The Woman Inside “The Yellow Wallpaper” Charlotte Perkins Gilman writes about stories that pertain to her personal life such as “The Yellow Wallpaper.” She is also known for being a feminist and some of her work explains the type of person that she is. After getting married and having a child, Charlotte struggled with the same psychological disorder that the narrator portrays in this short story. Gilman says that the disorder nearly drove her crazy. However, Gilman’s short story is not just about the psychological disorder, her stories are also used to make a point about feminism. “The Yellow Wallpaper” is a type of short story that is considered an artistic masterpiece written in 1892. Although the protagonist is not named she creates her own identity and actions by obsessing over the yellow wallpaper included in the room (Barbara Hochman, 2002, p. 90). This short story brings up many controversial ideas about psychological disorders and feminist perspectives. “The Yellow …show more content…
The room or nursey symbolizes a prison or a type of mental institute that the narrator cannot escape. The wallpaper is a symbol of “prison bars.” In other words, the wallpaper reminds the narrator that she is trapped by her husband and her disorder. Another symbol in the story is the woman in the wallpaper. The narrator sees the wallpaper almost like a mirror. The wallpaper shows the narrator her true self and the woman that she sees in the wallpaper is herself. Ultimately, the narrator discovers a new identity and sense of self when she starts connecting herself to the woman in the yellow wallpaper (Barbra Suess, 2003, para. 31). She sees herself crawling around the floor and trapped like so many other women like her. “Gilman’s narrator, therefore, positions herself as a type of pioneering sibyl who sometimes unwittingly voices dark truths about the status of women in America” (Carol Davison, 2004, p.
Click here to unlock this and over one million essaysShow More
Analysis of the Insane Process of the Heroine in the Yellow Wallpaper The author of the Yellow Wallpaper is Charlotte Perkins Gilman (1860—1935), an outstanding American feminist, writer, novelist and so on. During her life, Gilman has written so many poetry and short stories. She is a utopian feminist and is honored as a role model for future generations of females due to her odd concepts and lifestyle. The Yellow Wallpaper is not the first or the longest work of her, but it is a best-seller of all her works.
In Charlotte Perkins Gilman’s short story, “The Yellow Wallpaper”, the narrator is suffering from postpartum depression. The narrator 's husband John, who also happens to be her physician, prescribes the rest cure to help lift his wife of her depressive state and ultimately heal her depression. However, the rest cure does not allow the narrator to experience any mental stimulation. Therefore, to manage her boredom the narrator begins obsessing over the pattern of the yellow wallpaper. After analyzing the pattern for awhile, the narrator witnesses a woman trapped behind bars.
To be trapped in one's own mind may be the worst prison imaginable. In Charlotte Perkins Gilman's "The Yellow Wallpaper", the narrator of the story is constantly at battle with many different forces, such as John, her husband, the yellow wallpaper that covers the walls of her room, and ultimately herself. Throughout the story the narrator further detaches herself from her life and becomes fixated on the yellow wallpaper that surrounds her in her temporary home, slowly driving her mad. The narrator of "The Yellow Wallpaper" is a major and dynamic character as she is the main character of the story, and throughout the story her personality and ways of thinking change drastically.
Gilman shows the progression of the main character’s insanity through the woman in the wallpaper, John, and the bed. Like most individuals, the narrator in “The Yellow Wallpaper” gradually shows increased symptoms of insanity. She begins the summer as a sane individual. As time progresses, she starts acting
She wrote “The Yellow Wallpaper” in an effort to open the public’s eyes to the unfairness of this treatment. By infusing Jane’s narrative with childish language and actions without ever actually calling “Jane” by her name, Gilman creates a universal experience any woman of the time could insert herself into. This allowed women to fully realize the injustice they faced. John’s belittlement of Jane also serves to create both a universal and eye opening experience for the women reading it. Additionally, for those who were willing to read into the symbolism, the nursery and the meaning underlying it added to the injustice Gilman conveys.
The Struggle of Many Women The story, “The Yellow Wallpaper” by Charlotte Perkins Stetson, reflects the life of many women during the difficult times they were living in. The narrator can relate to many people during the Victorian age where the woman’s role was to be a wife and a mother only. The narrator is a woman who is imaginative and is dissociated from herself and from the world.
The woman the narrator spots appears to be trapped within a bar like pattern of the wallpaper, as she moves the pattern she tries to break free. It could be argued that, the woman is a symbol of femininity. As the narrators insanity deepens, she believes she is trapped within the wallpaper too. Unable to break free from the wallpaper, like the narrator, the woman in the wallpaper has only the stereotypical option of taking the role as a wife or mother.
Charlotte Perkins Gilman’s “The Yellow Wallpaper,” the narrator, Jane, has postpartum depression. In order to cure this depression, John, Jane’s husband and a doctor, administer the rest treatment on her. Gilman wrote “The Yellow Wallpaper” through her personal experience. Along with writing “The Yellow Wallpaper” she wrote an explanation for why she wrote “The Yellow Wallpaper.”
The short story, The Yellow Wallpaper, written by Charlotte Perkins Gilman, is a brilliant piece of fictional literature. The tale involves a mentally ill woman who is kept in a hideous, yellow room under the orders of her husband, John, who is a physician. The ill woman is conflicted due to the fact that the horrifying yellow wallpaper in the room is trapping a woman who she must help escape, but the sick woman is aware that she must get better in order to leave the terrifying, yellow room. The setting and personification applied in the short story, The Yellow Wallpaper, allows readers to develop an understanding of the sickness of the main character faces.
The Yellow Wallpaper by Charlotte Perkins Gilman is a short story told through diary entries of a woman who suffers from postpartum depression. The narrator, whose name is never mentioned, becomes obsessed with the ugly yellow wallpaper in the summer home her husband rented for them. While at the home the Narrator studies the wallpaper and starts to believe there is a woman in the wallpaper. Her obsession with the wallpaper slowly makes her mental state deteriorate. Throughout The Yellow Wallpaper Charlotte Perkins Gilman uses many literary devices such as symbolism, personification and imagery to help convey her message and get it across to the reader.
The vast majority of people wouldn’t give the wallpaper much thought, however the narrator becomes obsessed with it. To the narrator, the wallpaper is alive and becomes the focus of all her time. Her overwhelming lure to the wallpaper becomes obvious when she first provides a very vivid description stating “It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide – plunge off at outrageous angles, destroy themselves in unheard of contradictions” (217-218). As she begins to lose her grip on reality, the narrator beings to see faces and eventually a woman within the wallpaper. At first, her description of seeing faces in the wallpaper seems like it could be her mind making since of the varying patterns or just part of her imagination.
She begins to see strangles heads in the wallpaper, which can be a symbolic representation of the patriarchal order that stifled women. The bars on the wallpaper that cage the imaginary women are a reflection of her own situation where she is confined in the old mansion. Even the smell of the wallpaper, which she describes as being ‘yellow’ and present throughout the house, is a reflection of the mental repression that is always present in her life. She is so consumed by the smell that she thinks about burning the old mansion just to cover it
(678) in this statement she is challenging herself and this shows the reader she is facing some confusion. The yellow wallpaper in the main characters (the narrator) bedroom is a major point in the story. The yellow wallpaper plays a major role in the woman’s insanity. The woman’s obsession with the wallpaper creates her problem and affects her mind and judgment. This is shown in, “It dwells on my mind so!”
Her descriptions of the room, with the furniture seemingly being nailed to the floor and the windows being “barred” show an underlying understanding that her thoughts and personality is being confined. The irony present in this description, due to her belief that the room used to be a nursery, shows her early denial of her husband’s dominance over her. As the story progresses and she begins to see the woman behind the wallpaper, the reader is exposed to the narrator’s realization that she is the one that is actually being suppressed. The descriptions of the wallpaper, showing how confining it is for the symbolic woman behind it, shows how the narrator is being trapped by those bars in both her marriage and in her mental illness. Thus when she says, “At night in any kind of light… it becomes bars,” the reader is shown how restricted the narrator feels, reflected through the wallpaper.
The protagonist of The Yellow Wallpaper anthropomorphizes the floral elements of the yellow wallpaper, wherein wallpaper is typically a feminine floral decoration on wall interiors. These elements signify the scrutiny Victorian society makes of lives of its womenfolk, particularly of women who are creative and insubordinate to their spouses. The protagonist is one such woman; her writing denounces her imaginative character and the surreptitious persistence of her writing denounces her matrimonial and feminine disobedience which were considered radical in her contemporary society. Gilman expresses the suppression felt by women from societal scrutiny to be one of “strangling”, through the narrator, who in one instance describes the wallpaper pattern like so: “it strangles so; I think that is why it has so many heads… the pattern strangles them off and turns them upside down, and makes their eyes white!” Her anthropomorphizing of the pattern of the wallpaper adopts a grimmer facet when she writes that “when you follow the lame uncertain curves for a little distance they suddenly commit suicide.”