Naturalistic sounds such as those that appear in real life are used in the film to emphasize comedic content. Singin’ in the Rain reveals naturalistic sounds as meticulously constructed to broadcast its reflexivity of the draw not only attention to itself but the techniques of creating film in general. A proficient example is during the sequence where Don spouts an effective narration before getting out of Kathy’s car while then ripping his coat as his attempts to make a dignified exit. Another example of natural sound would be during the premiere of the film within a film when we see the main character Don throw his cane off screen. During a silent film this type of move would be considered dramatic but the cane lands somewhere near a microphone …show more content…
In doing this the film self references the idea about the subject of a song being the singing itself or as Michael Tueth puts it “ a song about singing in a musical about musicals in a hollywood movie about hollywood”. The song Singin’ in the Rain literally shows the main character singing and dancing in the rain which in itself is reflexive. Another example of reflexivity in the film is the exploration of dubbing. After struggling with how Lina’s crass voice would destroy the film Cosmo comes up with the idea of using Kathy’s voice over top of linas. After a successful premiere of the film Lina’s is ousted as not portraying her real voice and Kathy is then celebrated. This is reflexive because a as joke the it’s the actress that plays Lina’s own voice that’s used to dub herself. Whereas when Kathy sings she is dubbed by another actress who went uncredited which mirrors the film exactly. Probably the best example of the film's self- reflexivity is the charming sequence You were meant for me. Don introduces Kathy to his world by setting a sound stage so he can create the the appropriate setting for his declaration of love. The Scene itself is reflexive because it is externalizing the emotional architecture of the characters subjective/inner experience through the use of the portrayal of mise-en-scene design elements.
Another movie that uses this cinematic technique is Edward Scissorhands. During the scene where he cuts Joyce's hair there is music playing that is intense/upbeat. This creates the effect for the viewers to feel like it’s a different type of scene. If there was only digetics it would have been less intense feeling and more boring to watch. So as you can see having non-diegetic sounds in shows and movies adds entertainments to what's happening,creates less
Most of us ignore the mundane details and sounds that occur everyday in our life, but when these sounds when carefully added to a performance can add depth. For example, the usage of a car transition during the car scenes throughout the show is subtle, yet dually functions as an effective background noise during the lull of conversation as well as maintaining the illusion that the characters are driving in a car. Another key background sound used at the beginning of the play is the sound of the shower running after Robert leaves to take one. This
When an audience watches a play there are countless observations to be made, therefore it becomes unfeasible for every last detail to be noticed. While the audience quickly examines the backdrops and set pieces or the actors’ overall appearance, they often do not immediately notice the minute details which later prove to be vital to the play’s plot. For example, in August Wilson’s Ma Rainey’s Black Bottom, upon entering the stage for the first time, Levee reveals the new shoes which he has just purchased, but it does not become clear until much later just how important these shoes are. I feel that in order to maximize the impact the shoes have on the play, they must set Levee apart and look different than any other shoes seen on stage. In
The setting is almost always raining. Now if you also go read about the rooms and the attic, it doesn't sound the most welcoming. She mentions how she climbs the creaky steps which are not a very good sound to hear in a
For First Nations tribes, myths are a way of preserving cultural values, traditions, and beliefs. They give the tribe a sense of continuity and identity and aid in passing down its history and beliefs from one generation to the next. In addition to providing moral instruction, myths can be used to explain the natural world and its phenomena. They can also be used to deal with uncertainty, loss, and other difficulties. First Nations tribes can keep a strong connection to their ancestry and cultural traditions by comprehending and sharing their myths.
”Sweat” by Zora Neale Hurston tells the story of Sykes Jones, and his wife, Delia, who never strays from her beliefs. Sykes’ character traits lead him directly to his death. His cruel treatment of his wife results in her stand by and do nothing as he walks into death’s arms. His arrogance leads him to believe that he has control over things that he does not. His infidelity is a catalyst for it all, as he wants Delia out of her own house, and he will stop at no measure to get her out.
One of Alfred Hitchcock’s most famous movie scene is the ‘crop duster’ scene from North By Northwest. This scene demonstrates how the score and music of a film is incredibly important to build up tension in a classic thriller. The film’s music and scores were written by Bernard Herrmann, a well-known Hollywood composer (hitchcock.tv). In the infamous crop duster scene, Herrmann and Hitchcock used diegetic sounds to build suspense and uncertainty. The diegetic or natural sounds emphasized the distance of objects from the protagonist.
Shot 1: 1:53:24-1:53:34 (10 seconds). Image: This shot is a bird’s eye view medium shot and it begins as a continuation of the pan from the previous shot that it faded from. The camera moves from edge of Jane’s bedroom and pans to the right. In the image the audiences see Jane and Ricky lying down together hugging.
In the short story, There Will Come Soft Rains, Ray Bradbury uses personification and irony of the house to explore the double-edged idea that humans need technology to survive, which ultimately illustrates that nature overrules. Bradbury uses personification when the house is destroyed and it is given human-like emotions. The nuclear bomb drops and the house is obliterated as empathy becomes evident: "The house shuddered, oak bone on bone… One, two, three, four, five voices died. Dawn showed faintly in the east. Among the ruins, one wall stood alone," (Bradbury 4).
Sound is being used to create or sense the mood for the audience. For example, when Kim’s father is outside, diegetic sound is used so the characters hear the baseball game playing in the background which makes the situation exciting for the audience. Edward finishes trimming a bush (the dinosaur) and everyone is amazed. This can appear to create a dramatic and happy effect for the audience. The sound then crescendos to make it seem as if Edward is being cheered on by the crowd.
In the North by Northwest scene previously mentioned in the last paragraph, there were very little diegetic sounds. The only sounds that are heard are the vehicles on the road as they drove past Thornhill, the distant sound of the crop duster, and Thornhill’s own feet walking across the gravel. The almost silent scene forces the audience to stay in high alert, adding to the suspense. In contrast, the movie, Rear Window, has many diegetic sounds, from the distant conversations, the city traffic, the yapping dog, to the struggling pianist playing on his piano day in and day out. All of these sounds could represent Jeff’s own state of mind.
In the film Singin’ in the Rain, there is a very simple use of editing, as well as an intentional lack of editing in some scenes. This is because the film involves an abundance of dancing characters who are not only performing as actors, but as dancers. Due to this, many wideshots are used in order for the audience to be able to see the actors in the film dancing. There are a lack of jump cuts because this sort of editing is not required to be used in order to create an effect or sense of pace for the audience in the same way the film Psycho does, in fact, there is no need for the audience to have a sense of pace in order to create suspense as the film is not intended to make the audience feel excited for what is about to come, but rather to show what life is like as a hollywood actor.
Over the past century, film has served as a powerful means of communication to a global audience and has become a vital part of the contemporary culture in a world that is increasingly saturated by visual content. Due to the immediacy and the all-encompassing nature of film, the process of watching a film, is widely perceived to be a passive activity by the general masses. However, quoting Smith in his article about the study of film, “nothing could be further from the truth.” The study and understanding of film as an art form enhances the way we watch and appreciate films. It requires the audience's active participation and interaction with the film in order to fully comprehend the directors' intention behind every creative decision.
In 1927, the release of Alan Crosland’s film The Jazz Singer revolutionized the movie industry with the first feature length movie to utilize synchronized sound. Prior to this innovative film the industry was primarily focused on what are now known as “silent films,” which would often be accompanied in the theatre with live music or sometimes even a recorded soundtrack. The accompanying music would set the mood for these dialogue-less films, and in many ways convey more intricate aspects of the story that could not be expressed through the cinematography alone with the technology at the time. With the utilization of synchronized sound in cinema, the industry adapted a new type of film known as “talkies,” which were just as often musical movies
A verbal feature used is the opening titles of the film "If I didn 't care" the sound is uncertain and non-diegetic in nature. The sound then turns into diegetic as the camera shot of Andy 's radio comes into frame. Both sound effects are inspirational hope in Andy 's life. The director has used the verbal technique to create the feeling of tension. And also, to set the mood of audience.