Vanitas Analysis Marilyn

Study of Marilyn (Vanitas) II is one of the great fine art made by Jewish American artist Audrey Flack (1931, New York) in 1976, and made of oil over acrylic on canvas and it is 2.25 x 2.25 inches transparency was taken by the artist with the Hasselblad Camera and the projected from the slide onto the canvas where it was painted. It is purchased and housed in Arizona University Museum of Art. The reasons of choosing this painting are new realistic method and highly emotional and famine painting, famous photorealist, associated with life, death and pleasure, still-life painting and rich in symbols. Mainly, this painting refers to photographic expression of the vanities in life.

According to DeWitte “identifying and interrupting the symbolic meaning of the objects and elements in artwork often revels previously unsuspected insights into their content.” (182). Audrey Flack’s painting Marylin is a vivid, colorful still life that is filled with symbolism.

Peter Max is known as one of the most popular pop artists in today’s art circles. His work is easily recognized by bold and uncommon color and line choices, as well as the wide uneven brush stroke found in the majority of his work. “Vase of Flowers Series 60 Detail Ver. VI #40” is representative of Max’s work as a whole. It possesses the gradients, rustic brush strokes and the unusual color choices and gradients that have become characteristic of his style.

“The Annunciation” is a religious painting and is an example of the many great works of art from the High Renaissance. In Art: A Brief History, the authors Marilyn

The portrait was painted on wood panel and in gothic like form. Nonetheless, this masterpiece is representation of time, the complexity of the painting and the

Jan Vermeer’s painting expressed the woman’s romantic wishes very well in all aspects of the elements she

Light coming in from the window is diffused and casts a faint, natural glow creating shadows around the oranges and the sandals sitting on the floor. The sandals are realistically detailed to the point where Jan Van Eyck has included wear and tear onto them. The eye is drawn to the female figure because of her vibrantly colored dress, which is a sharp contrast to the bright red bedding. Her outfit is a symbol of wealth and it would be fair to say she is the main focal point of the painting because that is the first thing the eye catches. The color of the dress and the excessive amount of fabric, as well as the assumption that the fabric is velvet or silk, signify their wealth.

Analysis of “Vanitas” by Juan de Valdés Leal The sixteenth century brought about many great artists, who painted in the popular style of the time Baroque. The artist and one of his paintings we will be looking at is ‘Vanitas’ by Juan de Valdés Leal (1660). The work currently resides in the Wadsworth Atheneum in Hartford, Connecticut.

Ju He. “Juan de Valdes Leal verse Audrey Flack.” Ju He’s Art Gallery.

The central panel of this painting shows the Virgin Mary and baby Jesus as being larger than the others surrounding them, the people around are looking up at Mary as with out up most respect . Also in the central panel, we get to see how much work, money and thought was put into the Virgin Mary. The Virgin Mary is painted with dark blue color which is considered to be very expensive at the time due to all the lapis that would have been essential to produce. Not only was Mary painted wearing

Depending on which piece of the collection is viewed, vertical parallel or horizontal lines varying in weight stretch across the composition. The vertical lines give Germaux’s piece a strong and stable feel, whereas the horizontal lines provide a more calming feel for the viewer. The repetition of parallel lines in Parallel Play creates beauty through dissimilarity. The predictable order of the parallel lines contrasts the stir of circles located adjacent and causes the lines to beautifully model simplicity and structure. In addition, by painting dark contour lines around the colorful circles, Germaux is able to aid the viewer in distinguishing the individual circles and identifying the beautiful pattern that they

Lisa Bates-Ramos is a Latina writer and illustrator. During her childhood, she spent her summer vacations in Sector la Araña, Puerto Rico, with her grandparents. Her grandfather, an amateur painter, introduced Lisa Lynn to her first set of paints. Once vacation was over, she continued to paint at home, on anything and everything. On walls, brown paper bags, and her brother’s play clothes.

Artwork is a form of self-expression from an artist based on life experience, or on something that the artist feels strongly about (Berenson, 87). The product of art can help others with similar experiences but not able to express the same feeling themselves. From the product of art, people can start drawing excitement, purpose as well as encouragement about the real thing being expressed. Through a piece of art, the artist can communicate a purpose, an emotion or an idea in their work. In this research paper, I compare two pieces of artwork; Madonna and child with the saints by Giovanni Bellini and Madonna and child with the two angels done by Fra Filippo Lippi.

“The Open Window” is an oil painting by Henri Matisse made in the summer of 1905. It is a perfect example of the new art current which inspired French Art at the beginning of the century known as Fauvism. It represents the view from the window of the hotel’s room in Collioure in which the artist stayed. It is a small painting with sizes 55.3 x 46 cm, but it contains explosive and bright colors. Matisse has portrayed the scene in an inviting and light-filled way and with a large variety of tones and colors used to paint the boats floating on the calm sea and the sky during the sunset.

The “Mona Lisa” is the best known and most visited piece of art. It is a portrait painting done by Leonardo de Vinci. The portrait is an oil painting on a white Lombardy poplar panel. The woman in the portrait is sat upright in an armchair, with her arms folded. This painting was one of the first portraits that depicted the sitter in front of an imaginary landscape.