Macbeth Close Reading Analysis

Shakespeare Selected Plays
Imtiaz Jbareen
204495170
A Close Reading of Macbeth

Shakespeare’s brilliance lies within subtle details. Therefore, a close reading of his plays, including Macbeth, presents an insight into the structure of the play. Once this is accomplished, one reaches an understanding of the play and characters through their speeches. This paper discusses Act 2 Scene 1, Macbeth’s soliloquy.
In act one scene 7, Macbeth doubts if he should kill the king; however, his wife, Lady Macbeth, manipulates him into proceeding. It might be difficult for Macbeth, the renowned warrior, to hear his wife accusing him of cowardice. Therefore, under Lady Macbeth’s influence, as she questions his manhood, he commences the murder in order to prove to her that he is not a “coward.” This is important to note because his soliloquy shows his determination to proceed. (1.7.43)
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After killing Duncan, Macbeth’s mental state changes completely. The difference between the moment before the murder and the moment after is that Macbeth’s lack of determination. He feels personally responsible for the murder and wishes it never happened. Thus, he is afraid to look at the dead body and face what he has done (2.2.54-56). His regret of the murder shows the transformation of Macbeth’s attitude: he lets his remorse overpower him to the point of madness. The voices he hears that threaten: “Macbeth shall sleep no more” indicate a relationship between guilt and madness. Therefore, the manifestation of the dagger suggests that he feels guilty because of his attempt to murder Duncan.

There are three major transitions of thought. First, he contemplates about the dagger’s existence; the second is the invocations of dark images; finally, there is the bell that cuts off Macbeth’s contemplations. The transitions between topics indicate that while Macbeth feels guilty for the murder, his determination makes him ignore