Andrei Tarkovsky Essays

Il Deserto Rosso: Film Analysis Il Deserto Rosso – Red Desert is an Italian film from 1964 directed by Michelangelo Antonioni. The plot of the film focuses on the events that revolve around Giuliana (Monica Vitti), a woman who is living a deep inner crisis. After, an attempted suicide, which is disguised as a car accident, Giuliana’s mental state is compromised. The woman is affected by continuous neurosis, which preclude her the possibility of leading a normal life. Giuliana is married to Ugo (Carlo

»(6) The films which were made by Andrei Tarkovsky are characterized by very long takes, slow pace and unexpected authored use of editing. He emphasized nature in his films as the symbol of power, mystery and life. However the visual style is not the only thing which makes this director so unique and distinctive. All of his works can be described as philosophical and metaphysical parable. The sense of time plays a big role in his films as well. As Tarkovsky once said: «Time, printed in its factual

the main public figures worried about the nation’s future was Andrei Tarkovsky. Through his films Solaris and Stalker, filmmaker Andrei Tarkovsky argues that as the Soviet Union moves towards a society focused on technological advancements, the Soviet people lose their connection with nature and each other.

The Great Dream of Nature in Tarkovsky’s Landscape Tarkovsky’s cinematic landscape serves as a conceptual means, exactly like the chôra, to express that which is inconceptualisable. In his book Sculpting in Time, Tarkovsky states that his films are not made to be deciphered as a set of signs and symbolisms, but “watched as one watches the stars, or the sea, as one admires a landscape. There is no mathematical logic here, for it cannot explain what man is or what is the meaning of life” . A paradox

These biographical films are being portrayed by famous and most demanded actors and actresses such as Jamie Fox, Johnny Depp, Ben Kingsley and Jim Carrey. Below are the summarized 10 most excellent biopics about painters. 1. Edvard Munch (1976) This film was directed by Director Peter Watkins which is about Edvard Munch who is a Norwegian painter. Munch was being portrayed by Geir Westby and Munch’s married lover who is Mrs. Heilberg was played by Gro Fraas. During Edvard Munch’s time, his style

The World War II set film Ivan’s Childhood, directed by Andrei Tarkovsky, is one of the most influential, and lyrical war films ever made. The theme of Ivan’s Childhood is the various dualities that occur in the harrowing reality of war, reality vs. dreams, and the thin line between adulthood and childhood in these harsh realities. Tarkovsky conveys this theme through various camera shots and angles, and gives each scene meaning through these. For example, he used expressionistic camera angles in

The famous paintings that we know and sometimes, we can see on textbooks, magazines or even televisions are made of artists who are known as painters. These painters show their emotions and feelings to their artworks that sometimes, people who can see their works can also feel what the painters are trying to depict on their work. Some painters became famous because of their artworks just like Leonardo da Vinci who made the painting Monalisa. And because of their famous status, biopics are being

Ivan’s Childhood directed by Andrei Tarkovsky is a Russian Film released in 1962, which details one boy’s journey as a spy for the Russian military. The film uses Ivan’s time at a base near the front lines of the war to show how war was destroying Russian towns and the people who live their lives there. The proximate to the front line also allows the director to show how brutal the war was for the soldiers who served in it. Even though the film focuses mainly on the struggles of World War Two for