The novella The Awakening, written by Kate Chopin, starts out set in La Grande Isle, an island off the shore of Louisiana. During the summer wealthy Creole families, such as the Pontelliers or the Lebrun's, vacation on this island. The Creole culture has set standards which Edna Pontellier struggles to live up to, but with Robert Lebrun’s help it is easier. In the past summers Robert Lebrun has chosen a married woman to shadow, and this summer he chose to shadow Edna. During the summer Robert spends a large portion of his time with Edna showing consistency through his actions. Throughout the novella Robert also shows that he is a flirtatious and honest man. Every summer Robert Lebrun shadows a woman of his choice, making his actions consistent. …show more content…
One afternoon Edna brought her sketching materials onto the porch in La Grand Isle, and Robert sat down beside her as she began to sketch. Chopin tells the reader Robert’s actions, “During this oblivious attention he once rested his head against Mrs. Pontellier’s arm. As gently she repulsed him. Once again he repeated the offence.”(13). Robert lays his head on Edna’s arm until she pushes him off, after he lays his head down on her yet again, Being surprised and scared by Robert’s actions, Edna says nothing to Robert, who did not think much of it. One morning in the summer, Edna calls upon Robert to go to the Chênière with her. During the service Edna gets a headache and becomes dizzy, so Robert takes her to his friend Madame Antoine’s house to sleep. Once Edna awakens, she goes out and lays on the ground beside Robert. Chopin then tells the reader, “Edna and Robert both sat upon the ground-that is, he lay upon the ground beside her, occasionally picking at the hem of her muslin gown.”(42). Listening to the stories Madame Antoine told, Robert kept picking at Edna’s dress. The picking of Edna’s gown shows Robert’s quiet and deceitful way of flirting. Although Robert’s flirting was untrustworthy, he was still a honest
In “The Awakening”, Robert Lebrun sacrifices his love and desire for Edna Pontellier because he knows that he can not be with her. This reveals that even though Robert was in love with Edna he knew what was right and he understood why he could not be with Edna. Robert sacrifices his love when he leaves for Mexico in search of business and at the end of the novel when he decides that he can not stay with Edna in her “pigeon-house”. When Robert leaves to Mexico in search of business and riches he does not tell Edna that he was planning on leaving after spending all day with her.
Mr. Pontellier’s disapproval did little to dissuade her actions because “she had resolved never to take another step backwards” (Chopin 57). Edna is determined to take control of her life and spend her time how she wishes, instead of bending to the will of Léonce. Her husband became convinced that Edna was becoming mentally unstable because his wife was quickly turning into someone he did not recognize or want as a partner. After talking to Doctor Mandelet, he explains his distress by saying that “She’s got some sort of notion in her head concerning the eternal rights of women” (Chopin 65).
“Musical strains, well rendered, had a way of evoking pictures in her mind” (25). Before the start of Edna’s awakening, music, especially Mademoiselle Reisz’s piano, brought forth mental pictures; however, as illustrated by Chopin: She waited for the material pictures which she thought would gather and blaze before her imagination. She waited in vain. She saw not pictures of solitude, of hope, of longing, or of despair.
She started painting again like she used to. She could not wait until the next time she could hang out with Robert. When Mademoiselle Reisz asked why Edna loved him, she had replied, "'Why? Because his hair is brown and grows away from his temples; because he opens and shuts his eyes, and his nose is a little out of drawing; because he has two lips and a square chin, and a little finger which he can't straighten from having played baseball too energetically in his youth...'" (Chopin 112).
Her frequent vacations to the island, like her frequent dips into the ocean, begin to spark a personal change within the woman. A Creole man, Robert, shows Edna a new dimension of feelings she never knew she lived without, and she begins to look through life through a new lens. Having been awakened for the first time, she sees injustice and mistreatment where she saw none before. Chopin uses Edna’s new observations and reactions to the culture around her to illustrate the myriad ways women were marginalized. In an ironic twist, the white woman from Kentucky proves to be more liberated than her more traditional husband, who grew up
Syeda Ahmed prompt 5 The Awakening AP LIT Mr. Amoroso A modern woman emerging and developing ahead of her time, dealing with the challenges of gaining independence in a time period where woman weren’t human. This is Edna Pontellier’s conflict told in the novel the Awakening by Kate Chopin. Late in her already establish life Edna a wife and mother of two discovers herself to realize she goes against society’s ideals as a woman.
"You are not thinking of what you are saying. You speak with about as little reflection as we might expect from one of those children down there playing in the sand. If your attentions to any married women here were ever offered with any intention of being convincing, you would not be the gentleman we all know you to be, and you would be unfit to associate with the wives and daughters of the people who trust you"”(Chopin, 27). This quote shows Adele argues that in order to avoid a bad reputation in society, Robert should drop his dream of
Edna fully understands that society would brand her as a terrible woman, but she does not view herself as a bad person. There is an external and internal difference that Edna hopes to one day reconcile. Chopin, instead of creating tension within Edna, created tension within the society and Edna with her newfound independence does not mind how society classifies her. Decisively, it can be concluded that the tension between outward conformity and inward questioning builds the meaning of the novel by examining Edna’s role as a wife, mother, and as nontraditional woman in the traditional Victorian period.
In the 1800’s, the societal niche of married women was clearly defined: they were meant to devote every aspect of their lives to their husbands and children. Edna Pontellier, the protagonist in Kate Chopin’s The Awakening, struggles to adhere to these standards, and eventually rebels against them. The harsh standards placed on Edna and other women in the novel are like the cages around the metaphorical birds Chopin uses to represent them. Edna's unhappiness in her societal role is realized in the ocean, which symbolizes this awakening and her attempt to escape the gender roles of the nineteenth century.
Edna tries to satisfy this desire by taking part in an adulterous affair with Alcee Arobin, a known playboy. However, this relationship doesn’t satisfy Edna’s wish for companionship as she uses Alcee only to satisfy her sexual desires. This all changes once Edna meets Robert Lebrun, who invokes a sense of excitement and love in Edna. Edna sees her relationship with Robert as her only chance to gain freedom from the confines of society; additionally Robert gives Edna the chance to have a fulfilling relationship as opposed to her loveless one with Leonce. Although the two are deeply in love with one another, Robert is unable to reciprocate Edna’s desires to be together.
Lèonce Pontellier In The Awakening In Kate Chopin’s novella, The Awakening, Léonce Pontellier, Edna Pontellier, and their children spend the summer in La Grand Isle. Grand Isle is a town in Louisiana, populated with Creole families. Not able to meet the Creole social standards and be true to herself, Edna, with the help of her husband, becomes aware that she is meant to be an independant woman. Lèonce’s high focus on his image and business makes it hard for him to see his wife's process of self-discovery, he becomes apathetic and can even be ill- tempered towards Edna.
Edna from Kate Chopin’s “The Awakening” can be perceived as morally ambiguous because of her affiliations with other men, and role-defying actions; however, both contribute to “The Awakening” as a whole. Due to Edna being romantically involved with Robert, she can be perceived as morally
Edna experiences the hardships of striving to break as a “ [feeling] like one who awakens gradually out of a dream, a delicious, grotesque, impossible dream, to feel again the realities pressing into her soul … the exuberance which had sustained and exalted her spirit left her helpless and yielding to the conditions which crowded her in … clutching feebly at the post before passing into the house.” (79). Through the imagery of a weight on her mind and feeble body, Chopin conveys her inability to find the strength to break the chains of the archetypal female identity. Extremely fleeting, her momentary empowerment clearly validates her circular growth rather than a building of personal development.
If he were to say, ‘Here, Robert, take her and be happy; she is yours,’ I should laugh at the both of you” (108). Throughout the story Edna’s feelings for Robert grow stronger and deeper, so that by the end of the novel she simply longs to be with him. Yet parallel to that growth Edna has discovered her self and developed her own identity. The idea of a transfer of ownership of her person from one man to another is abhorrent to her, so much so that it would cause her to abandon her dream of being with Robert. Though she wants that very much, she is unwilling to lose her own identity in the process as she did when she was with Mr. Pontellier.
Edna’s marriage to Leonce “was purely an accident, in this respect resembling many other marriages which masquerade as the decrees of Fate. It was in the midst of her secret great passion that she met him. He fell in love, as men are in the habit of doing, and pressed his suit with an earnestness and ardor which left nothing to be desired” (Chopin 18). As Edna’s awakening develops, she begins to act out of character, driven by her inward desires. She starts spending more and more time with Robert, and while Leonce is aware, he pays no attention to the affair.