The House On Mango Street Research Paper

So in some way, Esperanza represents all the women of Mango Street. And thought, the neighborhood did rob her of her innocence, it also provided her with the knowledge that makes her street smart. It provided her with the will to want to strive for a better future. A future that she can be proud of. In the end, Esperanza is young and has hopes of one day leaving the house on Mango St. She has hopes of changing the same narrative that to many Chicanas fall victim 's too.

Because of some statistics about women 's work, Hekker views her work as unique work which needs special care. However, the author mentions that people view her as an outsider, shamed, and out-of-date person because of her occupation. Hekker adds that other newer statistics put her hope down as the number of housewife mother is decreasing. Thus, the author clarifies that she must be treated as an important and unique creature because she is going to be one of the few housewives. Hekker concludes by mentioning that being a housewife is a heroic job if and only if the works that a housewife does is for children, husband, and house of someone else.

Final Assignment: the House on Mango Street Analysis The House on Mango Street is minority literary work written by Sandra Cisneros. The novel tells about a girl named Esperanza who lived in a house on street named Mango. Actually, she desired her own House and not a rent-house when she should share the yard with the people downstairs and pay rent to someone. Through this work, Sandra Cisneros tried to show some problems felt by the main character, Esperanza as minority, whether as Mexican-American or as woman. This paper will analyze the problem of being a woman in Mexican-American community through some characters in the book ‘The House on Mango Street’.

In The House on Mango Street written by Sandra Cisneros, the dominant theme for these collection of vignettes is the dreams and beauty expressed throughout the book using poetic devices. For instance, Esperanza grasps onto the dream of having her own house as she remains discontented with the house on Mango Street. On page 5, she stated, “I knew then I had to have a house. A real house.” Esperanza clinging onto her dream house indicates that she doesn’t want to belong on Mango Street. She also uses repetition to emphasize a few phrases.

Anna experiences a moral dilemma everyday because of Kate in My Sister’s Keeper. She really wants to help Kate because she wants her to live, but Anna wants her own life back. She comments that she is always sick but never sick enough for her parents. Both girls over came these dilemmas and did what they knew was

Throughout The House on Mango Street, characters struggle to actualize their dreams of a meaningful life. Author Sandra Cisneros illustrates this theme through her inclusion of windows as a symbol for a longing of another life. In the novel The House on Mango Street, windows represent the book and it’s theme of struggling for satisfaction in life by acting both as a border to another life and a translucent gateway to the character’s hopes. Windows act as a border to the life the characters long for but are incapable of achieving. Esperanza tells her great-grandmother’s story in which she is whisked away from her previously eventful life only to “[look] out the window her whole life, the way so many women sit their sadness on an elbow” because “she couldn’t be all the things she wanted to be” (Cisneros 11).

As Vivie challenge her mother, Mrs. Warren has trouble accepting Vivie’s opinion. For that reason, vivid compares herself to a poor women to demonstrate that, “Everybody has some choice, mother” (Shaw 1804). Vivie wants the choice to seek out a job to benefit herself instead her mother. Thus, Vivie challenges the female role through her behaviour when she tells her mother “I don 't want to be worthless” (Shaw 1827). She ultimately wants to have a purpose in society instead of others seeing her an object through her appearance.

Specifically, Baby Kochamma gives Ammu a difficult time because she “saw her quarreling with a fate that she, Baby Kochamma herself, felt she had graciously accepted. The fate of the wretched Man-less woman” (45). While Ammu does not appear to feel shame for her decision to divorce Baba, she is exhausted by the hardships she faces for doing so. She now must live in her brother’s home, struggling to provide for her children. Due to her social hardships and economic constrainstants, as well as her duty as a mother, she feels trapped.

In The Bell Jar social conventions like women settling down and giving birth to children are what really shows where a woman 's place is within the community. The fact that if a woman focuses more on her academics than family life is frowned upon and not something to brag over shows how very little freedom there was for women to explore themselves beyond sprouting the life of new generations. The vast majority of the story itself deals with the expectations held towards the protagonist, her future, and her behaviour by the community she is surrounded with as well as herself. The fig tree, recognised as a prominent symbol within the novel, is introduced to the reader through a tale about a Catholic nun and a Jewish man. In the story, the two meet whilst picking figs until one day they eventually touch hands, which results in the nun not returning.

Put me down easy, Janie, Ah’m a cracked plate” (Hurston 20). Nanny is successfully able to convince her granddaughter through her own traumatic experiences and make her feel “sympathy” as she tells Janie she doesn’t want her life to be spoiled like her own life was. At first, Janie refuses to marry Logan Killicks. Nanny being the older one, defends herself by saying “put me down easy” since she can no longer care for Janie and only her wish is for Janie to get married and be protected from the dangers she and her own daughter faced. By calling herself a “cracked plate” Nanny further elucidates that she went through many hardships in her own life and wants to do the right thing for her granddaughter by

“The House on Mango Street” is a wonderful Coming-of-Age novella with 110 pages and was published by Arte Publico Press, written by Sandra Cisneros in 1984. The book is about a little girl telling the story of growing up in a bad neighbor hood and how she wishes to escape by using her writing as a way out. I believe the author’s purpose in writing this book was to serve as an inspiration and reach out to other young people, specifically immigrants and people in poverty, that want to succeed in life. Although the book has many themes, the general theme is dreams and hopes. Sandra wrote in the point of view of Esperanza, who was a young girl in poverty, wishing she could have better for herself and her family.