“Unbommonly Beautiful”
“Only girls wear dresses!” “Only girls paint their nails!”
“Only girls wear make up!”
“Only girls wear palm-palms!”
I beg to differ, Gender Stereo-Types, and you know what, perhaps I’ve got a little news for you:
Young Thug does too!
Signed to Hip-Hop “Mafia-Don” Gucci Mane at 1017 Records, as well as 300 Entertainment, Jeffrey Lamar Williams has been successfully gunning down gender stereotypes since day 1. Ever since the star first became a highly publicized controversy in the United States, millions of fans have over-glorified Thugger Thugger’s music, and have based their lives in accordance to his. Children, as well as adults have idolized him for his provocative lyrics, and for the ideologies he believes in; whilst at the same time, understanding very little of the words he says.
His success continues, and yet still the fact remains: the media picks Young Thug apart, this way and that, for committing the simple crime of living the life he works hard to live.
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Consumed in fast lane of life, he does not deny having left any sort of gang violence at the door when stepping into the spotlight. Just in his most recent studio album, “Barter 6” (mimicking Tha Carter series by Lil’ Wayne) Young Thug cleverly switches the letter “C” to “B” in reference to his affiliation with the bloods (who often times replace the letters C in words to B because of the Blood-Crib rivalry). Despite this direct tie to serious gang violence, Thugger is more widely known for his disregard towards gender boundaries, often seen using intimate language with his comrades, and sporting the regular skirt or palm-palms around the
In “Azealia Banks” author James McNally analyzes arising rapper Azealia Banks in order to discuss post-racial politics where political elements of hip-hop and the systemic racial inequalities they address, have become gradually ostracized in favor of “color-blind” conceptions of United States society and pop culture. To do so McNally argues that Banks’ music video for “212” and her public rhetoric rearticulates ideas of the mainstream black female identity in hip-hop and confronts the white gaze. In “212” Azealia Banks raps about growing up in Manhattan and her reactions to the situations that she experienced and declares her dominance over all of her rival, while establishing her extensive “technical skill and stylistic versatility as a rapper (61).” Banks combines multiple hip-hop tropes, while infusing her own character in as well to
I have chosen to focus on the issue of racial stereotypes and biases, particularly regarding the movie "Boyz n the Hood. " The movie is an interesting crime drama film released in 1991 and directed by John Singleton. It mostly follows the lives of African-American youths growing up in the poverty-stricken neighborhoods of South-Central Los Angeles, especially the Crenshaw neighborhood. Analyzing this film is essential in understanding various assumptions and preconceived notions different audience members may bring and whether the movie reinforces or challenges those expectations. One of the assumptions and biases audience members may have in relation to the film is racial stereotypes.
Lorissa Figueroa Professor Patton ENG 1A 7 February 2018 More than what Rap Portrays When we listen to rap music we don’t really pay attention to how lyrics can affect people as often as we should. Since rap music has started it always influenced violence and sexism, but not everyone notices how it influences the black community. Joan Morgan explains this in a passage of her book When Chickenheads Come to Roost: A Hip-Hop Feminist Breaks It Down (1999).
Growing up, NBA Youngboy always stayed in trouble, but in ninth grade, he dropped out of high school to focus on his music career. His debut album “Until Death Call My Name” reached top ten on the Billboard 200, giving him popularity. In this Argumentative Essay, I’m going to explain why NBA Youngboy is better than Lil Baby. For my first reason, NBA Youngboy is a better rapper than Lil Baby because he has more solo hits than Lil Baby.
Often when an average parent or upstanding individual turns on the television and sees a young black man rapping about the hood they are murdered. On impulse the channel is changed without considering what message that individual is endeavouring to deliver. Right when listening to rapper Too Short and his song "Gettin it", you hear a lot about how hard it is to be a black individual. The tune is about getting away from the hood and making a fair life for yourself. The lion's share of society simply expect that these energetic but black rappers have no brains and no sense of purpose for life.
McBride begins his essay in high contrast to his intended purpose with an anecdotal discussion of his first encounters with Hip Hop music that inevitably represents black men as arrogant, aggressive, and poor. The introductory paragraph details McBride’s fear of his daughter marrying a black rapper that he describes as having “a mouthful of gold teeth, a do-rag on his head, muscles popping out of his arms, and a thug attitude” (McBride para. 1). This stereotypical description of a rapper, as well as the sense of fear McBride feels, contributes to his initial representation of black males as aggressive thugs that are unsuitable to become husbands.
In her essay “hip hop’s betrayal of black women,” Jennifer McLune implies that “(h)ip-hop owes its success to the ideology of women-hating” (193). She does not agree with Kevin Powell’s article that hip-hop does not mean to “offend” black women, but instead artists are only letting out their temper throughout their music. McLune feels infuriated that many artists in hip hop (including black men) rap about their community and downgrade their own women. In the hip-hop genre, sexism is mainly used, not only by black men but also by many other race hip-hop artists. Artists assume that women-hating in their rap songs will be accepted by women, but do not realize that it is affecting all women.
Music is a powerful force that people make every day. Music expresses what one person is feeling and it can pass on and relate to others. Whether it the beats or the lyrics of music it can make us feel a certain way. Many rappers though out the years use their voice to speak up for the people that believe they do not matter. Music gathers people together because we relate to the lyrics that are being said.
Along with the creation of music videos, hip-hop’s popularity has soared and changed in many ways. Men and women are depicted in distinct and vivid ways in the media – particularly music videos – that may subconsciously affect our views of the norms of today’s society. That is, catchy songs and glamorous music videos that society thinks are harmless entertainment actually shape our worldview and can cause people to accept false impressions of women (Shrum & Lee, 2012). For example, as Sarnavka (2003) posits, women are victims of violence in society, as well as victims of violence in media (as cited in Bretthauer, Zimmerman, and Banning, 2007).
In the article “Hip-Hop Planet” by James McBride he explains first about the nightmare he has of his daughter coming home with a young reckless rapper guy with tattoos and golden teeth and McBride for a moment is taken back to the past when he was young and it comes to thought that he was in this young wanna be rappers shoes. As he goes on with life he contemplates of how his rap days are over but in time he comes to realize that he himself will still be surrounded with the cool beat sound of one rapper explaining his everyday hard life. James first time hearing hip-hop was at a party, and it escalated when one of James friend slapped a big guy who crashed the party followed by two other friends and what was strange was these guys differed
It 's being portrayed that being a man equals violence, poorness, being from the hood, can not be a sucker or you 're going to be tested, have your game face all the time, showing no emotion, and when they pick up a microphone they are a totally different person than who they really are. It was once said, ¨We teach boys to be afraid of fear, of weakness, of vulnerability. We teach them to mask their true selves, because they have to be a hard man. ¨Men want to have so much power, but they don 't have any power at all. The hip hop artist just has physical power over their body and how they display themselves, so they dress certain ways to get respect to feel powerful which also is hypermasculinity.
Hip-hop culture has been the topic of various academic, social, and political discourses. Rap music, in particular, has made its way to mainstream media which is evident in the numerous films and movies that centers on what was once a part of an underground culture. Scholars explain that the popularity of hip-hop in both music and films are partly due to its potential to disseminate information, address an issue, and promote social change. Tinson and McBride (2013), for example, note that hip-hop is a “…form of critical education at the intersection of, and inseparable from political engagement” (1). Scholars further note that hip-hop’s current state “…requires frequent accounting of its engagement with the social, political, and cultural climate
“Beyond Beats and Rhymes” Summary This movie was a broad discussion about hip-hop music (or more specifically gangster rap) and what kind of social issues the music not only showcases but seems to promote. The producer of this film, Byron Hunt, interviewed people involved in all aspects of the hip-hop industry, including famous rappers, to try to get to the bottom of this. Some of the most prominent issues discussed in the film were the over-sexualization of women, gun violence, and anti- homophobic attitudes. Hunt would ask those involved in the industry about why they think these themes are so prevalent.
Because the lyrics of many rap songs tell stories of an artist’s personal experience of their everyday lives growing up, urban youth can relate and connect to the lyrics because they see and experience very similar things. Listening to the artist’s lyrics about their own experiences can teach the listeners to not make stupid mistakes and if they continue to follow the right paths, they can achieve more and be successful like the rappers. Hip-Hop literacies can be applied in and outside of the classroom. Students can identify themselves through Hip-Hop culture. In the article, “You Don’t Have to Claim Her”, the author and English teacher Lauren Leigh Kelly, explains that women of all ages can use Hip-Hop to identify themselves despite the genre
The Hip hop industry consists of mostly African American musicians. Since blacks are often alienated in society, their music seems to be too. People often give rappers negative labels such as “gangster” or “thug”, which are discriminatory words that people have often used to describe African Americans in the media. There is an everlasting double standard in music. as people bash rap music for being sexist and violent, other genres of music such as country or alternative have the same themes, but they’re vulgar lyrics go