Allegory And Symbolism In A Christmas Carol

He is an extremely wealthy, but selfish and gauche old man. Due to past experiences, his outlook on mankind and the world at large is jaded, and this is especially true on Christmas. While the rest of the world is preparing to celebrate he is instead reminded of everything

Scrooge finally sees his future gravestone and wants to change. The spirits gave him a second chance and Scrooge woke up on Christmas. He ordered a goose to be sent to the Cratchits’ home, payed extra for the goose, and payed the boy who helped. He changed and lived another

Only Peanut woke up to the noise because he has amazing ears. So then he went outside to investigate what the noise was and to see if it was When he arrived outside he looked around and he saw a sleigh. He also saw Santa sitting in it. He saw a sleigh

The spirits would come one by one. The spirits like literally brought him there but Scrooge and the spirit were invisible. All spirits affect Scrooge but who affects Scrooge the most. So, the spirit of Christmas Future affects Scrooge the most. First

Greed is an excessive or rapacious desire, especially for wealth or possessions (dictionary.com). This word perfectly describes Mr. Ebenezer Scrooge in the movie and play of A Christmas Carol, originally written by Charles Dickens. This play and movie is a favorite among many people because of its lesson about greed. They both illustrate the message that money, possessions, and things like that, they aren’t everything. In both, Mr. Scrooge is an old miser who hates Christmas and cares very deeply about his money.

A Christmas Carol: Poor and Greediness in Victorian Society In most fictional stories, the main character is happy and adored by others. This does not happen in A Christmas Carol. Scrooge, the main character, is a harsh man who scorns Christmas and is not kind. The ghosts of Christmas Past, Present, and Future arrive to remind him of his rude attitude toward people in general.

The East Indian Christians decorate their banana or mango trees during Christmas. They light up oil lamps made of clay for decorations and fill their churches with red flowers. Presents are distributed amongst family members and baksheesh (charity) is offered to the poor. Poinsettia blooms during this time, hence this flower is used for Christmas Midnight Mass decorations.

Compare and Contrast A Christmas Carol is full of many twists and turns, and has been written in many different versions. Writers have taken artistic liberties and have added or taken away to the beloved Christmas story to make it their own. No two versions are going to be exactly similar, and most definitely are going to have many differences. The play and the movie both follow the basic plotline of the classic novel, A Christmas Carol.

Joanna Trollope, a british writer, once said,“You can change yourself and you can change the situation but you absolutely cannot change other people. Only they can do that.” In the fictional world of Charles Dickens, a man who has been a terrible ogre for decades has the chance to change his ways, this was Ebenezer Scrooge in The Christmas Carol. Is it possible for terrible people to completely change who they are, in real life? People can reform entirely if they have others willing to help them, their mind is positive on the task at hand, and is willing to change their own future for the better.

A timeless theme is a general event that will happen to everyone and shows how everyone is similar. It is understood by anyone and everyone because normally, it will happen to everyone at one point or another. A timeless theme shown in the play A Christmas Carol, the movie A Diva’s Christmas Carol, and in the book How the Grinch Stole Christmas is changing for the better. It is shown in the play through the way Ebenezer Scrooge’s mindset changes during the play as the spirits show him Christmas past, present, and future. It is also shown in the movie through how Ebony Scrooge’s actions change as she sees more and more Christmases that she had missed or forgotten.