Tonality Essays

  • Beethoven's Sonata In Beethoven

    1380 Words  | 6 Pages

    Not only are the interactions between the characters identical, the notes of Beethoven’s sonata also reflect the notes in Mozart’s. The two pieces begin with a forte C minor chord, establishing the bold and powerful tone of the first character. The notes of the first two measures are meant to jump from one to the next with a strong, downward motion on the piano keys. This kind of motion creates the anger that can be heard in the music. Continuing on, the phrase builds up to an E flat, followed by

  • Circle Of Fifths Research Paper

    993 Words  | 4 Pages

    As you can see, most of the notes of the scale are harmonized as the root of a triad, the exceptions being that the scale degrees that are members of the tonic triad (1, 3, and 5) or the dominant triad (5, 7, and 2) tend to be harmonized as either a tonic or dominant chord, even when the result is an inverted chord. We can also create a chromatic “rule of the octave progression, in which each of the twelve chromatic pitches is harmonized in a way that makes the most functional sense in terms of

  • Wolfgang Amadeus Mozart's Influence In The Enlightenment

    1782 Words  | 8 Pages

    Mozart’s Influence In the Enlightenment The Enlightenment was a train of thinking that started with philosophers in the eighteenth century. Philosophers warned against religious division, cultural division, and social inequality. Today, our Declaration of Independence is based upon these same values of equality. In the Enlightenment, music took a different shape. Music was no longer only for wealthy merchants, but was now open to the public. Composers noticed the opportunity and wrote music that

  • Beethoven The Retransition In The Recapitulation

    1243 Words  | 5 Pages

    In the summer and fall of eighteen zero two, Ludwig Beethoven worked on this magnificent symphony. On the fifth day of April in eighteen zero three, this beautiful symphony was performed for the first time at Vienna’s Theatre an der Wien at an all-Beethoven concert. On the twenty second day of April in eighteen forty-three, the fantastic symphony had it’s first American performance at the New York Philharmonic. Two of many instruments are used for this wonderful symphony: flutes, trumpets, oboes

  • Bach Gavotte Essay

    826 Words  | 4 Pages

    Johann Sebastian Bach, Gavotte, from French Suite no. 5 in GM Analysis Johann Sebastian Bach wrote a plethora of harpsichord pieces in his lifetime that have influenced composers for generations. The musical structures and forms used in his music have been replicated and still prevalent in music today. In this paper, I will be looking at how this piece is written in balanced binary form. This piece is part of a collection of small works written by Bach. The French Suits consists of six suits of

  • Voiles, From Book I Of Preludes By Claude Debussy

    984 Words  | 4 Pages

    Voiles, from Book I of Preludes by Claude Debussy was written during a time when Impressionism and Symbolism were thriving in music, art, literature, and poetry. With symbolism, artists broke away from traditional techniques in order to indirectly evoke specific emotions, images, and concepts without merely describing them. Symbolist poets often used strategic spatial placement, word sizing, and nontraditional grammar in order to add nuance to the meaning of the text. Impressionism was a similar

  • Claude Debussy Nocturnes

    727 Words  | 3 Pages

    Claude Debussy (1862-1918) was a French impressionist composer during the turn-of-the-century. Debussy’s Nocturnes: No. 1, Nuages (clouds) incorporates the use of impressionist art, post-tonality, timber with motive, and experimentation with multiple scale types. Debussy was able to combine aspects of Javanese Gamelan, Russian, and French Baroque music in order to counteract the dominance of German music and allow for greater musical independence. Claude Debussy grew up in Paris and was taught piano

  • Joseph-Maurice Ravel Accomplishments

    910 Words  | 4 Pages

    music, the composition developed from Romantic music in tone colour by having extreme instrumental ranges, melody that was often not tonal, new chords, twelve- tone system and rhythms were emphasized irregularly. Music became experimented with form, tonality and orchestration and Ravel was one of the composers who combined classical and jazz

  • High Renaissance Art Analysis

    1648 Words  | 7 Pages

    study Perugino’s style and skills. Although Raphael changed his focus of study to Leonardo and Michelangelo’s style after he arrived at Florence, Santi and Perugino’s impact on his childhood was still far-reaching. Therefore, Raphael preferred bright tonality and vivid

  • Parallel Harmony In Sarcasms

    999 Words  | 4 Pages

    that Prokofiev was influenced by Schoenberg’s liberation of tonality. He argued that Sarcasms was a turning point for Prokofiev’s early music because before Sarcasms most of his music is tonal. He thought Prokofiev experimented with atonal music in Sarcasms

  • The Characteristics Of Franz Schubert's 'Erlkönig'

    755 Words  | 4 Pages

    Franz Schubert, in my opinion, is considered as one of the last Classical Era composers and one of the pioneers of the Romantic Era composers. Schubert’s is an artist who devotes himself entirely to the arts, rather than chasing money and worldly gains. He has set a movement where many other composers would follow. In his 31 years of life he had written many works. He had more that 600 works on Lieder, 7 masses, 9 symphonies, including the Unfinished (No. 8,1822) and more. His famous piece, “Erlkönig”

  • Literature Review On The Effects Of Music On Child Development

    1702 Words  | 7 Pages

    In this literature review, five articles will be reviewed, on the effects of music on child development in early childhood. Comparing research on children who have been exposed to music in early childhood, the effect of music on the development of the baby in the womb, and children who have not been exposed to music. While also making reference to research on how music therapy affects children with Autism and the effects of music therapy in the treatment of children with delayed speech development

  • Martin Luther King And Hitler Comparison Analysis

    753 Words  | 4 Pages

    Martin Luther King and Adolph Hitler were alluring speakers but with different desires. Both had the extreme ability to attract to the masses through the spoken word, this being obvious in some of their famous speeches. Putting aside Hitler 's ghastly desires and outcomes and just examining the interesting and well- liked delivery of his speeches I feel that today he would have been worthy of the trainers trainer certification. The persuasion that he learned and developed in handling crowds, even

  • Slowly Comes The Morning Analysis

    765 Words  | 4 Pages

    British Composer / producer Colling Craington crosses the boundaries between recurrence and fickle, acoustic and electronic, crisp tonality and slow melody. His latest development “Slowly Comes The Morning” makes a strong argument whether monikers in the same milieu should follow or improvise even further. “Slowly Comes The Morning” is 2016 album composed and performed by Colin Cringhton and which to my personal opinion remains / will remained in ambient / soundscaping history not only because

  • Theoretical Aspects Of Counterpoint

    1376 Words  | 6 Pages

    Counterpoint can be defined as the combination of different melodic lines in a composition. Good counterpoint requires both a logical harmonic relationship between the lines as well as a degree of individuality and independences within the lines. Theorists have emphasized the vertical aspects of species counterpoint by defining the certain note combinations that are dissonances and consonances and prescribing where both should occur in both strong and weak beats. To contrast this, many great composers

  • Contemporary Jazz Composition

    378 Words  | 2 Pages

    The phenomenon of contemporary jazz composition is not well represented in jazz literature and academic sources. Although composers in this genre have shown an enormous development and a clear evolution in terms of style, form, technique and orchestration in the last forty years, there is little scholarly material in print on the subject. With the culmination of the swing era and the near-disappearance of the big bands, jazz composition morphed rapidly leaving almost no trace in academic writing

  • Salome By Mahler: Music Analysis

    848 Words  | 4 Pages

    nonsensical chords, a tone cluster can be found in rehearsal mark 355 of Salome’s concluding scene (Roden, Wright, and Simms 1461). This tone cluster includes notes that does not follow a specific key, similar to the absent key signature as the work’s tonality is ambiguous. Ignoring such restrictions, is again a progressive move in Strauss’ part. Some may say that Strauss’ Salome is just full of cacophony, but everything is weaved in a way to benefit the narrative. In rehearsal mark 359, a V6/4 chord begins

  • Grunge Themes

    1325 Words  | 6 Pages

    Grunge is a sub-genre of alternative rock and started in the mid-1980 in American state of Washington, particularly in Seattle. By the early 1990s grunge spread to California and other parts of America building strong followings and signing major record deals. Grunge became most successful in the first half of the 1990s, due mainly to the release of Nirvana’s Nevermind, Pearl jam’s Ten and Soundgarden’s Badmotorfinger. The success of these bands boosted the popularity of alternative rock and made

  • Ornamentation In The Baroque Era

    1233 Words  | 5 Pages

    This theory is shown by rhythmic structure and shaping of pieces. Typically, the pieces before did not have complex rhythmic structure or tonality to the pieces played. This changed in the baroque period due to the addition of actual instrumentation structure to pieces. During this period, the violin and trumpet gain massive popularity as well as the harpsichord. The major theoretical advancement

  • Chopin Nocturne Analysis

    1973 Words  | 8 Pages

    In this essay I will dicuss Frederic Chopin and his contribution to the noturne and the developments he made to the nocturne. I will provide a written analysis of one of Chopin’s later nocturnes opus 48. No.1 in C minor. I will critically analyse the score and comprise a brief discourse of the nocturne. Firstly, I will dicuss the nocturne and what is typical in Chopins nocturnes, finally I will critically analyse his nocturne in C minor. A nocturne is a short composition that is usually composed