Jamil's Critique Of Carnivalesque Free

Puritan’s harsh beliefs represented the beginning of the Nineteenth Century in the newly colonized America. Their community ruled with an iron fist: unforgiving, pitiless, stern. In The Scarlet Letter, Nathaniel Hawthorne expresses his disagreement with puritan priorities by revealing the hypocrisy widely practiced throughout their community. Hawthorne’s utilization of dim diction aids in the establishment of his scornful tone, while inclusion of symbols and intricate juxtaposition all serve to accentuate the Puritan’s duplicity. All these factors combine to develop a critical tone which rebukes puritan society. By negatively depicting the Puritans with his depressing diction, Hawthorne establishes a scornful tone that highlights the Puritan’s

Hawthorne, Nathaniel. "Young Goodman Brown." Literature: An Introduction to Reading and Writing. 5th ed. Eds. Edgar V. Roberts and Henry E. Jacobs. Upper Saddle Riva: Prentice Hall, 1988. 376-385.

The presence of good and evil can plague the mind, as people must come to grips with the reality of freedom of choice. In “Young Goodman Brown” by Nathaniel Hawthorne, the main character and protagonist, Goodman Brown, goes through an experience where he realizes everyone must choose regularly between good and evil. Realizing that many people fail to follow a path of righteousness, Brown begins to question his own faith. Through a dream-like state, Goodman Brown is exposed to negative influences that challenge his Puritan beliefs and religious morals. Hawthorne uses specific language, metaphors, and vivid biblical allusions in the story that help demonstrate Brown’s struggle with accepting the fact that people he loved and trusted may have succumbed to evil. Hawthorne demonstrates three important elements as he tells the story of Goodman Brown, which include: Brown’s own internal struggle, his awareness of external conflicts, and then his reaction to the realization of the good and evil that surrounds him.

Nathaniel Hawthorne was known for his many ways of writing including hidden messages, allegory meanings and symbolism. Nathaniel also brought back Puritan style writing by discussing religion as a main focus in his texts with everyday people good or bad, also known as religious symbolism. In “Young Goodman Brown” Nathaniel Hawthorne symbolically illustrates the dark and bright sides of characters throughout the story in order to teach the moral lesson of man and the conflict within, the hidden evil among everyone represented in the mysterious man and Goody Cloyse, Goodman's unknown past, and his unknown future with his wife.

In conclusion, “The Minister’s Black Veil” and “Young Goodman Brown” are both strongly based in religion, contain symbolism, and share a dark mood. These elements enrich the stories by conveying the important points included in each one. Hawthorne synthesizes these elements in much of his literature, which explains how these stories are beautifully woven together like a well-crafted

“Young Goodman Brown”, by Nathaniel Hawthorne, is a story that is meant to hold a larger truth about society. This story is comprised of many different symbols that work together to make that truth all the more clear to the reader. Hawthorne will accentuate the fact that faith is a choice, and each individual faces a struggle whether or not to accept faith as a part of who they are. He uses each character and event in the story as a representation of different influences that people are impacted by in the process of making a decision on faith.

American currencies, specifically coins, have two sides: a head and a tail. The head and tail are different, yet they are still part of the same coin. Two American authors, Ralph Waldo Emerson and Nathaniel Hawthorne, represent two sides of the same coin: Transcendentalism. Transcendentalism swept through America as a new worldview in the 1900’s. Transcendentalism is a philosophy that asserts the primacy of the spiritual and transcendental over the material, that deals with aspects of nature. Men committed their lives to the study of nature. Nature became a religion. Emerson, a transcendental optimist, claimed that each person is inherently good. Hawthorne, a transcendental pessimist, demanded that man was corrupt and inherently evil. Emerson

During the 17th century, the Puritans crossed the sea to grace America with their presence. In an astounding example of foreshadowing, the Puritans set up a patriarchal, semi-authoritarian society based on strangely unforgiving laws interpreted from the Holy Bible. Generations later, Nathaniel Hawthorne is raised in a post-Salem witch trial society amongst Puritans. Hawthorne is devout; however, the unjustifiable actions of his ancestors disturbs him. Hawthorne grew to have deep criticisms of Puritan society, and this became evident in his works. Hawthorne's strongest criticisms of Puritan society show themselves in "Young Goodman Brown," "The Minister's Black Veil," and The Scarlet Letter.

The desires of humanity often reflect the temptations residing in the heart’s depths. Evil’s lure is a strong pull felt by all, regardless of the appearance put on through the conscious mind. In literature, temptation is explored thoroughly, especially in the short story, “Young Goodman Brown”. “The tale becomes in great part, thus, a record of temptation” (Pualits 578-579). The author of “Young Goodman Brown”, Nathaniel Hawthorne, was born in Salem, Massachusetts, in 1804. His family has a long standing history in Salem, as his relative John Hathorne was a judge in the Witch Trials. Soon after the trials a ‘w’ was added to the family’s last name to distance themselves from the horrors of the time (Nathaniel Hawthorne Biography). Set during

Appearances can be everything. In today’s society, especially, appearances are a major factor in how society views and values individuals. However, while one can appear to be high-principled and faithful, he or she can easily be deceiving the public in order to maintain his or her reputation. In The House of the Seven Gables, Nathaniel Hawthorne, through a collection of oxymoron, syntax, tone, rhetorical question, connotation, details, metaphor, and direct characterization, reveals the corrupt nature of Judge Pyncheon.

In Hawthorne 's essay “Young Goodman Brown”, does it matter whether or not the protagonist, Goodman

"There is no one righteous, not even one.” This is the theme present throughout the short stories “Young Goodman Brown” and “The minister's black veil”. Nathaniel Hawthorne crafts two stories that not only look at the characters in the stories, but also forces the reader to examine human nature and their own self-righteousness; whether it be from the perspective of Goodman Brown or the townspeople of Salem. Nathaniel Hawthorne offers a peek behind the black veil that everyone wears.

In reading this classic tale from 1853 which was written by Nathaniel Hawthorne, I became intrigued first by the theme of the 1800’s with shadowy undertones of biblical evilness. Although, in reviewing the story further I noticed a certain distinctive trends of old world flare that was unmistakable. These tones are of sexism which sadly marked the time period historically to such extent in which the structured confinements of gender responsibilities.

Compare and contrast the meaning and style of “Sinners in the Hands of an Angry God” and “The Minister’s Black Veil.” How does each author convey his meaning to the reader? Which author’s style is more effective and why?

He believes that his Faith is salvageable, yet due to Hawthorne’s use of deliberate ambiguity, Goodman Brown does not know “whether Faith obeyed” him or not (395). Goodman Brown awakes the next morning unsure if his Faith remains intact, unsure how the hellish communion ended. His uncertainty causes him to distrust those around him, “he shrank from” the minister and “snatched away [a] child,” from Goody Cloyse (395). He even distrusts his own Faith, deciding not to speak to her and only “looked sternly and sadly into her face,” attempting to discern if Faith is without sin (395). As such, he commits the unpardonable sin, looking for sin in others. He fears that he has lost God’s grace, or fears that others may tempt him into sin. Uncertain of his place and of the intentions of others, he attempts to find the sin before it may taint him further. However, sin’s taint had already reached him. Weighted down by his constant search for certainty, Goodman Brown became “a sad” and “desperate man” (395). His sin haunted him until his final breath, “for his dying hour was gloom” (395).