Martha Graham Essays

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    Graham technique is a modern dance technique created by American dancer and choreographer Martha Graham. Argentine tango is a social dance originating at the end of the 19th century in the suburbs of Buenos Aires, Argentina. In this comparative essay, I evaluate the relationship between Martha Graham Modern Dance and Argentine Tango in terms of their historical context, each dance cultures’ current contexts, dance elements, and conclude with an analysis of dance excerpts. The origins of both dance

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    Martha Graham is recognised as one of the greatest artists of the 20th century. Using the expressive capacity of the body Martha Graham created a new movement language. Her new style grew for her experimentation with contraction and release. With the sharp, angular, and direct movements were in a direct comparison the classical ballet technique. Martha Graham danced and choreographed for over 70 years, and was the first dancer to dance at the White House. During her long career she produced 181 dance

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    Martha Graham broke boundaries, stereotypes and rules. She had the ambitious desire to explore unknown pathways and lead contemporary evolution. An American modern dancer, teacher and choreographer, Graham was successful in challenging traditional styles with contemporary dance . She formed her own practice with personalised principles known as the Graham technique, which is recognised as one of the most successful progressions in contemporary history. Nowadays, being taught across the world the

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    Lester Horton. Martha Graham. Erick Hawkins. Isadora Duncan. Ruth St. Denis. Alvin Ailey. All of these people, more than dancers, teachers, and choreographers, have created their own dance style that has changed the base of modern dance. Modern dance, which developed in the late 19th century and early 20th century, was a movement that opposed previous ballet traditions and interpretive dances. There are various modern dance styles, each with their own principals and creators. Modern dance pioneers

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    American dance. Martha Graham’s Lamentation, and George Balanchine’s Serenade. Martha Graham was Dennisshawn student in 1916 but left to begin her solo career in 1926. She was considered to be a forerunner of the first generation of American modern dance. Graham created Lamentation in 1930 and called it a “dance of sorrow”. She believed that dance was an expression of one’s inner landscape and showed great emotion in all of her dancing. The dance was meant to embody grief and Graham really connected

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    in ballet to modern, Hawkins began his modern career with the Martha Graham Company. He was the first male Martha Graham company member and choreographer. He helped choreograph numerous amounts of pieces by Graham’s side. Hawkins collaborated choreographically with Graham in Appalachian Spring 1944 (Allen), and many other people including Merce Cunningham (Martha). Working together in Graham’s troupe brought Hawkins closer to Graham, eventually marrying her in 1948. In 1951, Hawkins then set out

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    Martha Graham is an artist and choreographer who is a standout amongst the most powerful figures of advanced move. Her family was puritans, so Martha Graham was raised in a stern family. Graham got to be distinctly inspired by move in the wake of watching Ruth St. Denis' move execution. She needed and chose to wind up distinctly an artist, yet her dad didn't permit her to concentrate the move. Be that as it may, she started her learns at the Denishawn School of Dancing and Related Arts, established

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    Modern Dance is defined as being a dance style that focuses on a dancer's interpretation as opposed to the structured steps of Ballet. It was developed in the early twentieth century, primarily in Germany and the United States. The dance style was a rebellion against the rigid formalism of Ballet. The pioneers of the dance style were Isadora Duncan, Loie Fuller, and Ruth St. Denis in the United States, Rudolf von Laban and Mary Wigman. Modern dance is known for its nature-like and free flowing movement

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    Promethean Fire Analysis

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    was born in Wilkinsburg, Pennsylvania on July 29, 1930. At the young age of 24, he started a company called Paul Taylor Dance Company and worked with iconic choreographers such as Martha Graham and George Balanchine. His prominent pieces are Three Epitaphs, Aureole, Esplanade, Airs, and Speaking in Tongues. Martha Graham started calling him “The naughty boy of modern dance” because of his approach to his choreography (Paul). When choreographing Promethean Fire, Taylor pictured himself as a reporter

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    Research Paper – Ruth St Denis There are many famous dancers and choreographers who have shaped modern dance and how it is performed nowadays. Ruth St Denis was without a doubt one of the most influential choreographers in the modern dance business and was the teacher of many successful dancers, who themselves reinvented modern dance and established new visions as well. One of her most notable impacts on modern dance was bringing ideas from eastern cultures into the western culture by incorporating

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    Doris Humphrey Essay

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    Topic (20-30 words; 10 point) What subject, dance, group, and/or practice is the author talking about? Doris Humphrey is discussing her perspective of the subject of choreographers and choreography. She is expressing her thoughts about choreographers and their dreams/influences as well as independent choreographers. Scope of the Topic (10-20 words; 10 point) What time period, cultural, geographical, or national context is the author discussing? Doris Humphrey is discussing an idea that she developed

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    Here comes the Sun! He was the King who danced. Louis XIV ruled France from 1638-1715. He brought opulence to the monarchy with his extravagant court dances, memorable performances, and the institution of the modern ballet. Louis was a fine dancer, who learned to dance as soon as he could walk. Ballet was a part of his daily life. He studied. He rehearsed. He performed. Debuting in his first ballet at the age of twelve. Starred as the "Rising Sun" at age fifteen in Le Ballet de La Nuit. And as Apollo

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    Bangarra Dance Theatre is one of the youngest and most exciting dance companies in Australia. Bangarra grants audiences access to the Australian indigenous world and culture whilst creating an enriching and thought provoking experience through storytelling and theatrical presentation. Their performances contribute to a better understanding and acceptance of aboriginal values. Bangarra was established by Carole Johnson in 1989, the company quickly grew and in 1991 Stephen Page was appointed as the

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    “Harrison Bergeron” Discussion Questions: Question Two: What is the significance of the dance that Harrison performs with the ballerina? How does the style in which the story is written change in this passage? The significance of the dance that Harrison performs with the ballerina is to represent the way the world would be like if they were allowed to express themselves and show the world their beauty, intelligence, and any other physical attributes. According to page 4, it says “Harrison and his

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    Charlotte Plehn Dance Analysis Paper Singing in the Rain Upon viewing the performance here at UWL titled, “Singing in the Rain,” I was shown a variety of different styles of dance that were discussed during class. This production consisted of many different performers and movements. These movements ranged from tap dancing to line dancing. While there was a variety of different dancing styles, they all had the same common elements of dance. These elements were shown through body, energy, action

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    Anna Pavlova Essay

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    The historical figures that I have chosen to research are Anna Pavlova and Doris Humphry. My research over this past summer has influenced me to choose these two women who both started from humble means and rose up to become pioneers in their respective fields. Both Humphry and Pavlova came from humble beginnings but felt an undeniable pull towards dance and made vast strides in their field. Anna Pavlova, a Russian born ballerina came from poverty and became one of the biggest faces of ballet

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    Contemporary, it’s a style of dance that incorporates both classical ballets along with modern dance. At first, a choreographer with the name of Merce Cunningham approach the idea of modern dance, that had been vague, and abstract; and decided he wanted to incorporate ballet leg work rather than focusing on modern techniques that were largely influenced by torso movements. Henceforth, in many of his pieces throughout the years, Cunningham’s dances grew further and further away from traditional modern

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    Elizabeth Cameron Dalman, is a renowned teacher, choreographer, director and performer who is known as the founder of modern dance in Australia; 1965 saw the Australian Dance Theatre open under Dalman, further cementing Australia’s respected position internationally on the dance stage (Australian Government, 2013). Modern or contemporary dance, is seen as similar to ballet with small elements from other styles of dance. The movements in contemporary dance are performed on the floor with less structure

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    I attended a Nashville Irish Stepdancers performance at the Texas Troubadour Theater. The theater was in the middle of a strip mall in Orpy Mills. The inside was setup with pews and had a very medieval essence. The performance was to be a celebration of the Irish culture and include the vibrant spirit of the heritage. In the program, the choreographer and founder of the Nashville Irish Step Dancers, Mary Moran, said that the show not only highlights traditional pieces, such as the jig and treble

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    History Of Ballet Essay

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    Surname: University: Topic: Understanding of ballet Date: Art and architecture Introduction “Let us read, and let us dance; these two amusements will never do any harm to the world.” The above quote by the eminent French Philosopher Voltaire speaks volume about the importance of dance. Human beings from time immemorial have danced for various reasons. Initially, it was for celebration, worship, or pleasure. There is a great variety of dance forms across the world and of the all dance forms;

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