In the play A Streetcar Named Desire by Tennessee Williams, the main characters, Blanche Dubois and Stanley Kowalski, share a great dislike and distrust towards one another, ultimately becoming the basis for the story’s conflict. Their common contemption stems from their contrasting personalities and backgrounds, their incompatibility of being able to function under the same environment, and inability to adapt to the situations they find themselves in. Although Blanche detests Stanley and the manner in which he behaves in, she realises that he is a necessary part for Stella’s life in New Orleans, an environment that greatly differs from the southern aristocracy that Stella and Blanche once lived in. Blanche expresses this idea by stating, “Oh,
Examining Marriage in Tennessee William’s A Streetcar Named Desire Tennessee William’s 1947 play A Streetcar Named Desire takes place in Elysian Fields, New Orleans, and portrays the marital situation of this time. This play illustrates conflict over the marriage of Stella and Stanley. This marriage can be seen as strict, and controlling but also full of lust.
Throughout Tennessee William’s ‘A Streetcar Named Desire’ and Sylvia Plath’s ‘The Bell Jar’ feminine ideals of appearance are associates with ablutions and bathing. This is due to the view of water having renewing properties, the mental health associations of bathing within both texts, and the patriarchal view of feminine appearances. In William’s and Plath’s literary works, water is depicted as having renewal properties in the central feminine characters of both plots. In the character of Blanche DuBois this is most notable when she exclaims, “Oh, I feel so goof after my long, hot bath, I feel so good and cool and – rested!”. Blanche’s frequent baths, along with the excessive amount of time spent in the bathroom within the play, exemplify her attempts at purifying herself from the events of past and present.
Both Blanche's family and Belle Reve represent her dream to indulge in a sophisticated, high class, and luxurious life. When all of Blanche’s family dies and Stella leaves, Blanche loses the first piece of her “beautiful dream.” She no longer has the money to support herself, since her educational career provides insufficient funds. After the tragic loss of her husband, Blanche loses Belle Reve and loses her job, symbolizing that her “beautiful dream” has been fully crushed and the only remnants of her dream are the lies she feeds herself. This fall of social class leads Blanche to carry a tone of classism.
Tennessee Williams wrote “A Streetcar Named Desire” (Williams, 1947) It is based in New Orleans a new cosmopolitan city which is poor but has raffish charm. The past is representing old south in America 1900’s and present is representing new America post world war 2 in 1940’s. Past and present are intertwined throughout the play in the characters Stanley, Blanche, Stella and mitch. Gender roles show that males are the dominant and rule the house which Stanley is prime example as he brings home food and we learn of one time when he got cross and he smashed the light bulbs.
c) Tennessee Williams’ landmark work, ‘A Streetcar Named Desire’, was a tour de force in its original stage production in 1947 and continues to resonate with audiences and readers today despite—or perhaps because of—its simplistic though layered story. d) Blanche puts on airs of class and happiness throughout the play, though internally she is miserable and haunted by her tragic and scandalous past. e) Most have argued (correctly) that the play is about the ways the past haunts our present or (again correctly) that it is about the ways class and sexuality impact our lives. However, few have seen the play for what it is: an allegory for the theater itself. a) cadbe b) adbec c) ceabd d) abdce Ans:
The themes of violence and power in ‘A Streetcar Named Desire’ hold an important role in the criticism of 1940s American society. Conflicts perpetuated by violence and power, such as abusive relationships and violent oppression are projected through the characters within the play. Williams uses these conflicts to highlight his criticisms of faltering values and social norms, from the perspective of an individual constrained by the expectations of a strict, Southern society. To begin with, there is an indefinite violence between men and women within ‘A Streetcar Named Desire’. Stanley Kowalski, a focal character, is the epitome of male dominance and primitive aggression.
In A Streetcar Named Desire, the author Tennessee Williams exaggerates and dramatizes fantasy’s incapability to overcome reality through an observation of the boundary between Blanches exterior and interior conveying the theme that illusion and fantasy are often better than reality. Blanche, who hides her version of the past, alters her present and her relationship with her suitor Mitch and her sister, Stella. Blanche was surrounded by death in her past, her relatives and husband have passed away, leaving her with no legacy left to continue. The money has exhausted; the values are falling apart and she is alienated and unable to survive in the harsh reality of modern society. Throughout the novel Williams juxtaposed Blanche’s delusions with
“A Streetcar Named Desire” contains a strong lighting motif that repeats throughout the play. This usually involves Blanche, a character who shies away from any light that is drawn upon her, and is especially sensitive to light when her suitor Mitch is around. To Blanche, she is still young and beautiful in her mind, but when light shines on her she becomes afraid that Mitch will notice her aging skin, her beauty falling. This motif heavily implies how Blanche sees herself and the significance to her sexual innocence. To begin, throughout the play the audience begins to understand how Blanche sees herself.
The Fight for Dominance In today’s society, gender norms convince men that unless they are able to control women, they are weak. Considered the inferior gender, women must find new ways to prove their own strength, whether it be through manipulation or their sexuality. The battle between the two continues as men strive to remain dominant, often by immoral means, and women attempt to gain the upper hand. In the screenplay, “A Streetcar Named Desire” by Tennessee Williams, the sexual tension and struggle for dominion between Blanche and Stanley is evident, and as the play continues, Blanche's promiscuity and Stanley's predatory nature foreshadow an inevitable confrontation.
Not only has Tennesse Williams portrayed Stella and Blanche to be seen as delicate and dependent, our own society has created this image but this not only affects how individuals see themselves but affects relationships immensely. Tennessee Williams reinforces the stereotype in which women are often the victims of unfortunate fate within the usage of the character Blanche. Throughout the whole play, we have witnessed Blanche being on the bitter end of life's miseries as she has encountered the tough loss of Belle Reve, dealing with her ex-husband's suicide and the loss of her relationship with Mitch. Arguably, the expectations and beliefs of women were either to be a housewife or a mother, whereas Blanche shows neither, as a result of automatically feeling out of place possibly leading to her downfall. Blanche was constantly fantasizing about the traditional values of a southern gentlemen, proving her dependence on this sex.
Blanche flees a failed company and a failed marriage in attempt to find refuge in her sister’s home. Through her whirlwind of emotions, the reader can see Blanche desires youth and beauty above all else, or so the readers think. In reality, she uses darkness to hide the true story of her past. In A Streetcar Named Desire by Tennessee Williams, Williams uses the motif of light to reveal Blanche’s habit of living in a fantasy world until the light illuminates her reality. Blanche uses darkness to block her past from onlookers as to shape her image.
“A Streetcar Named Desire” is a very elegant film in which the Southern gothic culture is demonstrated profoundly. Tennessee Williams uses the characters in the play to bring about a sense of how corrupt society truly was in the 1940’s in the South. The 1940’s was marked by an immense amount of violence, alcoholism, and poverty. Women at the time were treated as objects rather than people. Throughout the play Tennessee Williams relates the aspects of Southern society to the characters in the play.
Blanche and Stella grew up on a plantation called Belle Reve, representing the Old South. The Old South had a sense of romanticism, focusing mainly on appearances. Blanche is a genuine Southern Belle. Throughout the play, Blanche makes it a point to look her best at all times. Stanley exasperatedly says, “What’s this here?
A streetcar named desire was written by Tennessee Williams in 1947, in purpose to show the “declining of the upper class and the domination of the bourgeois middle class in the U.S.A. where the south agriculture class could not compete with the industrialization.” Blanche Dubois the protagonist of our story, a southern beauty that is trapped by the restrictive laws of her society. But she broke them, and eventually put herself in a state, where she had no job and no house. So she had to go to her sister, Stella and live with her and her sister’s husband, Stanley. While staying there, she created a façade for her to hide her flaws and kept acting as a lady, where she is anything but that.
