Misogynoir is so prevalent in many cultures, even the seeming universal ones such as pop culture and entertainment. In our entertainment and media it is presented through stereotypes. Black people have been the butt of the joke, their character’s sole being was based off a cliche scripted standard, never diving into the multifacet people they are capable of being. They are categorized into tiring tropes that are hurtful and insensitive. Black women specifically are judged by their unwavering strength and endurance through their pain and anger, we see these as the stereotypical “strong/independent black woman.” This stereotype is in every movie, like Tyler Perry’s like Diary of a Mad Black Woman, I Can Do Bad All by Myself, Why Did I Get Married
Click here to unlock this and over one million essaysShow More
This essay is written by Brent Staples, and in his essay he discusses racial profiling that black people go through in public spaces. In the mid-1970’s, Brent Staples discovered such prejudice toward black men for merely being present in public. Staples describes how he could not even walk down the street normally, people, especially women, would stay away from him out of terror. The way Staples structures this essay emphasizes his awareness of the problem he faces.
Not only is this stereotype and exclusion prevalent in primetime television, but, much more seriously, in our newspapers and television newscasts as well. Authors Steinhorn and Diggs – Brown state that “Even though most violent crimes are committed by people the same race as their victims, one 1994 study of local TV newscasts in Chicago found that the majority of perpetrators portrayed in the news were black or persons of color, while the majority of victims shown were white.” (154). This leads one to maybe see a causal effect of the wide-spread panic about black males being criminals that need to be feared and bewared whenever they are come into contact with. They also sited a different study that “found that the percentage of blacks
It is apparent that public spaces can be frightening for women, as they face fears of sexual harassment and attack by men. In fact, research on fear of crime and public space usually examine the experiences given by women. Though there are many accounts exploring and emphasizing women’s vulnerability and fears, there are few which take into consideration the apprehension that males have about public spaces. In particular, anxieties that Black men are plagued with. In North America, black men have historically been depicted as aggressive, hypersexual and violent – to be controlled, exploited and tamed (Hackman, “‘It’s like we’re seen as animals’: black men on their vulnerability and resilience”).
From the slavery of African and Native American slaves to Jim Crow laws that dominated the South in the 20th century to police brutality that currently plagues the country, race has always been divisive in America. White, African-American, Asian, Latino are all races or ethnicities that create not only a division between people, but an expected societal role. What happens when two of those divisive categories combine? What is their new label? Do they have a new role?
Stereotypes are making it hard for women of color to be seen in a positive light on and off the screen. For example, Tichina Arnold who is Rochelle from Everybody Hates Chris, plays a mother who is short-tempered, strict, and loud but successfully runs the household on a tight budget. Rochelle fits the stereotype that black woman are ghetto, angry, loud, obnoxious, strict, and humorous. Rochelle expresses these qualities repeatedly throughout the show but mostly when is disciplining her children. Not only does she fall into the typical black mother punishment style, but she falls into the welfare receiving black mom category.
This has led to the belief that African American women hold character traits that are more masculine in nature and are viewed as being stronger, reliable and independent; while African American men display feminine traits and are seen as the weaker sex with negative characteristics such as undependable and unemotional. It is understood that there is a greater sense of egalitarian gender roles amongst the African American community in comparison to whites in the United States. With African American men having a more liberal view towards the gender roles of women more so than white Americans (Kane,
African American women make up eight percent of the United States population, the women in this minority group deal with negative and positive stereotypes on a daily basis. These stereotypes are apparent within mainstream media. With today’s children having more access to media. now more than ever, they are subjected to these stereotypes at a young age (Adams-Bass, Bentley-Edwards, & Stevenson, 2014, n.p.). When blacks have more Afrocentric features like thick lips, bigger noses, or a darker skin tone, they are more likely to have a negative stereotype towards them (Conrad, Dixon, & Zhang, 2009, n.p.).
Strength was the only quality that was available to black women and without the assistance of anything they only had their bodies and minds to protect them. Although their bodies and minds had been frequently and accessibly violated, this image of the Black woman serves more of traits than a stereotype. These traits are what have damaging effects on the Black women and their children. The assumed strength that Black women supposedly must possess is emotionally harmful to Black women, especially ones whose bodies were sexually violated (Harris, 111). Therefore, it is assumed that Black women are inherently strong and resilient, which is destructive for Black rape survivors because they are perceived as less traumatized than other victims (Donovan,
The media relies on ethnic and racial minorities stereotypes for entertainment. They use the typical stereotypes of African Americans in the media to create characters that fit the typical stereotype for entertainment purposes to make the movies or shows more entertaining. For example we see the Jezabel and Mammie roles in our media today, which adds the comedic aspect to films such as Madea and Nicki Minaj. These
Black women are treated less than because of their ascribed traits, their gender and race, and are often dehumanized and belittled throughout the movie. They are treated like slaves and are seen as easily disposable. There are several moments throughout the film that show the racial, gender, and class inequalities. These moments also show exploitation and opportunity hoarding. The Help also explains historical context of the inequality that occurred during that time period.
Growing up in the southside of queens’ public school is the typical for most African American in the neighborhood. But of course, my mom wanted to make sure I wasn’t just typical so for high school I had attend a private school. I was very eager to join a new school but also nervous but to get rid of nerves I joined various after school activities to meet new people and feel comfortable at school. I joined the girls’ basketball, I quickly noticed that I had been the only African American girl on the team, but I didn’t let that stop me from trying to improve my game and make new friends. As the basketball season went on I had noticed that not much of the girls would talk to me, but I continued to rub it off and made the best out of it.
A study from Texas Tech University showed other's views on African American were skewed after being exposed to negative black stereotypes through media. the reiteration of African American stereotypes (Punyanunt-Carter 244). For example, casting African American women to play the typical “angry black woman” stereotype reinforces the thought in Anglo-Americans that all black women present these characteristics. The negative view of African Americans by other ethnicities can be further proven in how, in a film, Anglo-Americans perceived Shaka Zulu as a “madman...hungry for blood” while African Americans themselves perceived the character as a, “historic Zulu,” with, “militaristic wit,” (Punyanunt-Carter 244). This piece of evidence shows the negative connotations perceived by non-blacks regarding African American portrayal in film.
Women in the media have always been systemically categorized according to their race. Whether it’s asian women only being given specific roles in hollywood, or black women only being able to succeed in a specific genre of music, this has always been the case. This effectively forces depictions of racially diverse women - specifically black women - into highly exoticized categories, where their features are fetishized and eroticized. Nicki Minaj’s “Anaconda” begins with an overview shot of a jungle, panning on a tree. Immediately a monkey runs by on a branch, and then the camera pans down to Nicki and three other women.