The story “The Yellow Wallpaper” by Charlotte Perkins Gilman deals with the narrator’s insanity as she identifies herself completely with the woman in the wallpaper. This made her believe that both she and the women have liberated themselves from masculine oppression by tearing out the domesticated prisoner in the wallpaper. Also, with the narrator being diagnosed with postpartum depression after her pregnancy, she finds herself isolated from society under the treatment of her husband who is a doctor and prescribes her not to do any form of duty/work. However, she is not the main reason to blame for her insanity because she had no chance of expressing herself but rather doing what her doctor “husband” says which lead to her inner destruction. …show more content…
As she is getting closer and closer revealing the meaning of the wallpaper, she finds out a disturbing truth of her life which is similar to the figure in the wallpaper. She is simultaneously jealous of the secret “ there are things in that wallpaper that nobody knows but me”(pg 553), and frightened of what it seems to imply. Also the narrator tries to deny her growing insight “the dim shapes get clearer every day”(pg 553), but she is powerless to extricate herself. Small wonder that the woman she sees is always “stooping down and creeping about”(pg 553). Like the narrator herself, she is trapped within a suffocating domestic “pattern” from which no escape is possible. As the result of this, she no longer has any identity. She find herself lost between the identity of Jane and the women in the wallpaper. The narrator stated, “I’ve got out at last, in spite of you and Jane”(pg 559). As a reflection of what her situation was, she said “I don't like to look out of the windows even—there are so many of those creeping women, and they creep so fast”(pg 559). The narrator is scared to look back at the wallpaper because she does not have an answer for other women about what she went
As she understands that the women trapped in the wallpaper is a reflection of herself she free herself mentally. Resulting in her going
The main character is quiet, always following orders during the day, but at night she creeps; creeps on to the very edge of the wallpaper to converse with the women trapped inside, for "by daylight, she is subdued" (245). The protagonist in "The Yellow Wallpaper" thoroughly describes how the absence of light changes the paper, claiming "it changes as the light changes" (244) though it is only her perception of it that is distorted. There is a quality to the wallpaper that disturbs her inner being, "things in that paper that nobody knows"
However, we later see a shift in her feelings towards the wallpaper as she states that she is growing “really fond of the room in spite of the wallpaper” and comes to a realization that it may be “because of the wallpaper” (Par 94) As her opinions on the wallpaper begin to change, the progression of her mental instability becomes increasing visible. She begins to build a relationship with the wallpaper and claims that “There are things in that paper that nobody knows about” (Par 22) her. As this relationship with the wallpaper builds, her sanity begins to slip, and the hallucinations begin in a somewhat minor manor. In her first mention of “the woman” she says that the pattern on the
The narrator is a woman who is imaginative trying to make her mind think and realize the meaning of the yellow wallpaper. She describes the wallpaper as, “repellant, almost revolting; smouldering unclean yellow, strangely faded by the slow turning sunlight” (Gilman 641). This specific wallpaper makes the narrator feel a certain way. At first, she does not like the color or how it looks. But then not having anything else to do in the room, she starts examining the wallpaper.
Though something to her feels off about this house. As they explore the house they, discover a nursery with yellow wallpaper inside. The woman becomes obsessed with this wallpaper, trying to decipher each and every pattern, logging all of it into her diary which she keeps away from her
The woman in the wallpaper is trapped just like she is. The narrator creates a figure that she could relate to and then spends all her time focused on the figure and trying to figure out how to help the woman in the wallpaper escape her cell. As the story continues and she remains isolated, it is obvious Jane views herself as the woman inside the wallpaper. As a result of being trapped in her room, she begins to lose her sanity. She believes she is trapped in the wallpaper and must escape its holds.
At first it is seen as nothing but an old ruined wallpaper with a “bad” pattern. As the story progresses she stares at the paper for hours and sees a sub-pattern behind the main pattern, visible only in certain light. She hen sees a desperate woman trying to leave the wallpaper which shows how the women feel trapped. The author uses the yellow wallpaper as a symbol of the oppressive life that many women have today and back then.
She proceeds to explain the contributing factors of the narrator succumbing to her “disease” of hysteria which was isolation from social interaction and the restriction of her own thoughts. She points out that the narrator is confined to a simple square room with nothing to offer in terms of mental health therapy. The narrator’s lack of the ability to interact with anything or anyone leads to infatuation with the wallpaper, which turns out to be “the
However as time moves on, and the woman in the wallpaper becomes more and more real to her, it’s clear that her mental state is rapidly depleting. Her first description of a figure in the wallpaper came when she stated that the wallpaper had a “recurrent spot where the pattern lolls like a broken neck and two bulbous eyes stare at you upside down” (219). By the time the story ends, the narrator had turned into the
(678) in this statement she is challenging herself and this shows the reader she is facing some confusion. The yellow wallpaper in the main characters (the narrator) bedroom is a major point in the story. The yellow wallpaper plays a major role in the woman’s insanity. The woman’s obsession with the wallpaper creates her problem and affects her mind and judgment. This is shown in, “It dwells on my mind so!”
Initially, the narrator is disgusted and irritated by the paper, claiming, “I never saw a worse paper in my life. One of those sprawling flamboyant patterns committing every artistic sin” (339). This reaction mirrors that of a sane person’s--fearing the unknown, they distance themselves from insanity and any iteration of it, seeing it as grotesque and shameful. Yet, as she spends more time in the room, she grows interested in the wallpaper and begins to investigate. She comes to the conclusion that: “I didn 't realize for a long time what the thing was that showed behind, that dim sub-pattern, but now I am quite sure it is a woman” (346).
The woman was obsessed with the wallpaper she begins to hallucinate that something was creeping on her. She had locked herself in the room and would not let anyone in the bedroom with her because she was trying to trap the creeper that she thought she saw. The narrator of “The Yellow Wallpaper” say,“‘Open the door, my darling!’ , ‘I can’t,’ said I. ‘ The key is down by the front door under a plantain leaf’”
In Charlotte Perkins Gilman’s short story, “The Yellow Wallpaper”, the narrator is suffering from postpartum depression. The narrator 's husband John, who also happens to be her physician, prescribes the rest cure to help lift his wife of her depressive state and ultimately heal her depression. However, the rest cure does not allow the narrator to experience any mental stimulation. Therefore, to manage her boredom the narrator begins obsessing over the pattern of the yellow wallpaper. After analyzing the pattern for awhile, the narrator witnesses a woman trapped behind bars.
As the narrator becomes more fascinated with the wallpaper she moves progressively away from her normal day-to-day routines and lifestyle. When the narrator finally recognizes herself as the woman trapped in the wallpaper she screams at her husband "I 've got out at last," (Gilman 656) "you can 't put me back" (Gilman 656). She realizes woman are forced to hide behind the internal patterns of their lives and they need that she needs to be
She begins to see strangles heads in the wallpaper, which can be a symbolic representation of the patriarchal order that stifled women. The bars on the wallpaper that cage the imaginary women are a reflection of her own situation where she is confined in the old mansion. Even the smell of the wallpaper, which she describes as being ‘yellow’ and present throughout the house, is a reflection of the mental repression that is always present in her life. She is so consumed by the smell that she thinks about burning the old mansion just to cover it