Obsession In Tell-Tale Heart And The Yellow Wallpaper

“The Yellow Wallpaper” is a short story that was written in first person during 1892. This story depicts society’s attitude towards women with a mental illness at that time. Ultimately, the story shows how women were treated in the 19th century. “And it is like a woman stooping down and creeping about behind that pattern. I don’t like it a bit. I wonder— I begin to think—I wish John would take me away from here!” (231). Shortly after the narrator who remains unnamed and her husband John rented an old mansion, the narrator encountered a state of delusion in the wallpaper that surrounded her. In the story “The Yellow Wallpaper,” by Charlotte Perkins Gilman, the narrator develops a peculiar relationship with the wallpaper; the author’s use of allusion, symbolism, and personification identifies the existence of the woman’s illness.

The story, “The Yellow Wallpaper” by Charlotte Perkins Stetson, reflects the life of many women during the difficult times they were living in. The narrator can relate to many people during the Victorian age where the woman’s role was to be a wife and a mother only. The narrator is a woman who is imaginative and is dissociated from herself and from the world.

In both the short stories they use similar sentence structure to convey madness. In “The Tell-Tale Heart” Poe does this by short sentences and frequent skips, for example when he writes this: ““True!- nervous- very, very dreadfully nervous I had been and am; but why will you say that I am mad? The disease had sharpened my senses- not destroyed- not dulled them” (Poe 670). The jumpiness creates a sense of confusion and disturbs the reader which furthers the authors point. In the literary analysis on “The Yellow Wallpaper,” Janice Haney-Peritz analyzes Gilman’s short story. She explains “Such contradictions not only betray the narrator’s dependence on the oppressive discursive structure...she jumps from one thing to another producing paragraphs that are usually no more than a few lines in length” (Haney-Peritz 116). She jumps from sentence to sentence because she is scared and is caused to go even more insane because of the oppressive power structure she is

Is the complex character created by Edgar Allan Poe a calculated killer or a delusional madman. In the short story “The Tell Tale Heart” by Edgar Allan Poe, the main character has a mental condition which causes him to kill a neighbor. He believes that his neighbor has a “vulture eye” which is the reason why he killed him. Night after night, he watches the man and plans how to kill him. Then one night, he puts his plan into action. He kills the man by slamming a bed over him, then he severs his body and hides him under the floor. Later that night, police come to investigate, but they don’t suspect him. He confidently invites the police man to talk in his house. He is overcome with guilt and ends up

It is evident that change is a natural component in the average person’s life. Some however, are more drastic than others. This is exhibited through the first-person narrator of Charlotte Perkins Gilman’s short story, “The Yellow Wall Paper”, who undergoes a drastic change in her health due to postpartum depression, her relationships with the individuals around her, and her isolation. These changes later develop an internal conflict in the form of a troubling identity plight.

To be trapped in one's own mind may be the worst prison imaginable. In Charlotte Perkins Gilman's "The Yellow Wallpaper", the narrator of the story is constantly at battle with many different forces, such as John, her husband, the yellow wallpaper that covers the walls of her room, and ultimately herself. Throughout the story the narrator further detaches herself from her life and becomes fixated on the yellow wallpaper that surrounds her in her temporary home, slowly driving her mad.

The short story “The Yellow Wallpaper” by Charlotte Perkins Gilman is a story full of imaginative symbolism and descriptive settings. However, without the narrator’s unique point of view and how it affects her perception of her environment, the story would fail to inform the reader of the narrator’s emotional plummet. The gothic function of the short story is to allow the reader to be with the narrator as she gradually loses her sanity and the point of view of the narrator is key in ensuring the reader has an understanding of the narrator’s emotional and mental state throughout the story.

To begin, Edgar Allan Poe uses symbolism in his short story to create suspense. The narrator hears the beating of the heart, although it really represents how nervous he is as a result of his crime. An excerpt from the text states, “It grew louder - louder - louder! And still the men chatted pleasantly, and smiled. Was it possible they heard not? Almighty God - no, no! They heard! - they suspected! - they knew! - they were making a mockery of my horror!” This is showing how nervous the narrator felt when the police officers came to make sure everything was normal. He was all right at first, but then his guilt flooded back when he heard a heartbeat, yet he never realized that it was only him hearing it. Also, Poe symbolizes the old man’s eye as the narrator’s flaws and traits. In the story, the text states, “He had the eye of a vulture … for

Obsession acts as a strong motive for crime. Edgar Allan Poe portrays obsession in “The Tell Tale Heart” through the narrator as he expresses his thoughts leading up to the murder. After the narrator argues his case to why he is not mad, he begins his story with an “idea” which “entered his brain,” which is the start of an obsession that “haunted him day and night” (2.1-2). The narrator speaks as if the eye of the old man is latching itself onto the him. Every day and night that the eye would haunt him, he would receive a better understanding to how he will overcome the eye. An obsession begins as a thought about someone or something, which is what happens to the narrator, the thought of the eye is the beginning of his obsession for it.The author satisfies his obsession “every night, about midnight” by “turning the latch” of the old man’s door and peeking his head through (3.4-7). By doing so, he got to take a look at the old man’s pale blue eye. To the narrator this eye stimulates an unhealthy obsession. His curiosity of the eye sends him back

The unnamed narrator has many mental problems. First of all, according to Freud, the unconscious affects the conscious in the form of guilt. The narrator always has an overwhelming sense of guilt. For example, the narrator says "he takes all care from me, and so I feel basely ungrateful not to value it more." (648). The feeling of guilt intensifies more when she feels that she is "a comparative burden" when she was "meant to be such a help to" him. (649). She does not want "to make him uncomfortable." (649). Secondly, there is also a sense of confinement throughout the story. The Yellow Wallpaper fits the winter or the anti-romantic phase of Northrop Frye's monomyth diagram as it, "tells the story of imprisonment … and fear." (Bressler 152). The narrator is imprisoned in the room which has yellow wallpaper. Basically, the room where the narrator is staying in is like a prison. The "windows are barred" (648), and the unmovable bed "that is nailed down" add to her feeling of imprisonment. (650). Thirdly, the narrator suffers from oppression.

In Edgar Allan Poe’s tales of criminal insanity, the first-person narrators confess unsound confessions. They control the narrative, which only allows us to see through their eyes. However, they do describe their own pathological or psychological actions so conscientiously that they exhibit their own insanity. They are usually incapable of stepping back from their narratives to detect their own madness. The narrator 's’ fluency is meticulous and often opulent. It usually implies a revelation as a defense of sanity. In the tales of the criminal insanity, first-person narrators are the protagonists, focusing on their conflicts with hysteria and law. In The Tell-tale Heart, Edgar Allan Poe uses many symbols such as, the Evil Eye, the watch, the narrator himself, bedroom, and the lantern. He also tries to dehumanize the old man in the short story.

Obsession, internal conflict, and underlying guilt are all aspects of being human but when it’s associated with paranoia and insanity it may be just the recipe for the perfect crime as perceived by Edger Allan Poe in “The Tell-Tale Heart”. Poe uses this as one of his shortest stories to discuss and provide an insight into the mind of the mentally ill, paranoia and the stages of mental detrition.

Charlotte Perkins Gilman’s “The Yellow Wallpaper” tells the story of a young woman who is battling severe depression. The protagonist is essentially locked away for the summer as a cure for her psychological disorder(s) (Craig 36). Being locked in the house with the yellow wallpaper worsens her mental state and eventually drives her to insanity. Throughout the course of the story, the protagonist’s mental state noticeably declines; she claims there are people in the wallpaper and believes it is haunting her. Several Gothic themes are scattered throughout “The Yellow Wallpaper”; however, the protagonist’s isolation, the presence of insanity, and the occurring idea of supernatural elements are most prominent and can be used to justify “The Yellow

During the period of modernism, unexpected breaks in tradition occurred with viewing the world differently. The authors used literature during the modernism time to show the decay and the growing alienation of individuals. A portrayal of a restricted role in society stands reflected in Charlotte Gilman’s, “The Yellow Wallpaper.” The protagonist knows she is limited in her role in society as she agonizes what her husband will think of her actions. By visualizing the woman behind bars she pictures herself self-consciously. To capture the reader’s attention Charlotte Gilman uses a short story demonstration fear and insanity. In “The Yellow Wallpaper”, Charlotte Gilman uses imagery to illustrate how a limited role of a female in society can drive her insane.

To properly determine whether or not the narrator in Edgar Allen Poe’s “The Tell Tale Heart” is insane a definition of insanity must be brought to light; possible explanations for his transgression must be examined, and the scope of information that has been provided must be understood for what it is.