Nathaniel Hawthorne uses a multitude of imagery and symbolism to serve as metaphors for different themes in his novel The Scarlet Letter. The theme sin versus guilt, appears often throughout the novel. It is often accompanied by the symbol of the scarlet letter, serving as a constant reminder of the guilt each of the main characters carry, as a result of the sins they have committed. Hester Prynne, Roger Chillingworth and Arthur Dimmesdale each carry the burden of living a tainted life, being that they have all committed a sin. Hester and Dimmesdale both committed the ultimate sin of adultery. While Chillingworth has committed multiple sins as he thrives off of seeking revenge at both Hester and Dimmesdale. What makes these characters similar is in the fact that they are all sinners. But the thing that makes these three different from one another, is in the way they deal with the guilt that comes with the sin. Hester is different from both Dimmesdale and Chillingworth in the fact …show more content…
Dimmesdale allows his guilt to overwhelm his soul while also weakening his body. “It seemed hardly the face of a man alive, with such a deathlike hue; it was hardly a man with life in him, that tottered on his path so nervelessly, yet tottered and did not fall” (206). While Chillingworth’s guilt alters his appearance. “Now there was something ugly and evil in his face, which they had not previously noticed, and which grew still the more obvious to sight, the oftener they looked upon him. According to the vulgar idea, the fire in his laboratory had been brought from the lower regions, and was fed with internal fuel; and so, as might be expected, his visage was getting sooty with the smoke” (78). Chillingworth has let his revenge get the better of him. His intention is to hurt Hester and Dimmesdale since Hester cheated on him. The scarlet letter is a constant reminder of their sin, which fuels his
Originally, Chillingworth becomes very close with Dimmesdale. Then, he uses his position as physician to bring guilt upon Dimmesdale. Chillingworth asks him many questions, and Dimmesdale replies with “[why] call in a physician, and then hide the sore” (Hawthorne, 1994, p. 93). He shows a lot of “fierceness” and forcefulness to Dimmesdale in trying to get him to confess his sin with Hester(Hawthorne, 1994, p. 94).
He realizes that the moment Prynne had that scarlet letter on her chest, he lost a place to call home. Because of this loss, he becomes furious at Dimmesdale and becomes obsessed with getting revenge. His reason for revenge led him to want to see Dimmesdale suffer for stealing his place and home by Prynne’s side. Another reason why Chillingworth holds malicious intents is because he is jealous of Dimmesdale. As Dimmesdale, Prynne, and Pearl stood together on the scaffold at night, “Chillingworth [has] passed with them for the arch-fiend, standing there with a smile and scowl to claim his own”(120).
Here Chillingworth is making a friend out of Dimmesdale, the father of Pearl, in order to torture him. “ …Hester had been looking steadily at the old man, and was shocked, as well as wonder-smitten, to discern what a change had been wrought upon him in the last seven years. But the former aspect of an intellectual and studious man, calm and quiet, which was what she best remembered in him, had altogether vanished and had been succeeded by an eager searching, almost fierce, yet carefully guarded look. ”(Hawthorne 103). This quote shows that Hester recognises the changes that are occurring to Chillingworth and notices how spiteful he has become.
Following Dimmesdale’s death, “all [of Chillingworth 's] strength and energy… and intellectual force seemed at once to desert him… and almost vanished from mortal sight” (Hawthorne 212), as his own death quickly proceeds within a year. When the source of evil that he leeches off of disappears, Chillingworth’s life begins to disintegrate, as he lacks further purpose to survive due to his loss of humanity. His obsession with obtaining revenge eventually forces him to lose control of his own fate, as it becomes dependent on Dimmesdale’s actions. Since Chillingworth devoted his life to seeking revenge on Dimmesdale, without a mortal target, his existence becomes meaningless. In an effort to assert control and prolong his own life, Chillingworth tries to terminate Dimmesdale’s public confession.
In The Scarlet Letter, a novel by Nathaniel Hawthorne, a young woman, named Hester Prynne, committed adultery due to her theory of her husband was dead. Hester was thrown in prison and given the letter “A” symbolising “adultery” which she has to wear on her bosom for the rest of her life. The narrator starts the novel with Hester’s trial on the scaffold after her time in prison. Then, the audience meets Roger Chillingworth, who is Hester’s husband from England. In the novel, Roger Chillingworth is the most villainous.
These traits both directly and indirectly affect the protagonists in The Scarlet Letter. Chillingsworth actions contribute to the scarlet letters theme of “suffering in silence” because of his relentless and vengeful attacks that promote despair. Chillingworth directly attacks Dimmesdale psychologically by “[p]rying into his recollections,
In the novel The Scarlet Letter, Nathaniel Hawthorne tells a thrilling, dark story of a woman who committed a great sin, who also paid the price, and of the man who committed it alongside her, but was able to cower in his pity and shame. Hester Prynne and Reverend Arthur Dimmesdale have a dangerous and sinful affair while Roger Chillingworth, Hester’s husband, is away and thought to be dead. Throughout the novel, many characters can be depicted as an antagonist, but only one truly stands out. Arthur Dimmesdale proves to be the main antagonist all throughout the novel and in various examples, and through the end, he remains as the same lowly hypocrite that he started out as.
Sequelae of Sin Can a sin be forgiven? A particularly weighty question for for the Puritans because God decided. People can judge someone for a sin, but they untimely do not know what God has in store for them. The Puritan’s always lived their lives doing good deeds in order to get a step closer to God and take a glimpse at their outcome, heaven or hell. When someone enacted in sin, they would feel its moral consequences.
Even as he punishes Dimmesdale for masking his guilt, Chillingworth fails to see the irony in his own use of duplicity to achieve his ends. He commences his investigations with what he deems “the severe and equal integrity of a judge, desirous only of truth” (117), but this is soon substituted for “his own black devices” (127). The sadistic “ecstasy” (126) that Chillingworth extracts from his tortures of Dimmesdale exposes his malicious intent and classifies his deception as sin. The devolution goes unnoticed by Chillingworth himself, until he inadvertently boasts to Hester that he “had become a fiend for his [Dimmesdale’s] especial torment”
“Nature could pity and be kind to him.” Outside the rusted prison door, a symbolism of death and contemn, lives a wild rose bush. Although the great pines and oaks have fallen, it has managed to preserve its beauty. One might say it preserves its beauty for the criminals walking by to face their punishments. Within Nathaniel Hawthorne's novel, The Scarlet Letter, many symbols are used to disguise both the personal and religious beliefs during the 17th century; Among the various symbols, the scarlet rose bush is one of the most significant.
In Chapters Fifteen and Sixteen, of The Scarlet Letter by Nathaniel Hawthorne, Hester recognizes her true hatred of Chillingworth just before she finds Pearl, playing at the beach, and creating a green letter A on her own chest out of seaweed. Later, Hester goes to hopefully “run into” Dimmesdale in the forest to reveal to him the truth about Chillingworth’s identity. Pearl comes along, and as they wait, she curiously asks her mother about the Black Man. When Pearl sees Dimmesdale’s figure appear in the distance, she asks whether the approaching person is in fact the Black Man himself, which Hester rejects. Pearl, however, ponders if Dimmesdale clutches his heart, as he does, because the Black Man has left his mark on him, similar to how the
Chillingworth thus establishes himself as a prime example of a compelling spiteful being by leeching off Dimmesdale for information, stopping Dimmesdale and Hester from exiling
While the two faces created by Dimmesdale result from perpetual guilt, the facade created by Chillingworth stems from his desire to seek revenge; however, the effects of such lies bring similar outcomes to the characters and ultimately result in their downfall. The creation of a false persona often results from an internal conflict consistent with guilt and regret. Dimmesdale in Scarlet Letter demonstrates his ability to transform his persona by creating two separate identities to conceal his sins and by relying on his congregations’ ignorance. He attempts to speak the truth and inflicts internal punishment upon himself preventing his guilt from overflowing his conscience. By denying his role in pearls creation, Dimmesdale exemplifies his
Dimmesdale starts living with Chillingworth so the doctor can keep the feeble minister ‘healthy’; the doctor, reversely, tries to make Dimmesdale feel conflicted about his morals which leads to Dimmesdale obsessively whipping himself “...on his own shoulders” and“... fast[ing]...in order to purify [his] body… rigorously...until his knees trembled beneath him[self]...” (132). He is enveloped in his sin, and cannot escape it unless he tells the truth. In fact, Dimmesdale could not stop thinking about his sin which “...continued to give Mr. Dimmesdale a real existence [which] was the anguish in his inmost soul” (133).
“The first and greatest punishment of a sinner is the conscience of sin”, is believed a Roman statesman Lucius Annaeus Seneca. Sin is an immoral, evil act, but it is in human nature to sin. However, one can be delivered from sin through redemption and be saved from evil. This theme of sin and redemption is evident throughout the novel, The Scarlet Letter by Nathaniel Hawthorne.