10 Out Of 12 Analysis

The scenes consist of the many techniques mentioned above, there are two main characters are shown and the play is set in contrasting between the past and the present. There are two real locations that are the TV studio and Melbourne hotel, however the interplay of the techniques in the scenes works together to create a wartime setting. The audience awareness is developed through the historical information from each scene. Theatrical devices a re combined to create various features and have a great dramatic impact. The structure promotes the audience to watch the play because the structure of this storyboard is contrasted between the past and present that will attract audience attention, as it is an historical play set between different times.

One of the most important in this particular play is the acting. The actors are good at adapting from one role to the next and switching accessories quickly. The different use of British and other accents in a stereotypical but serious way. The director attempts to make the play successful by bringing everything to life and using the actors to do everything in a smooth and funny matter.

At times you get confused and lost at times but through the play, you could feel and get a better understanding through the thrilling horror and tragedies. The atmosphere and scenery of the castle as you sit and watch as a man in cap walk-in in slow motion with music directing his every move picking up candles and leaves while directs us to the play. As the music guide, you can feel as though it

While both stage and screen portrayals were highly acclaimed there are some similarities as well as some marked differences in each interpretation. On the surface, the first difference noted between the stage and screen versions are the sets. The stage version describes the setting of the play, the Younger family living room, as a

The productions of this play were successful through stage design, lighting crewing, and acting. Those three aspects made the quality of the play stand out to me, as an audience member. The production of the set design of the play was a good effort. The set design for the play staging aims for the sweet spot between feeding adult nostalgia and satisfying a new generation of children.

As you are watching the stage production, the actors might make a really funny joke that is made toward the other actor, but they look towards the audience and make funny faces and other things and the audience laughs and the actor that is being made fun of just sits there and ponders about what is going on. Another thing that is related to this topic is the the stage production can break the fourth wall and actually talk to the audience with makes for a better. Others can say that movies can have the same effect on people and it doesn’t matter if it is a stage production or movie. They might also say that there are movies that have broken the fourth wall like the movie Deadpool. In Deadpool the main actor talks to the audience all the time.

The stage is lowered and in its place is the dirty steps of clowns and acrobats. Tents coil and breathe with the act, a complex web of ropes and steeled

Throughout the play, readers can unquestionably witness the

1. Mr. Burns presents a unique take on the field of acting. During the first act, there was a closed off and often quiet tone to the play. The characters are all spaced out and separated even as their common conversation is being given. The only time they come closer together figuratively and literally is when they’re feeling threatened.

On October 22nd, at 7:30 pm, in Tarbutton Hall, I watched the play called, “Wit,” by Oxford College Theater. This play was written by Margaret Edson. Having read the play before, I was interested to see how Oxford Theater produced the play. The cast did a very good job being in character the whole time, and communicating to the audience. I could feel the emotions each character was going through.

This play stands as an example to let people into the ideas that these characters also have thoughts, ideas, suspicions, etc. and sometimes they have to second guess their

Most didn’t sit and watch in silence like today.” (The Globe Theater, Robson). The Audience presented their emotions towards the show if they felt like it. If they did not like the play they would throw things and booed to the actors, on the other hand if they did like the play that was showing they would cheer on and encourage the things that were happening on stage. People in this time acted and knew differently than people do

" Staging Subversions: The Performance-In-A-Play in French Classical Theatre, Peter Lang Publishing, Inc., Jan. 2005, pp. 61-92. In the above article, the author has concentrated on expressing the setting; the performance within a play, as well as the social order; the marriage of two young individuals of the book Tartuffe by Moliere. Cashman notes that performance within a play is dominant in this book; hence implying a critical dysfunction in the social arrangement,

Through this specific debate we can truly see how casting is vital to the play’s representation, especially as

Drama is literature written for performance--or at least written in a style that would allow for stage performance. As a text form, drama can be thought of as story told though spoken remarks and stage directions(Kurland ,2000) .When we hear the term drama we think fun, excitement , expression of one’s self . A famous quote says that “play is not in the words, it’s in you” (Steller Adler). In the world of drama it is essential that we understand the difference between Process and Product Drama.