In The Crucible, Arthur Miller leaves readers wondering if fear and pride can have a fatal partnership. He uses the opposing forces, the court and the accused, to display how the pride of the judges cost many of the accused their lives. Throughout The Crucible, readers are shown that the pride of the court feeds into the fear of witchcraft all throughout Salem. For instance, Hale, who is a well-educated man, thinks he is above being at fault. As a result, he wrongfully sends many citizens off to their deaths. In a similar manner, Danforth refuses to accept that his judgements are false, and this ends in the death of many key figures of Salem’s community, such as Rebecca Nurse. Lastly, Proctor also shows the deadly consequences of pride. He …show more content…
At the beginning of act three, Danforth feels personally threatened when Francis tries to explain his wife’s innocence. “And do you know that near to four hundred are in the jails from Marblehead to Lynn, and upon my signature? … And seventy-two condemned to hang by that signature?” (act three, lines 109-114). Danforth feels as though because he has condemned so many, there is no way he could be wrong in pursuing Rebecca, Francis’ wife. This is a indisputable display of how pompous Danforth is as a person, and how he isn’t afraid of harming others in order to get what he wants. In addition, Danforth never realizes the sins of the court throughout act 4. He is consumed with the need of being right, and gets frantic in trying to produce a confession from Proctor. Danforth doesn’t want to face the fact that he is wrong in condemning him, and needs to confirmation that the pursuit is not a wasted effort. When Proctor tears his confession, Danforth is nothing short of outraged, and immediately sends Proctor to be hung. Danforth let’s his hubris override his mind, and acts on nothing but a frenzy, ending innocent …show more content…
In act two, we see the cold wall Proctor’s pride built between him and Elizabeth. He is too proud to admit his affair with Abigail aloud, afraid that just whispering the words will destroy his name. He lets it damage the thin link of trust between him and his wife. The miscommunication between the pair creates much heavier problems, and snowballs into Proctor’s eventual demise. In act three, it is Proctor’s pride in his wife, rather than himself, that gets him sent to be hung. He idolized his wife’s honesty, claiming that Elizabeth could never lie. When she is prosecuted and pressed on the issue of Proctor’s involvement with Abigail, she lies to the court that Proctor was never in an affair. Her small lie brands him as a sinner trying to topple the court. Proctor’s faith in her ability was ultimately what sends him to the gallows. The final nail in the coffin, though, was in act four. Some time passes while Proctor rots in the jail, tortured and bloody; the soul is broken in his body. Danforth asks Proctor to confess his sins, and when he does, Danforth demands he sign them. Proctor feels as if he’s being pushed too far, and firmly denies the paper his signature. “How may I live without my name? I have given you my soul; leave me my name!” (act four, line 729-730). He has built a well reputable name, and is too proud to let the court drag it
I have rung the doom of my good name—you will believe me, Mr. Danforth! My wife is innocent, except she knew a whore when she saw one!” ( Miller 102-103 ). The reader can see by the italicized narration and words that publicly admitting that he sinned and betrayed his wife, was very painful for Proctor. In order to try and prove Elizabeth’s innocence, he has to first sacrifice his good name and his reputation in the village.
Danforth speaks the truth about his values; he would rather continue on with the hangings than stop the trials to avoid any doubt in his name. In spite of knowing deep down that all the accusations of witchcraft were false, he refuses to recognize the truth. The purpose of his denial to postponing the trials comes from the theory that he will get blamed for the twelve hangings that had already taken place. Throughout the trials, examples of Danforth’s devious acts are constantly shown, in particular the scene of him attempting to get John Proctor to sign his testimony of witchcraft. While trying to get Proctor to sign his name, Judge Danforth exclaims, “Mr. Proctor, I must have good and legal proof that you-”
Danforth tests John Proctor to see if he would confess to witchcraft or not. Danforth tells Proctor, “You will give me your honest confession in my hand, or I cannot keep you from the rope (Act 4, 1333)”. Danforth explains for Proctor to remain alive , he must give the court documentation that he practices witchcraft. Near the end of the play, John Proctor stays true to the truth and does not confess to witchcraft. He chooses to die so that his sons do not have to live with the name of a liar.
In Arthur Miller’s play The Crucible, the characters take a lot of pride in their name. Citizens in the Puritan society of Salem, Massachusetts in 1692 believed that a person lived on his name. If someone’s name was sullied by a crime or other immorality, no one would do business with them, so it was important to protect one’s name. Four characters in particular, Judge Danforth, Reverend Parris, Abigail Williams, and John Proctor, went to great lengths to shield their name. Judge Danforth was the judge that oversaw all of the court hearings in the Salem Witch Trials.
John Proctor betrays his wife Elizabeth Proctor by having an affair with a young girl named Abigail. "I am wondering how I must prove what she told me, Elizabeth. If the girl's a saint now, I think it is not easy to prove she's fraud, and the town gone so silly. She told it to me in a room alone- I have no proof for it" (Miller 57).
I have given you my soul; leave me my name!” (Miller 143). Proctor is giving significant credit and recognition to those who did not give into lying to protect their lives but rather died truthful. He is saying he is not worth even the dust on the feet of those that were hung simply because he even for a little gave into the confession. Miller’s element of tragedy that emphasizes a man laying his life down for his integrity is clearly evident in this scene.
I hear the boot of Lucifer, I see his filthy face! And it is my face, and yours, Danforth! For them that quail to bring men out of ignorance, as I have quailed, and as you quail now when you know in all your black hearts that this be fraud—God damns our kind especially, and we will burn, we will burn together!” After Danforth sides with Abigail and the other girls, Proctor runs out of court yelling this trying to say that Danforth perverted the course of justice and is now doing the work of the devil. In the end Danforth After hearing Mary Warren’s story, Danforth calls all the girls out to see if they will admit to lying.
The Salem witch trials were a time period when any individual could be accused of witchcraft for numerous reasons. In The Crucible, Arthur Miller focuses on the deviation of the trials and how the town’s most religious and honest members of the community are tried with witchcraft. John Proctor, the town’s most honest man, is accused of being a witch and must decide if he should confess or not. Proctor’s confession will stop the town from rebelling and uphold the reputations of Deputy Governor Danforth and Reverend Parris. Hale also wishes for Proctor’s confession so he does not have to feel responsible if Proctor were to be hanged for his witchcraft accusations.
He cared greatly about his family and wife even though Elizabeth was often distant towards him. In the end of the play, Proctor chooses to die rather than sign his confession, ratting out his friends and ruining his good name in the town. He did this to protect the reputation of his children so they won’t have to grow up with a lying father. Lying went against Protctors’ views and that ideal is prevalent throughout the entire play. It is revealed that as soon as he had an affair with Abigail, he confessed to Elizabeth the next day because of the guilt he was carrying around.
Published in 1952, during a period of cold war tensions, which culminated in the ideological witch trials of the mcarthy era in America; The crucible by Arthure miller is set in 1692 during the witch trials in salem massachusetts. The author has used allegory to position the reader to draw parrelels betweeen the to time periods and critisize the persecution that occured in both eras. One of the main themes that Miller has used to portray this viewpoint is the representation of personal integrity. Integrity is the quality of having strong moral pronciples. This is acheived through strongly contrasted characterisation of characters such as Abigail williams and and Rebecca Nurse, aswell as the inclusion of textual features such as irony, symbolism
Danforth: Judge, Jury, and Executioner Judge Danforth’s position in the crucible is the Judge assigned to the proceedings of the Salem witch trials. Instead of treating this immense responsibility with the respect and restraint that is needed, Danforth abused his power by betraying the people of Salem and the Law. He did not listen to the people of Salem defending themselves before inevitably being sent to death; and he cared more about his reputation and the law than he did about peoples’ lives. Danforth was a ruthless power over the people of Salem he demanded respect for himself and the court; and nothing was more important than that.
The play, The Crucible, written by Arthur Miller demonstrates the implications of a society in complete chaos over an irrational fear of witchcraft in the town of Salem, Massachusetts. Fear plays an immense role in the way people make their decisions, such as when the characters of Danforth and Mary Warren resort to hypocrisy when no other options remain. Danforth and Mary Warren both embody hypocrisy, as seen when Mary says she cannot lie anymore and then lies when she becomes scared for her life, and Danforth when saying lying will send a person to Hell, but then forcing people to choose between lying and death. Mary Warren exemplifies hypocrisy extraordinarily well in the scene when she and Proctor travel to the courthouse so she can confess that the girls have pretended everything and they never actually saw spirits.
In The Crucible, a drama by Arthur Miller, John Proctor demonstrates courage by speaking out for what he believes in while knowing his consequences, admitting his wrong doings with Abigail to save Elizabeth’s life, and choosing to be hanged over having his name posted on the church door because the second his signed confession is posted, his and his loved ones reputations will be ruined. In the beginning of the play all John Proctor cared about was his reputation. However, ultimately he sacrificed his reputation by telling the court he committed adultery. John telling the court he was guilty ruined his reputation, which made all hell break loose.
Likewise, when Elizabeth is brought before Danforth to verify Proctor’s confession, she lies to protect her husband, whom she refers to as a “goodly man,” from suspicion (Miller, 113). The affair may have caused Elizabeth to doubt Proctor but both parties still care deeply for each other and try to protect each other from harm. Even in his last moments, Proctor’s last words- “Show honor now, show a stony heart and sink them with it!”- were directed toward Elizabeth and were full of love and care (Miller, 144). Proctor may have sinned but his regret over his affair with Abigail and the trouble he had brought upon his wife justifies his
After giving evidence of Putnam’s greedy responsibility for the hangings of those who held threat to his land, Danforth, convinced, demands Giles “the name of who reported Mr. Thomas Putnam” or be put in jail (Miller 187). Although blatant Giles is guilty of nothing, Danforth looks past the incriminating evidence against Putnam only perceiving Giles’ rebellious refusal to his demand. So blinded by his compulsive obsession with his pride and place of authority, Danforth proceeds to have Giles Corey killed with “great Stones” layered upon him as they commanded he answer (Miller 207). Infinitely guided