“A man cannot become a hero until he can see the root of his own downfall.” This quote articulated by famous Greek philosopher Aristotle provided the basis for another category of heroes: tragic heroes. Throughout literature’s history there have been various tragic heroes from F. Scott Fitzgerald’s Jay Gatsby in the novel The Great Gatsby to Oedipus Rex in Sophocles’ play Oedipus the King. William Shakespeare created tragic heroes in his plays as well, one of the most famous being Macbeth in the title play Macbeth. In another of Shakespeare’s plays, Hamlet, Prince Hamlet cries out, “To be, or not to be: that is the question:/” which appears similar to the question some readers still ask, “Is or is not Macbeth a tragic hero?” (INTEXTDOCUMENTATION).
The following passage is significant to the play ‘Othello’ in retrospect to the plot progression, as it reiterates themes and introduces important facets to the plot development. Through Iago’s cunning manipulation and Shakespeare’s crafting of language, this passage is constructed as a pivotal point of the play, marking the transition of Othello’s personality and revealing his deepest insecurities that eventually lead to his downfall and tragic ending.
Mindset and grit are equaled to success. Growth mindset is the belief that people can get smarter by working harder and practicing. Fixed mindset is the thought that talent and skills develop success without putting any effort. Grit is determination to stick to one thing until you have mastered it. There are certain decisions that an individual makes that will impact grit. Throughout reading the play Othello by Shakespeare there are connection between Othello , Desdemona , Iago and Brabantio with grit , growth mindset and fixed mindset.
Olson, Rebecca. “Too Gentle: Jealousy and Class in Othello.” Journal for Early Modern Cultural Studies, vol. 15, no. 1, 2015, pp. 3–25. MLA International Bibliography EBSCOhost, doi:10.1353/jem.2015.0006. Accessed 14 Mar. 2017.
In the play Othello, by William Shakespeare, the title character is a valiant hero who is in love with his beautiful bride, Desdemona. The play’s villain, Iago, destroys this love by feeding Othello vicious lies about Desdemona, causing Othello to slowly go mad. By the end of the play, Othello, in a fit of jealous rage, murders his wife. This significant change in Othello’s character is not sudden; rather, it is a gradual transformation that takes place after a series of events that occur throughout the play. Othello’s character undergoes a significant change due to a series of events at the hands of Iago, the play’s antagonist to enhance the fact that even a valiant heroes can become corrupt.
Othello’s first action of weakness shows when he turns jealous. Iago, his ensign, convinces him that his wife, Desdemona, has been having an affair with his lieutenant, Cassio. This is Othello’s response to Iago’s mortifying news, “She’s gone, I am abused, and my relief / Must be to loathe her. Oh, curse of marriage / That we can call these delicate creatures ours / And not their appetites!” (3.3.308-11). In this quote, Othello says that there is nothing more to do than hate Desdemona, wives cannot truly belong to their husbands. This is a sign of weakness because Iago has no real evidence to back up the claims he has made to Othello, however, Othello is not strong enough to brush them aside.
The play Othello by William Shakespeare paints a picture of a noble character by the name of Othello. Othello’s nature was “noble, innocent, modest, and free” and yet he still possessed several tragic flaws that ultimately led to his downfall (Martin 47). Othello suffered from many flaws but the largest were jealousy, quick judgment, and blind trust in Iago. While Othello’s tragic flaws were clearly present these flaws would never have led to Othello’s downfall had it not have been for Othello’s greatest flaw, blind trust in Iago. Othello’s blind trust in Iago led to other flaws such as jealousy and quick judgment playing a major role in Othello’s life in the play Othello by William Shakespeare. Othello’s greatest flaw was blind trust in Iago
Manipulation is shown in many ways such as politics, the media, misleading information and false advertising. To convey one’s thoughts to your own advantage is seen as crude and unnecessary. However, many people have their reasons in manipulating someone whether they are good or bad. In Shakespeare’s Othello, the concept of taking advantage of someone through manipulation leads to unnecessary, horrible events.
Iago’s powerfully disruptive insinuations torment Othello to fall precipitously into his intricate trap, believing in the prospect of Cassio and Desdemona’s fictitious affair. Through the use of linguistic techniques such as elliptical speech, subservient vocative choices and a hesitant tone, Iago is able to construct artful innuendoes to deceive and manipulate Othello. Supplementary to linguistic techniques, dramatic techniques such as dramatic irony reinforces Iago’s role as a two-faced villain, who is making a pretence of being Othello’s loyal ensign. Eventually, Iago’s villainy nature sows a seed of doubt in Othello that germinates into the murder of Desdemona. Through the characterisation of Iago as a notorious villain, Shakespeare is able to hold Iago’s actions accountable for the play’s tragic downfall, establishing a sense of powerlessness amongst the
Shakespeare’s play, Othello, deeply explores the effects of jealousy on a person. Shakespeare also portrays the different types of jealousy and alludes to the causes of them. Othello is a tragic play written by William Shakespeare around 1603, about a man, Iago, who plots to take revenge on a Moorish soldier, Othello, for he has “done my (Iago’s) office”. The deaths of several people, including Othello’s wife Desdemona, Iago’s wife Emilia, Othello and Iago’s companion Roderigo, were all directly linked to Iago’s actions. Othello illustrates that jealousy often leads to revenge, jealousy can prevent a successful relationship, and jealousy leading to one’s downfall.
A tragic hero is a protagonist in a tragedy who is doomed by fate to destruction. The tragic hero displays heroic traits, but also possesses a tragic flaw that brings them down in the end. However, even though the death of the tragic hero has negative effects, the majority is for the greater good. Three main theories of the tragic hero are the Aristotelian model, the Shakespearean model, and the modern tragic hero. Each model has five defining characteristics, which are nobility, hamartia, downfall, anagnorisis, and suffering. In the Shakespearean model of tragedy, the play Romeo and Juliet best models the tragic hero. For instance, nobility is characterized by being upper class and having elevated character. Romeo satisfies both these criteria
An Aristotelian tragic hero is a character born of noble birth and, by destiny, has a tragic flaw that inevitably leads to his or her downfall and redeems his or herself by the end of the tragedy. For one to consider a play a tragedy, the character of the play must be noble, and the play typically starts off with happiness and wealth. The play ends with sadness and the hero has a tragic flaw that causes their downfall. In The Tragedy of Macbeth by William Shakespeare, Macbeth fits the definition of an Aristotelian tragic hero. Macbeth is a tragic hero because he starts by being loyal and trustworthy, develops a tragic flaw that leads to his downfall, and he redeems a small measure of himself before he dies.
What is a tragic hero? A tragic hero is a character in a plot where in the plot they have a tragic downfall, or fatal flaws. An example of a Tragic Hero is the character Macbeth, from William Shakespeare’s play “Macbeth”. Macbeth fits the traits of a tragic hero because he has both fatal flaws and a tragic downfall.
The tragedy of Othello written by William Shakespeare presents the main character Othello as a respectable, honorable, and dignified man. However, because of his insecurities and good nature he is easily taken advantage of and manipulated by his alleged friends. Shakespeare is known for his exceptional ability to compose plays full of deceit, revenge, and jealousy. Jealousy is an underlying theme throughout the tragedy and has been represented by many of the main characters, such as Iago, Roderigo, and Othello. The topic of jealousy will ultimately lead to the demise of many characters throughout the tragedy.
A tragic hero is somebody who is well-known and of high position with heroic or potentially heroic qualities. A tragic hero, is remarkable, however not impeccable, therefore being possible to relate to as a human being. The hero 's downfall is the result of a fatal flaw in his or her character. Their downfall is the result of free will, not of an accident or insignificant destiny. The hero 's fall is never a complete loss. There is always an increase in awareness, a gain in self-knowledge, or some sort of discovery on the part of the tragic hero. There are numerous events that occur within Maximus ' life that prove that he is indeed a tragic hero. Maximus is viewed as an outstanding individual for the vengeance he brings to his people. He