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How Does Virginia Woolf Use Ethos In A Room Of One's Own

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In A Room of One’s Own Virginia Woolf Uses a lot of ethos and logos and pathos in the beginning of the chapter to get the reader to connect with the piece then uses strong examples to back up what she 's saying to the reader I think her strongest quality in this piece is that she has really strong examples to back up what she 's discussing in this chapter. When she/s discussing the idea of loss of history at the bottom of page 44 “History scarcely mentions her” showing exactly how she 's discussing the loss of women 's history. Immediately after that, she shows her strong examples “I turned to professor Trevelyan again to see what history meant to him. I found by looking at his chapter headings that it meant-” she then goes on to list
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This use of logos shows the nonconformity Woolf has with the treatment women receive at the university and the food they are being served, as the plain gravy soup which was a transparent liquid with nothing to stir. This quote transmits the reader a feeling of disadvantage and injustice against women and contributes to the larger idea of women and fiction. Word count:

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Passage one uses long and complex sentences, which includes great detail of the supper she is served at the men’s college. The elegant banquet is described as follows: “The partridges, many and various, came with all their retinue of sauces and salads, the sharp and the sweet, each in its order; their potatoes, thin as coins but not so hard; their sprouts, foliated as rosebuds but more succulent.” Woolf incorporates specificities in her language to stress importance, and at many times, create imagery. The tone is breathless and awestruck. Woolf’s tone is unsatisfying when writing about the meal served at the women’s college.

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Adding to the ever growing library of women, Virginia Woolf used her unique stream of consciousness style of writing to convey new ideas about gender roles and gender identity, paving the way for more women to find rooms of their own. One can only hope to influence generations of people with one’s writing, bringing about new conversations and ways of communicating. Eventually, Virginia Woolf committed suicide, ending her highly original career and perhaps echoing a point she makes in her own essay, “To have lived a free life in London in the sixteenth century would have meant for a woman who was a poet and playwright a nervous stress and dilemma which might well have killed her”

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More recently, the awarded Canadian writer Margaret Atwood has also focused mainly on women’s issues and has been regarded as a feminist writer. In “The Handmaid’s Tale”, published in 1986 Margaret Atwood portrays a strongly feminist view of a dystopian society, in which women have been deprived of all their rights. Both of these writers are representatives of the female feminist writers who have let their footprint in our literary history, and each of them expressed her concerns on women’s rights according to the time they were living in. In A Room of One’s Own, Virginia Woolf (1929) emphasizes the inequity of treatment for women throughout times that still persists in her society, and promotes her thesis that "a woman must have money and a room of her own if she is to write fiction" (p. 6).

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It is quite difficult for the reader to find a proper place as to begin an enquiry about the aspects of the narrator in A Room of One’s Own because of the many ambiguities associated with the narrator. One possibility, which presents itself from the very beginning of the essay, is to use the concept of an audience as an entrance to the text. From this perspective, it is beneficial to approach the text as a frame narrative which starts off with a narrator addressing someone about questions regarding women and fiction: “BUT, you may say, we asked you to speak about women and fiction – what has that got to do with a room of one’s own? When you asked me to speak about women and fiction I sat down on the banks of a river and began to wonder what

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The diction and tone in Woolf’s essay affects her message as it was melancholy and calm. The diction was clear and understandable to ensure that the audience could understand her message, rather than try and decipher large incoherent words. Woolf also uses many words with negative connotations, but takes a neutral attitude to the subject. At the beginning of the essay Woolf 's tone is very hopeful, but as the essay progresses it turns dark and somber. At the beginning Woolf used phrasing such as “ Pleasant morning” (Woolf 5) and “enormous energy of the world”(Woolf 24) .

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Woman writers, poets, and thinkers began to create the early foundations for feminist thought and logic during this time. One of the pioneering voices in this emerging feminist movement was Virginia Woolf. Woolf, in her essay A Room of One’s Own tries to address the question of creativity between the sexes, and under what conditions does creativity flourish. Using a very poetic narrative style, Woolf explores several ideas in her attempt to understand the differences in the creative faculties of men and women. She explores themes relating to poverty and education, stating the relative difference in wealth between men and women.

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Instead of reflecting directly onto herself, she uses the people she interacts with as a proxy for her own feelings and opinions. In doing so, Woolf empathizes with the people while engaging in a cold deconstruction of her surroundings, making the

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One of the most significant works of feminist literary criticism, Virginia Woolf’s “A Room of One`s Own”, explores both historical and contemporary literature written by women. Spending a day in the British Library, the narrator is disappointed that there are not enough books written by or even about women. Motivated by this lack of women’s literature and data about their lives, she decides to use her imagination and come up with her own characters and stories. After creating a tragic, but extraordinary gifted figure of Shakespeare’s sister and reflecting on the works of crucial 19th century women authors, the narrator moves on to the books by her contemporaries. So far, women were deprived of their own literary history, but now this heritage is starting to appear.

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This can be exhibited when she states “..that a highly gifted girl who had tried to use her gift for poetry would have been so thwarted and hindered by other people, so tortured and pulled asunder by her own contrary instincts, that she must have lost her health and sanity to a certainty.” Woolf desires to validate the idea that “woman cannot write the plays of Shakespeare” but intends to clarify that this is not due to a lack of talent or ability equal to that of men, but simply because the societal structures at the time rendered it impossible for them to be equally successful. In the development of her argument, Woolf starts out by exposing the belief that it was impossible for women to “have the genius of Shakespeare” and she contextualises the reader with some basic information, given by an authority figure “Professor Trevelyan” about women’s conditions during the era. Woolf then provides the reader with a hypothetical situation to ponder on: What if Shakespeare had had a sister — that is, a female sibling of

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