"1987 Giselle" directed by Mats Reutersward is a classical ballet performance that has been widely acclaimed for its stunning choreography and captivating storytelling. With its timeless themes of love, betrayal, and redemption, this performance has won the hearts of audiences for over a century. However, as with any work of art, it is important to critically examine the various elements that contribute to its overall impact. One of the most striking aspects of this production is its intricate and graceful choreography. Reutersward has done an exceptional job in maintaining the traditional elements of the ballet while also incorporating his own unique style. The dancers move with fluidity and ease, their bodies effortlessly translating the …show more content…
The attention to detail in the costumes is equally impressive, with each character's attire fitting perfectly with their personality and motivations. The combination of sets, costumes, and choreography creates a visual feast for the audience, making "1987 Giselle" a truly immersive experience. The costume design, lighting, sets/props, and music all complement the choreography to create a visually stunning and immersive performance.The costume design in this production is elaborate and historically accurate, with each character's attire fitting perfectly with their personality and motivations. The tutus worn by the ballerinas are delicate and ethereal, adding to the otherworldly atmosphere of the ballet. The intricate details on the costumes, such as the gold embroidery on Albrecht's jacket, serve to bring the characters to life and heighten the visual impact of the performance. The lighting in "1987 Giselle" is carefully crafted to enhance the mood and atmosphere of each scene. The use of soft, warm light in the first act creates a romantic and intimate atmosphere, while the stark, cold light in the second act serves to heighten the eerie and …show more content…
One area in which "1987 Giselle" struggles is in its character development. While the dancers do a fantastic job in portraying their characters through movement, the plot itself is somewhat thin and lacks depth. The motivations of the characters are not fully fleshed out, leaving the audience with a somewhat vague understanding of their inner conflicts and desires.This lack of character development is particularly evident in the character of Giselle herself. As the central figure of the story, it is crucial that the audience understands her motivations and emotions. However, in this production, her transformation from a carefree peasant girl to a vengeful spirit feels somewhat abrupt and lacks nuance. This weakens the impact of the second act, where the audience is supposed to feel the full weight of Giselle's tragedy. Another area where "1987 Giselle '' falls short is in its portrayal of the Wilis, the vengeful spirits who play a central role in the second act. While their choreography is impressive, their characterization is one-dimensional and lacks depth. The Wilis are depicted as a homogeneous group of women who are solely driven by their desire for revenge. This flattens the complexity of the themes of love and betrayal, making the story feel less
In the original photoshoot the dancers tried to actually match their clothing styles. It showed how popular they were with the American population. They showed original newspapers of them and their actual pictures. I liked that because it showed that the ballet stuck to the story of Bonnie and
Lizzie’s hair is simple and pulled back into a low bun. The ballet is set in the late 1800s. In this time the women had very simple hair and makeup. The rest of my makeup will be within a cool color pallet to compliment the dark green of the
The novel Various Positions written by Martha Schabas illustrates the art of ballet in its truth, and how the romanticization of ballet is rooted in its brutality, and notably in this novel, damage to perception. There is one ideology that consumes the entirety of the novel, ballet is beautiful, the forms shaped by the idyllic thin body portray extreme elegance, the strain put onto the human body weighing you down until your mind is numb to it all. According to Georgia, “Every movement harbours a secret fall, and it's the danger that makes it beautiful”. (pg. 43). Despite this, she describes ballet as something that subconsciously takes over her body, including her thoughts.
Nonetheless, we still see a specificity in the movement throughout, similar to what we are used to seeing in classical ballet, just in a somewhat different
Along with the destruction of their marriage. All in all, the characters actions cause their relationships to
Sheila in the play goes through a massive change. She starts of as a young childish and naïve young girl. Who conforms with the social expectations of her family. She is down treated by her family and accepts that. She shows her courage in accepting her wrongs and shows how she would honestly like to reform unlike her father who are very Hippocratic.
The 1980s were a time when people were in their prime and changes were happening all around. Because of the creation of a new economic policy, supply-side economics, in the 1980s, the modern government’s involvement in the economy evolved into a mix between a free market system with government intervention and regulations that still exists today. Before the 1980s, the economic policy known as Keynesianism was the primary policy used by the government. It was created in the 1930s, by a man named John Maynard Keynes, during the Great Depression, which was a time when unemployment skyrocketed, and many people lost their homes, savings, and businesses. The economy needed major help and therefore the creation of Keynesianism, which advocated for active government intervention to stabilize the economy’s problems and help combat unemployment,
Interviewer: what was the motif of the ballet
Since the choreography is viewed from a wide angle, it’s important for all dancers to embody the vision for the piece, without the aesthics that camera work can provide. Regardless of their differences, whether they are working for the camera or for the stage, dancers must strive to communicate the aesthetic, or director’s vision of a
The direction and acting of the play show that the success of any production relies heavily on the director and the actors. The director should work closely with the actors to create believable and nuanced performances and to ensure that the pacing and tone of the play are consistent. The actors should be able to convincingly portray teenage girls and bring their unique personalities and struggles to life on stage. For example, the actors should focus on creating naturalistic dialogue that overlaps and reflects the way that real people
( Jackson, 4). This completely changes the mood of the story. The reader nows gets a sense of what the story’s theme is truly
This underlying theme significantly contributes to the overall storyline providing a unique characterization to each character, allowing the reader to really experience the character’s emotional development through the novel. The theme of love can be identified from the very beginning of the novel.
Costumes help to understand the play better Evil Tina and Evil Gabi are enemies that can identify from their costumes. In my opinion, when they were playing Dungeons and Dragons games their props and fighting scenes were not convincing. But throwing dialogues with 90’s music and references were giving the memory of the past. The cast did not look like exactly 90’s students but they tried their best. The play explores the theme of grief, loss, and
This helped the story have a better plot and it kept the reader more