Alan Sennett gives more interesting insight about the power of imagery in his journal article, Film Propaganda: Triumph of the Will as a Case Study: Of particular significance and artistic merit is the aforementioned opening sequence that constructs Hitler as a god-like figure descending from the heavens through the clouds over Nuremberg to visit his adoring worshippers. The powerful religious imagery of the first part of the film surely could not have been achieved simply through competent montage
My Hair Page 1 of 3 Throughout my life, Ive always had a companion by my side, through thick and thin, through the good and the bad, forever growing and changing as I have. I am referring to none other then my hair, and everyone values their hair differently, and no two beings hair is the same, nor will their hair go through the same changes. Isnt hair just a human body feature? Hair is something far more than a body feature it is a depiction of fashion sense, your identity, ethnicity, gender, personality
Even from the beginning, this film both sets itself apart with the first-person “found footage” style, while at the same time, also has the chance to be not very different at all. Personally, I believe the movie certainly achieved the former statement; setting itself apart in a number of different ways. While taking from budget-cutting idea of Eduardo Sánchez’s The Blair Witch Project, using a camera carried by a character– in this case the protagonist– it also steers away from the horror genre that
When Stan Laurel and Oliver Hardy were haphazardly thrown together by a studio in crisis, neither man’s career was going particularly well. Stan Laurel had come to Hollywood with the intention of mimicking the success of his former theater buddy Charlie Chaplin, but wasn’t all that skilled in physical comedy. Oliver Hardy had similar dreams, but his size had led to him being typecast and rarely used as anything more than a foil for a larger name. But the moment the pair became co-stars, they skyrocketed