I have recently had the honor to attend one of Jay Gatsby’s extensive parties. I arrived to the party in one of the finest Packard Twin automobiles I have ever laid eyes on. It was sent to pick me up at my estate over on the peninsula of east egg and brought me directly to the affair. As I arrived at the front driveway of the Gatsby manor, I was greeted by members of Jay’s staff as well as other guests that were also arriving to the party. As I entered the main room I was flabbergasted by the immense decorations that covered the interior of the main room. As I glanced around the great room, I spied many things that astounded me as to why someone even at the financial status of Jay Gatsby would spend their wealth on. One of these things was an entire pit orchestra as well as a full one hundred man choir to accompany them. It was not long before a well …show more content…
But aside from that, as I entered the grand library, Jay stood to greet me with a firm handshake that caught me off guard because I did not expect that from a man with so many negative rumors stirring about him. He introduced himself as Jay which was also very comforting and then he proceeded to tell me that he was very intrigued by the work that I was doing in the city. I then asked him how he discovered my work and with a slight chuckle he said, “Old sport, you are one of the finest architects in all the land, how could someone not stumble across such fine work?” I then thanked him and he asked me if I was interested in designing another building to to accompany the others on his estate. I excitedly agreed and we arranged a meeting for the following week. It is so very interesting that of all architects in the land, Jay Gatsby chose me. I am excited, but yet nervous to be contracted by such a
With arms shaking like the swells of water beneath Gatsby’s mattress, from hours of fatigue and delirium, however, he hesitated. And so, momentarily, George Wilson simply watched, right arm tense and outstretched, as the final streaks of daylight were shrouded by a passing cloud, and the golden tan of Gatsby’s back skin disappeared. He watched, as in its place, the ashen suit grew, contouring to his body with familiar ease, never truly gone, and never truly forgotten. For free from the fine clothes, and the boisterous parties, and the mounds of pretences, Wilson realised something staggering about the man they call ‘Jay Gatsby.’
The idea that The Great Gatsby demonstrates is much more complex than one would expect. In nearly
In “The Great Gatsby,” Jay Gatsby, a man who makes the transition from army veteran penniless on the streets to the owner of a lavish mansion in New York City, and does so only to please the love of his life. Gatsby, however, did not initially have the drive to work for her affection, instead roamed the city which they both lived. Upon his return from fighting in World War One, Gatsby returned to Louisville only to find Daisy absent and his heart empty. Detailed imagery is used to describe his actions during his time in Louisville.
The 1920s was a time of flamboyance and wealth in the upper class. Jay Gatsby, a man of old money, threw over the top parties, in which he would spend his money very nonchalantly. The ambiance of his parties greatly illustrated the upper class of the time. The author uses symbolism and characterization to support the central idea that the upper class was very careless, wealthy, and extravagant. Gatsby’s parties are luxurious, glamorous, and over the top.
The Facade of Gatsby’s Parties The figurative language and syntax on page 41 conveys the fallacy of the people at Gatsby's parties. Page 41 begins to describe one of Gatsby’s parties using many forms of figurative language. People arrive with their “hair shorn in strange new ways, and shawls beyond the dreams of Castile,” decked out in their fancy clothes, desperate to be the center of attention.
Wanting to gain status, Gatsby shows his wealth by throwing extravagant parties and purchasing expensive items to display. To announce himself as a man of wealth to the New York upper class, he purchases a “factual imitation of some Hotel de Ville in Normandy, with a tower on one side, spanking new under a thin beard of raw ivy, and a marble swimming pool, and more than forty acres of lawn and garden” (5), his mansion in West Egg. It is here that he chooses to throw parties every weekend, where everyone shows up, though rarely people are actually invited. It is here that he is able to show off the true extent of his wealth to other rich folk. For example, in his library, he has a collection of “absolutely real” books, rather than “durable cardboard” (45), expected by Owl Eye, and attendant of one of Gatsby’s parties.
In order to attract Daisy's interest, Gatsby throws a lot of parties in his mansion, he displays his cars and fancy clothes. This can be related to today’s modern society as many people still show there prosperous side and wealthiness to attract other people’s
Any average person would desire to be a “Gatsby” who is extremely wealthy, widely idolized, and seemingly impeccable. Indeed, what makes Gatsby great is his lavish lifestyle and self-earned wealth. However, the more one observes Gatsby, the more one realizes that his epithet is incongruous with his actual character. Not only is the major factor that makes him remarkable, wealth, a result of illegal bootlegging, but he seems to contradict his ‘greatness’ in various instances in the novel. This leaves the readers to speculate that the title of the book is ironic as Gatsby is not great because he is too naïve, pursues after a married Daisy and does not achieve the American Dream.
Jay Gatsby throws the most extravagant parties all of West Egg has ever seen confirmed by the mass amounts of people, the entertainment, the food, and the drinks. Gatsby throws these parties in attempt to impress his former lover Daisy Buchanan, whether one day she’ll set foot into one of the infamous parties, see the bright lights from across the bay, or hear about the massive parties thrown by a mystery man named Gatsby. Even though his parties were tremendous many in attendance weren’t even sure who Gatsby truly was, there were rumors spread like the game of telephone “Somebody told me, they thought he killed a man once.” “I don’t think it’s so much that , it’s more that he was a German Spy during the war.” (48) Most guests drop in to
On one hand, Gatsby gains enormous wealth through his own effort from the bottom of the society, which could be regarded as “the great” from a practical perspective in his guests’ eyes. However, in the end, his success becomes just an illusion. His ultimate dream—Daisy’s love –cannot be gained even if he is that wealthy, and his tragic death indicates that “the greatness” of his striving is easy to be destroyed. On the other hand, “the great” also reveals that Gatsby used to be a great figure in his numerous guests’ eyes, when he is able to hold glamorous parties every week. However, ironically, eventually he is just a nobody that none of his friends except Nick care after his death.
Gatsby hosts extravagant parties in an effort not only to boost his social status, but also to look for Daisy. Many wealthy, and often wild people attend these large social events held by Mr. Gatsby. Some of the guests even come lacking an invitation, “Sometimes they came and went without having met Gatsby at all, came for the party with a simplicity of heart that was its own ticket of admission.” (41)
All of the people at his parties did not care much about Gatsby, as none of them attended his funeral; they were only there to eat, drink, and be merry. These attendees represent the majority of the wealthy society during the 1920’s. There was a surplus of leisure and wealth, and those who didn’t obtain a high status envied those who were able to. Those who were wealthy were greedy to become wealthier, and showed gluttony through their materialistic
Jay Gatsby, one of the main characters in F. Scott Fitzgerald’s The Great Gatsby, is a wealthy man with dubious sources of money; Gatsby is renowned in New York due to the lavish parties he holds every friday in his mansion. These are spectacles that fully embody the wealth and glamour of the roaring twenties, and are narrated through the eyes of another character Nick Carraway, an ambitious 29 year old man that recently moved back to a corrupt new york in a cramped cottage next to Gatsby’s palace. After admiring the careless behaviour of the parties from a distance, Nick gets a personal invitation to Gatsby’s next party, he promptly becomes infatuated by the extravagant and frivolous lifestyle the parties portray, along with the superficial
Gatsby travels back to the first time he saw Daisy at her grand home and goes into vivid detail of her house, “There was a ripe mystery about it, a hint of bedrooms upstairs more beautiful and cool than the other bedrooms of gay and radiant activities taking place through its corridors and of romances that were not musty and laid away already in lavender but fresh and breathing and redolent of this year’s shining motor cars and of dancers whose flowers were scarcely withered”. Gatsby goes into the nitty-gritty details of Daisy’s home, calling it ‘beautiful’, ‘gay and radiant’ and ‘breathing’ in order to demonstrate how symbolic the home is to him. This is the first taste of the upper class that Gatsby has ever experienced and serves as the true epitome of wealth to Gatsby. He falls in love with the newness of her home and the activities of the rich. Because of Gatsby’s love for the home, when he sees Daisy become consumed by her own luxuries, he feels betrayed; “She vanished into her rich house, into her rich full life, leaving Gatsby-nothing”.
The 1920’s expressed great wealth and luxuriousness through excessive and lavish parties with dazzling effects and no apparent purpose other than to simply entertain. In Francis Scott Fitzgerald’s novel The Great Gatsby, Jay Gatsby’s displays of affluence demonstrate that in the 1920’s, opulence was represented in forms of materialistic objects. Hieronymus Bosch's painting “The Garden of Earthly Delights,” suggests that sensuous temptations and the need for grandeur can lead to the corruption of purity. In Philippa Hawker’s article “The subtle art of staging Gatsby's lavish parties,” she describes the effective use of overindulgence and chaos in Gatsby’s parties to represent the shift in societal norms of conservative and refined parties to a more vulgarized form. In John F. Carter, Jr.’s article “‘These Wild Young People,’ by One of Them,” he exposes the changing perspective of his generation from the stringent realistic outlook of the older generation to his looser and more