A Streetcar Named Desire Marriage Analysis

During the era of A Streetcar named desire (1947) and Death of a Salesman (1949), money and social status had power over peoples lives. In that sense, people were labeled for what they had. And the fast that money had power over the characters lives in both books, it showed that their world revolved around it. It also had so much power in the sense that both of the books ended in a negative note. So, i believe that Death Of a Salesman by Authur Miller and A Streetcar Named Desire by Tennessee Williams connected in a sense that money created problems between the characters.

One major similarity between Blanche and Stanley is that they both like to manipulate or control other people, to make themselves feel better. Even though there are different ways Stanley and Blanche take control of other people they still do it in a familiar matter. For example, Blanche takes power and influence over people by lying to others and herself, to make them believe in something that actually never happened, with fantacy, therefore makes Blanche feel greater, than she actually may be. To go deeper in depth, to prove that Blanche is manipulative she also says. ¨I don 't tell the truth. I tell what ought to be truth. And if that is sinful, then let me be damned for it!” (pg ). This quote proves that Blanche is an over controlling

The themes of violence and power in ‘A Streetcar Named Desire’ hold an important role in the criticism of 1940s American society. Conflicts perpetuated by violence and power, such as abusive relationships and violent oppression are projected through the characters within the play.  Williams uses these conflicts to highlight his criticisms of faltering values and social norms, from the perspective of an individual constrained by the expectations of a strict, Southern society.

The play “A Streetcar Named Desire” is about an emotionally unstable lady named Blanche. She moves in with her youngest sister and her husband because the landlord took the land away from Blanche because they could not pay for it anymore. After being their for a while Blanche starts remembering her horrible past which is something she was trying to do in the first place. The husband of Stella, Stanley Kowalski was also someone that made Blanche’s life miserable for complicating everything and harassing her in every possible way.

The late 1940’s were characterized by the emergence out of World War II that led to a dependence on the idea of The American Dream, which meant men were working harder to achieve a more comforting lifestyle and opportunity while women were still fighting the oppression of caused by unequal representation. This idealistic dream is illustrated throughout Tennessee Williams’ “A Streetcar Named Desire”, which has a rigid dichotomy between illusion and reality revealed throughout multiple characters and their dysfunctional lives that are a direct result between fantasy and actuality.

Desire can be defined as a strong feeling of wanting or wishing for something. The something could be an object, idea, or an event. In A Streetcar Named Desire, Blanche Dubois believes that the opposite of death is desire. Logically speaking, the real opposite of death is life; so why does Blanche believe that it’s desire? Possibly because she relates desire to life it’s self. The lives of the main character revolve around desire. Throughout the play, the theme of death is the opposite of desire is developed through the main character’s need to be desired or desirable.

William’s play A Streetcar Named Desire presents a variety of perspectives on relationships, especially addressing the idea that bonds which aren’t bound by trust, loyalty and lust in an even balance will inevitably fail. Tennessee Williams uses the interaction between his characters, predominantly Blanche, Mitch, Stella and Stanley; to express a variety of ideas regarding relationships. These connections can be witnessed in scenes 2, 3, 6 and 11, through the use of stage directions, dialogue and expressionism to display different perspectives of character interaction.

Gender and power are quite distinctive from one another in both these texts. From one point of view it could be argued the men are the autocrats and considered as oppressors of females in the male dominated society. In the male dominated society men are the decision makers and have the instrumental role. Despite benefitting from the patriarchy they are still victims (Synnot n. p.).This is because to secure his place in the family, a man has to dominate over his children and wife, therefore faced with a choice between the two sexual dispositions, and a boy has to choose between his mother and father.

Playwright Tennessee Williams once said “a symbol in a play has only one legitimate purpose which is to say a thing more directly and simply and beautifully than it could be said in words”. He seems to take his own advice to heart when writing such a thought provoking play as A Streetcar Named Desire. While Williams makes extensive use of symbols in Streetcar, the use of animals and animal-like characteristics as a symbol are constantly used to define Stanley Kowalski’s character and convey his desires as primal and ferine.

Stereotypical gender roles have existed as long as human culture has, becoming a natural part of all of our lives. Within each gender lies a variety of stereotypes and expectations. Most notably for men they are often depicted as tough and the family provider. Whereas women are often shown to be soft and vulnerable. Throughout the play A Streetcar Named Desire the author; Tennessee Williams illustrates the main characters, Stanley, Stella, Mitch and Blanche with these stereotypes. The play takes place in the 1950s in New Orleans containing a diverse population. However, is race discriminated against, those who go against classifed gender roles are often discriminated and have trouble finding their way in society. Although gender equality has

Tennessee Williams wrote “A Streetcar Named Desire” (Williams, 1947) It is based in New Orleans a new cosmopolitan city which is poor but has raffish charm. The past is representing old south in America 1900’s and present is representing new America post world war 2 in 1940’s. Past and present are intertwined throughout the play in the characters Stanley, Blanche, Stella and mitch. Gender roles show that males are the dominant and rule the house which Stanley is prime example as he brings home food and we learn of one time when he got cross and he smashed the light bulbs. Blanche’s personality makes her live in the past acting as a “southern belle” and believing millionaire Shep Huntleigh will marry her unfortunately for Blanche living in the past meant she ended up in a state institution. Stella is a good example of past and present intertwined as he past was living in Belle Reive a plantation as a “southern belle” and now her present is in New Orleans and married to a husband who abusive. The character of Mitch a hard worker whom looks after his ill mother seems to the reader as a decent person with past and present intertwined personality he is respectful at the start to win Blanche

In the play A Streetcar Named Desire written by Tennessee Williams, the main character, Blanche DuBois, travels to New Orleans to stay with her sister, Stella, and Stella’s husband, Stanley Kowalski. Throughout the play, sexulaity is seen as a strong motivator for many of the characters actions. Early in the play, Stanley is introduced as a particularly sexual character, “ Since earliest manhood the center of his life has been pleasure with women, the giving and taking of it, not with weak indulgence...He sizes women up with a glance, with sexual classifications…” (Williams 25). Stanley’s sexuality affects Stella and Blanche heavily throughout the play. Blanche’s own sexuality and that of her late husband’s also contributes significantly to her life. The interactions between the main characters amplify the statement that sexuality is a primitive, powerful force, capable of creating or destroying life.

In the play A Streetcar Named Desire by Tennessee Williams, the main characters, Blanche Dubois and Stanley Kowalski, share a great dislike and distrust towards one another, ultimately becoming the basis for the story’s conflict. Their common contemption stems from their contrasting personalities and backgrounds, their incompatibility of being able to function under the same environment, and inability to adapt to the situations they find themselves in. Although Blanche detests Stanley and the manner in which he behaves in, she realises that he is a necessary part for Stella’s life in New Orleans, an environment that greatly differs from the southern aristocracy that Stella and Blanche once lived in. Blanche expresses this idea by stating, “Oh,

A streetcar named desire was written by Tennessee Williams in 1947, in purpose to show the “declining of the upper class and the domination of the bourgeois middle class in the U.S.A. where the south agriculture class could not compete with the industrialization.” Blanche Dubois the protagonist of our story, a southern beauty that is trapped by the restrictive laws of her society. But she broke them, and eventually put herself in a state, where she had no job and no house. So she had to go to her sister, Stella and live with her and her sister’s husband, Stanley. While staying there, she created a façade for her to hide her flaws and kept acting as a lady, where she is anything but that. To hide her true self, Blanche restored to duplicity, coupled with her voracious desire and ubiquitous deception caused her a breakdown. In the following paragraphs, there will be more events that led Blanche to such end.

“A Streetcar Named Desire” is a very elegant film in which the Southern gothic culture is demonstrated profoundly. Tennessee Williams uses the characters in the play to bring about a sense of how corrupt society truly was in the 1940’s in the South. The 1940’s was marked by an immense amount of violence, alcoholism, and poverty. Women at the time were treated as objects rather than people. Throughout the play Tennessee Williams relates the aspects of Southern society to the characters in the play. As the movie goes on, it becomes more and more clear what Tennessee Williams is trying to convey to the audience. This being, Southern culture was deeply corrupted in many ways and the societal norms of the time period were like a drug that people