Many people have difficult relationships with family members but few are as explicit and ironic as Alison Bechdel’s relationship with her father. In her memoir Fun Home, Alison writes of how her homosexual father, in an effort to hide his sexuality, diverts attention from his family to his reputation. Alison Bechdel explains how her father’s obsession with perfection failed their father-daughter relationship using her experiences with literature, visual representation where words fail her and thoughtful reflection on her father’s shortcomings. Her using these literary methods to describe her father show the reader how she has overcome her upbringing and brought clarity to herself after her father’s death and how others can do the same. Fiction gives readers the ability to connect with characters as they develop and grow throughout their story. By reading along with fictional characters in literature, readers can identify with similar life realizations and reflect on those shared experiences. In writing, authors take advantage of allusions because it can grasp the attention of their audience and enhance the meaning of a story. For instance, in the memoir Fun Home, Alison Bechdel utilizes allusions of her …show more content…
In her earlier years, she reminisces on Bruce’s expectations for the perfect family and “museum-like” house where he “treated his furniture like children and his children like furniture” (Bechdel 14). By connecting Bruce with other skillful artiface fictional characters, Alison is able to put forward an explanation as to why he was the way he was and Lydenburg addresses this realization by stating, “She does not reject entirely Bruce’s ‘He is me’ mode of reading, but she does see its limitations, and even the dangers of ‘overidentification’” (pg. 141). Recognizing Bruce’s overidentification tendencies helped her accept his flaws as an unexpressive, preoccupied
In expositions, writers usually tend to focus on certain techniques to not only enhance their writing, but also make their audience believe in whatever they are writing. These age old techniques have been used for so long for one common goal, to create clear messages from their writing that the audience are able to connect with. When their is a feeling of understanding of what the writer is attempting to portray, it makes it far easier to obtain a deeper knowledge. In Hope Edelman’s essay, The Myth of Co-Parenting: How it Was Supposed to Be. How it was, she doesn’t fall short on exemplifying these certain techniques through the act of making her audience feel sympathetic.
Allusions are thrown all over the novel, creating an extraordinary, and different type of
The allusions used to connect the present to the past and include well-known events to inform the reader or to help the reader understand his points because of the knowledge they have of the people or events he
Allusion helps the author enhance the text by delivering further meaning. Capote uses biblical allusions, historical allusions and literary allusions. An example of a biblical allusion used is “an inch more of rain and this country would be–Eden on earth.” (12) This allusion serves to give the reader a different perspective by using something they might not know about, like Mr. Clutters garden, and mentioning something they do know, like the garden of Eden.
Allusion is the reference, either direct or indirect, to a person, place, thing, history, or ideas. It does not, however, describe what he/ she is referencing to. The use of allusions allows writers to clarify ideas and emotions. Attention grabber is a statement that is used to grab the readers attention, this is also called a hook.
Literary allusions are an author taking another's work and refrencing it in their own work. It is not that literary
There might have been some perverted desire mixed, but this relationship is being born out of shared loss and desire for companionship. Additionally, the islanders all treat Theophilus and Candace’s relationship the same as any other relationship, and this nonchalant treatment of a sibling sexual relationship makes it more difficult for a reader to get fired up than if the other islanders appeared to have strong opinions about Theophilus and Candace’s relationship. Given how a reader is primed to not have strong opinions about Theophilus and Candace’s relationship and how the relationship is born out of tragedy, a reader is ready to
Alison Bechdel’s “Fun Home: A Family Tragicomic” is an enthralling memoir about a young girl’s peculiar childhood, which involved her family’s funeral business, infatuating trips, family turmoil, solitude, and her befuddling relationship with her masterful artificer of a father; in which similarities ranged from obsessive compulsive disorders and literature to sexuality. The most profound being homosexuality. Bechdel utilized duo-specific, speech bubbles, as well as, subject-to-subject paneling to illustrate the complex father-daughter relationship where Alison and Bruce Bechdel perpetually attempted to compensate for each other’s eccentric gender behaviors. Initially, both Bechdals yearned for different genders, imposing expected behaviors upon the other.
Doing this she creates a real-world connection between the text and real life. Duffy uses alliteration to grab the reader's attention to certain words and phrases. In the poem it said
By consistently mentioning Gemma’s accounts of sharing her fairy tale story of Briar Rose and the intentional attention to detail, Yolen highlights the strong intimacy associated with traditional storytelling and its power to create powerful connections. As Gemma began telling her story in the beginning of the novel, “the sisters nodded and stepped back a pace each, as if the story demanded their grandmother’s face, not just her scent” (Yolen 21). The way Gemma tells her stories to her granddaughters implies that there is a very traditional, intimate story time setting. In this way, storytelling allows not only for emotional intimacy, but physical intimacy as well. The story “demanded their grandmother’s face” implies that Gemma is looking each girl in the eye and trying to speak to each and every one’s soul (Yolen 22).
The market is saturated with memoirs written in prose. Alison Bechdel, however, puts a spin on the dysfunctional family memoir in her graphic novel Fun Home: A Family Tragicomic. By using the graphic novel narrative form, Bechdel tells the tale of her family tragedy through words and graphic images. Fun Home tells the story of young Alison’s life of dysfunction with a father who is a closeted gay man, a family that lives in isolation and her own struggle with anxiety and OCD. The chapter “The Canary-Colored Caravan of Death” focuses on her father’s death by suicide, and her own isolation and mental struggles.
Although the humor and irony is greatly exaggerated in this situation, the author’s style assists the reader in relating to the narrator and becoming more involved in the challenges that are presented within the text. Both in this essay and in Putting Daddy On, I was able to relate to the purpose of each narrative although they used different styles. While this essay focuses more on the effect that humor has on its readers, it is still presented in such a way that the argument becomes relatable to anyone who has encountered a situation similar to this
An individual’s discoveries and their process of discovering can vary according to social context and values. This is evident through different experiences of discovery within Jane Harrison’s ‘Rainbows End’ and Gwen Harwood’s ‘Father & Child.’ Harrison and Harwood present Gladys and Dolly from Rainbows End and the child and father from Father and Child to discover individual growth in themselves with the use of characterisation and various other language techniques. Both texts reflect on a feminine and a father and child context.
Tears began to seep sideways out of her eyes and run along the dirty creases in her face.” (O’Connor, 12) The old woman is so upset because even though she desperately wanted a son-in-law, she will miss her daughter. Even though the author has never come
“Sometimes a meal is just a meal, and eating with others is simply eating with others. More often than not, though, it’s not” (Foster 7). Thomas C. Foster’s book How to Read Literature Like a Professor examines several literary devices and techniques used by authors to make their books interesting, relevant, and genuine. Foster supports many times in his book that authors almost always include certain scenes only if they serve a purpose in their plots and character development. Allusions serve to connect readers to legends, history, and culture while symbols force readers to read past the obvious and use their imaginations to give an object meaning.