Walter says, “Who the hell told you you had to be a doctor? If you so crazy ’bout messing ’round with sick people—then go be a nurse like other women—or just get married and be quiet...” (Act 1, Scene 1). Women in the 1950s were not expected to work; their duty was to do housework and raise children. Additionally, regardless of race, doctors were a male-dominant profession, which limited and prevented her from achieving her American Dream. Beneatha also was not “fulfilling her job as a woman” by not considering marriage; she does not plan to engage with George Murchison.
The politics, the professions and the universities, etc. were not open to the women. They did not have the right to have an education, have an opinion about something or vote. A women’s career were marriage and making sure their husband were satisfied. Marriage were often based on social and financial reasons, rather than love.
In general, time frames often distinguish the attitudes between men and women, resulting in a lack of ethical paradigms of justice. Women quite often lived under their husband's rule, constantly being hindered. In many cases, females were not considered significant in societal matters. Furthermore, there was a lack of caring towards them, and women were more so looked upon as jaded and less consequential. A masculinist might ponder the thoughts that females deserve neglectful behaviour, lacking the comprehension of equality.
The author states “There would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature” (Chopin). Mrs. Louise Mallard did not want to submit to the oppressor, who in this case, was Mr. Mallard. She expected to settle alone decisions and might not want to take orders from her life partner. She was forced to encounter that path since Mr. Mallard controlled her. When she found out that Mr. Mallard was dead, she felt free from the male abuse that she had been a setback of since the day she and her Mr. Mallard were married.
“Maman died today...I don’t know … everything will have a more official feel” (Camus 3). The use of diction shows Meursault's dispassionate to visit his mother. Through the use of words, Meursault is prevailed as emotionless and complicated to understand as he does not mourn for his mother, but is calm and lifeless. Also, through the work of diction, it reveals that Meursault has an affection towards Marie, but does not have a habit of comforting his feelings for her, but goes with what occurs in present.But the relationship he has with Marie shows that he cannot give women a healthy relationship. Meursault is used to sleeping around with her that he does not value love she provides for him.
She does not accept her life at home is sad, even if she has to deal with chaos which she cannot even describe. Her father’s condescending tone enhances Eveline’s need for protection because she cannot do things on her own. She uses a double negative to describe her life as not “a wholly undesirable life” (21), which also shows her ignorance because she does not accept reality. She makes a promise to her mother, when she was a child “to keep the home together as long as she could,” (21) but she cannot do it anymore. Once she meets Frank, she knows, “Frank would save her...
Being in love with someone does not consist of wanting them to be in “some great danger”. After saying this Nora believes that Torvald will do just that but he reacts to the letter by telling her “don 't make silly excuses. Miserable creature--what have you done?” (62). Torvald does the exact opposite of what he said he would do if Nora was in any danger. They way Torvald speaks to Nora after her read the letter was revolting.
Everyone around Jane tries to repress from releasing her imagination. Her own husband, John tries to belittle and mistreat her till she has no self confidence. In the story, her husband treated her as a fragile being which eventually led to her mental deterioration. In Charlotte Gilman’s, “The Yellow Wallpaper” Jane, the narrator, descends into madness and loses her sanity. This suggest the theme of “The Yellow Wallpaper” is mental instability due to being confined and repressed by her loved ones.
Once her father passes, Miss Emily cannot grasp how to live on in her life because someone important to her is no longer with her. In certain aspects, like death for example, people find it difficult to come to terms with death because it is a common fear from most people. Some people do not like to think about death because they might have
With the way John treats her, it is easy to see that he plays a part in her depression. His intentions are not to harm his wife, but only pushes her closer to losing her sanity. He oppresses her by belittling her feelings and her sickness. He only tells her she is going to be ok and she is not truly sick. John disregards Jane’s feelings and keeps her trapped in a house with no activity.