The House On Mango Street And A Raisin In The Sun Essay

“That’s the problem with the world, too many people grow up.” – Walt Disney. Growing up quickly is a dream for many girls. They will make countless attempts in hopes of becoming a woman faster. In Sandra Cisneros’s, The House on Mango Street, Esperanza becomes one of those girls who spends all of their precious time trying to grow up quickly.

“Part of growing up is just taking what you learn from that and moving on and not taking it to heart.” ~ Beverley Mitchell. Walter Lee Younger changes drastically throughout the play “A Raisin in the Sun” by Lorraine Hansberry. Walter starts out as a person who whines and throws a fit when he does not get his way and turns into a responsible man who can care for himself and make important decisions. Three examples of this in the play is when Walter goes into a depression because Mama will not give him the money to open his shop.

According to Merriam Webster, a novella is an Italian term, which derives from the word “novel,” and means a short novel or long short story. There are numerous novellas in the world of literature; some significant examples include Of Mice and Men by John Steinbeck and A Christmas Carol by Charles Dickens. A theme of “influences” is displayed throughout these novellas and can influence our perspective on life. Another popular high school novella is Sandra Cisneros’ The House on Mango Street, where protagonist, Esperanza Cordero encounters multiple characters, such as Sally, Sire, and Nenny, who help influence her life in both negative and positive ways.

In some plays the experience of an important character changes him or her; this can be said about Lorraine Hansberry’s A Raisin in the Sun. A perfect example of a changed character from this play is Walter Lee Younger. Through the trials and tribulations that him and his family are made to face he becomes a better man.

Obstacles Numerous people stumble upon obstacles, but only a few can overcome them. Most obstacles are influenced by the values of the society. In The Book Thief by Markus Zusak, Liesel Meminger overcomes her lack of education and her different beliefs on Jewish people. In Romeo and Juliet by William Shakespeare, Romeo and Juliet both overcome the obstacle of not being able to be together because of the feud between their families. In “The House on Mango Street” by Sandra Cisneros, Esperanza overcomes the obstacle of not fitting into her society because of her lack of money.

The main protagonist Esperanza, matures from a childish girl to a young confident woman through many critical and life changing events in the story. Ultimately, the author, Sandra Cisneros implements the symbols of confidence, the house on mango street and the metaphor of shoes to show how Esperanza develops into a more mature state. Sandra Cisneros

The House on Mango Street by Sandra Cisneros is a semi-autobiography shown through the eyes of the story’s narrator, Esperanza Cordero, an adolescent Mexican-American girl who is about thirteen and growing up in an impoverished, mostly Latino neighborhood in Chicago. The novel is a coming of age story, told over the course of about a year in a series of standalone vignettes, written in a non chronological order, that use poetic and figurative language, such as metaphors and similes, to convey its themes.

The House on Mango Street is set in a poor, primarily Hispanic neighborhood. Author Sandra Cisneros creates an atypical, yet easily digestible world for the reader to experience while learning about Esperanza’s childhood. The culture of her environment influences Esperanza’s development as she becomes a young woman, and contributes to the book’s driving theme of self-empowerment. Mango Street is the source of Esperanza’s growth through her childhood, and it hides sadness and longing underneath stereotypes of Hispanic people. The characters that live in the broken-down neighborhood all seem to represent pigeonholed views of Latino individuals.

The House on Mango Street is a touching and timeless tale told in short vignettes. It tells the story of a young Latina girl growing up in Chicago. Her life, and the lives of the people around her, are laid bare to the readers in this touching novella. In the beginning, Esperanza is not accepting of herself. Her family’s poor financial situation, the sadness of the people around her, and the problems she faces in her daily life make her very cynical.

By the end of “A Raisin in the Sun” by Lorraine Hansberry, the Younger’s lives are beginning to improve. Compared to the state of the family at the opening of the play, most considered that play ends on a joyous moment. However; that is not so for the Younger family. The way the play ends is not a happy ending because the Younger family does not have the funds that they need, two people are further from their dreams, and they are moving into a neighborhood to could be dangerous for them. Although one may be excited that things appear to be better for the Younger’s, the reality is that things could possibly be worse for them.

The author, Lorraine Hansbury wrote the story Raisin in the Sun with characters who are more influential than others. Lena (Mama) and Walter Younger influence the plot in different ways and have different aspects on the life they are living with their family. Lena always does what she believes is best for the family and tries to make the family’s life stupendous. Walter pushes the family away and is selfish with his actions. Both characters are very different, but affect the plot in more ways than one.

In the text “A Raisin in the Sun” by Lorraine Hansberry, the author uses the writing strategy of conflict to develop the central idea of how oneself can become selfish when trying to achieve the American dream. The text shows that the central idea is selfishness because circumstances are presented where various characters fail to take into consideration others while seeking their dreams. For example, Walters says, “ Who the hell told you you had to be a doctor? If you so crazy ’bout messing round with sick people, then go be a nurse like other women-or just get married and be quiet…. ’’. This example of greed shows that the ambition to obtain a dream brings out the selfishness is true in the instance of Walter. It shows this because Walter diminishes his sisters Beneatha’s dream of becoming a doctor by making a misogynist comment in which insinuates on her settling on being a nurse due to a doctor clearly being an often male dominant profession. Furthermore, Walter is deluded by greed on opening a liquor store which causes him to have no regard for the feelings or desires of others. Clearly, the central idea of the text is that in trying to achieve a dream it can bring out a person selfish tendency because people tend to disparage others dreams in order to attain theirs.

The play “Raisin in the Sun” by Lorraine Hansberry, is a powerful play that displays what it like is to have dreams deferred. Hansberry extracted her title from a well-known poem called “Harlem” by Langston Hughes. “Harlem” serves as an epigraph for the play and Hansberry’s play does an excellent job expressing the poem’s themes. The play provokes feelings of suspense and drama as we watch the character’s endeavors, only to be crushed by the very same thing that they yearn for. My analysis of the play and the poem proves that Hansberry’s play was able to capture and manifest the themes of the poem

In the novellas; A Portrait of the Artist as a Young Man, and The House on Mango Street both of the main characters have a difficult time fitting into their society. Esperanza, from The House on Mango Street, is ashamed of where she lives. Stephen, from A Portrait of the Artist as a Young Man, does not even fit in with his family. Both novellas show that it is possible to find yourself and not fit it, and that it is okay to be different. Esperanza and Stephen have overcome the difficulty of not fitting in, finding themselves and a future, and the courage to be different.

The House on Mango Street follows Esperanza Cordero 's transitioning through a progression of pieces about her family, neighborhood, and mystery dreams. In spite of the fact that the novel does not take after a customary sequential example, a story develops by Esperanza’s fortifying toward oneself and will overcomebarriers of poverty, sex, and race. The novel starts when the Cordero family moves into another house, the first they have ever claimed, on Mango Street in the Latino segment of Chicago. The red, unstable house frustrates Esperanza. It is not in the least the fantasy house her guardians had constantly discussed, nor is it the house high on a slope that Esperanza promises to one day own.