes to do so; and she is often treated like a child, John gives her a dirty look when she expresses that she is still not well when he believes that she is getting
This incident shows the reader that she wants to be taken seriously by her colleagues. It also displays that Hilly deeply treasures her reputation because of her reaction towards the situation. On the other hand, Aunt Alexandra has also shown the reader signs that she values her family’s reputation. In chapter 23 of To Kill a Mockingbird, Aunt Alexandra did not allow Scout to play with Walter Cunningham because of his poor background. She said, “Because-he-is-trash, that’s why you can’t play with him.
Nanny’s mule metaphor is referencing the patriarchal dominance that women are subservient to in the novel; much like mules were subjected to their owner’s whims. Joe’s aesthetic demands for Janie illustrate how women were used as status symbols for their husbands. He wouldn’t allow her to make any speeches, as “he didn’t marry her for all that” but he wants her to stand in the store as a trophy. Joe dismisses Janie’s feelings and completely obliterates her autonomous identity by claiming that her only status in town comes from his as mayor. Janie is not an independent being who can become “big” all her own, but needs a “big” husband.
Once they decide on a man, there is no going back and divorce was considered uncommon. The women in the novel, each display their thoughts on marriage. However, Elizabeth Bennett, who is opinionated and passionate about her beliefs, is inclined to disagree with the norms of the society the most. While others believe that marriage is the key to happiness, she disagrees. She is not easily influenced by those surrounding her, even her family, and her honesty and wit allow her to avoid the drama that dominates the society.
His name is Tea Cake and he loves to gamble and go to parties. This is because Tea Cake does not care about the money all he wants is to make life as pleasurable as possible, for both Janie and himself. In comparison, Logan’s ambition in life is to earn money and live a boring and safe life. Tea Cake is immature compared to Logan and that is because not only do their personalities clash, but they have differentiating goals and, thus, must act in contrasting ways. This shows that aspirations are a factor of maturity, not age.