Florenz Ziegfeld Essays

  • Lucille Ball Research Paper

    1809 Words  | 8 Pages

    Everyone Loves Lucille Ball Some famous Americans have won the noble peace prize, while others might be known for creating world peace or world catastrophes. Lucille Ball will forever be remembered as the person who entertained people with “rubber faced antics (“Lucille Ball Biography”) “zany impersinations.” These comments may seem demeaning; however, they glorifiy Lucille Ball’s legacy. An actress, comedian, a producer, Lucille Ball is most famous for producing and acting in her most famous sitcom

  • Satir's Family Therapy Model

    2356 Words  | 10 Pages

    Background information and dynamics of the family Gorden Wong, 30 years old, elder son in the family; living with father, Sing (age 70), mother, Cindy (age 65) and younger brother, Simon (age 25). Sing and Cindy retired for 4 and 10 year separately. Simon is still in the college, studying a nursing course; he will be graduated from college in coming July. Sing and Cindy were immigrants from Mainland China 35 years before. They are hard working and live frugally. Father Sing grew up in a big family

  • Analysis Of Katherine Anne Porter's The Jilting Of Granny Weatherall

    981 Words  | 4 Pages

    Katherine Anne Porter, originally Callie Porter, was born in Indian Creek, Texas on May 15, 1890 (Baym). Many events during her childhood were what influenced Porter’s writings. She was introduced to unforgettable hardships at only two years old with the death of her mother (Baym). After this tragedy, Porter and her siblings lived with their grandmother for 9 years, in extreme poverty, until she passed away as well (West). After her grandmother’s death, she attended many convent schools and ran away

  • How Did New York Influence The Kind Of Entertainment

    1654 Words  | 7 Pages

    1. How did the wave of Immigrants coming into New York influence the kind of entertainment being created? The different ethnic groups had their own customs and from of musical entertainment, which then jumped to musicians playing in the corner of the local pub or tavern. That then evolved in to a more presentation social center which then further evolved into the variety stage. 2. Discuss the importance of early comedians, such as Harrigan and Hart, and Weber and Fields on the way musicals developed

  • Will Rogers Inspiring Career

    844 Words  | 4 Pages

    All of this popularity earned him a contract with a very big movie producer of that time, Hal Roach. Even with all of these going on, Rogers kept doing shows for Ziegfeld as this was his main job. He demanded and received salaries of $3100 a week as well as some other benefits from Ziegfeld (Russell). This amount “made him the highest paid performer in the Follies, followed by W.C. Fields, who made $1750 a week” (Russell). That statement is speaking of the volume and popularity

  • Irving Berlin: A Great Figure In Musical Theatre

    2077 Words  | 9 Pages

    In this paper, I will be addressing the impact of a great figure in musical theatre, a man who made significant contributions in the history of musical theatre, the Russian born and Jewish American Irving Berlin. I will address some important phases in his life. I will start by giving an overview of his early life and family. Also, I will be talking about his major initial works as a lyricist and composer and some of his major early contributions in musical theatre. Moreover, I will discuss how he

  • 1930s America During The Great Depression

    869 Words  | 4 Pages

    After the Roaring 20s, a great turning point happened with not only America’s economic downfall but on the American popular culture as well. In the 1930s, the Great Depression lurched the entertainment industries causing the citizens to escape from the depression of reality during the time . The Great Depression was charged with many contradictions, but once the economy became a downfall, popular culture collapsed as well. Popular culture reflected and advocated the activities of presidential

  • The Cambridge Companion To The Musical By William A. Everett And Paul R. Laird

    1093 Words  | 5 Pages

    As many of the Cambridge Companion series do, The Cambridge Companion to the Musical, edited by William A. Everett and Paul R. Laird, provides a fine platform for bridging the historical facts and academic criticism on the musical. Instead of taking the musical into theatre history, the book focuses intently on the history of the American Musical itself and its status in contemporary American music and culture. The book is chronologically categorized into four parts with nineteen essays. These collected