Strength, lack of emotion, aggression, and confidence are some of the traits society has assigned to men. The play A Streetcar Named Desire uses its lead character to support and portray these traits. The play takes place in the late 1940’s, a time when men and masculinity played a significant role in both households and society. Stanley Kowalski, the leading male, displays the timely masculine qualities while also showing what affect masculinity can have on those around him. Stanley is strong willed and very opinionated, allowing him to treat both men and women in a disrespectful way.
A Streetcar Named Desire was produced and directed in 1951 by Elia Kazan. Based on the play written by Tennessee Williams, the film follows Blanche DuBois as she leaves her beloved hometown, Belle Reeve, and moves in with her sister, Stella Kowalski and husband, Stanley. Blanches flirtatious but traumatized personality causes problems for Stella and Stanley whose relationship is based off of sexual desires. Blanche is going through a battle in which she finds herself guilty for her late husbands suicide and this distress eventually leads to a huge conflict in the Kowalski household. Vivien Leigh played the dramatic Blanch DuBois and received an Oscar for the best female in a leading role.
One major similarity between Blanche and Stanley is that they both like to manipulate or control other people, to make themselves feel better. Even though there are different ways Stanley and Blanche take control of other people they still do it in a familiar matter. For example, Blanche takes power and influence over people by lying to others and herself, to make them believe in something that actually never happened, with fantacy, therefore makes Blanche feel greater, than she actually may be. To go deeper in depth, to prove that Blanche is manipulative she also says. ¨I don 't tell the truth.
In A Streetcar Named Desire, Tennessee Williams distinguishes the masculinity and femininity of Blanche and Stanley by establishing the range of emotions and behaviors each character demonstrates during interactions with other people. Throughout the scenes in A Streetcar Named Desire, Tennessee Williams has repeatedly characterized Stanley Kowalski having animalistic behavior and developing masculinity. Initially, Williams depicted Stanley as a white collar everyday individual when Stella shows her sister, Blanche, a picture of Stanley as a Sergeant in the Army. In the beginning of the novel, Stanley was light and playful with Stella, especially when he teased Stella before going to the bowling alley to hang out with his friends.
A Streetcar Named Desire Literary Analysis The late 1940’s were characterized by the emergence out of World War II that led to a dependence on the idea of The American Dream, which meant men were working harder to achieve a more comforting lifestyle and opportunity while women were still fighting the oppression of caused by unequal representation. This idealistic dream is illustrated throughout Tennessee Williams’ “A Streetcar Named Desire”, which has a rigid dichotomy between illusion and reality revealed throughout multiple characters and their dysfunctional lives that are a direct result between fantasy and actuality. Illusion is taken advantage of as an alternative to the unfair circumstances that the characters in “A Streetcar Named
The play, A Streetcar Named Desire, directly reflects the 1940s time period. Mostly in regards to the male dominated society. Throughout the entire play Stanley shown to be authority figure who holds most of the power. He is the one in control in most situations. It is discovered that he physically hits his wife, Stella, to show his power over her.
Imagination can be defined as the ability of an individual to from images and to think in a creative or inventive way ,the ability to dream and create an illusion of ourselves and it is something that everyone processes. The imagination of a human being can be a blessing in disguise or beautiful nightmare. Either one of these can affect the way an individual 's willingness to embrace or reject an uncertain future. When someone imagination is shaped by dramatic desire and moral rejects the world around them begins to feel like a frightening place. The wellness to reject an uncertain future will become far more prominent than for other people compared to an individual that hasn 't been faced with the same chances.
Examining Marriage in Tennessee William’s A Streetcar Named Desire Tennessee William’s 1947 play A Streetcar Named Desire takes place in Elysian Fields, New Orleans, and portrays the marital situation of this time. This play illustrates conflict over the marriage of Stella and Stanley. This marriage can be seen as strict, and controlling but also full of lust.
A person’s life is a series of decisions leading them to the place in which they are today. Take a second to remember a point in time when you were face to face with a fork in the road, and a decision had to be made. Decisions are found in and throughout literature. A Streetcar Named Desire by Tennessee Williams and Their Eyes Were Watching God by Zora Neal Hurston are both built on decisions made by the characters. From small decision such as what to wear on a dinner date to difficult decisions such as pulling the trigger and killing the love of your life, they each played an important role in the stories.
this chapter my aim is to examine a classic A Streetcar Named Desire from the before mentioned partly theoretical point of views (performative theoretical, psychological and a gender interactional point of view) in order to prove my Thesis that verbal violence has become more brutal and more dominant in American plays. On the historical context, Abbotson says that it shows a picture on a postwar urban-industrialized society. Its great protagonist Blanche for many critics is a fallen myth of the great antebellum South, where perfect women were supposed to marry charming guys and to live happily ever after on their fields (49). Regardless her efforts, Blanche is no longer a Southern belle, she is a once fired ex-teacher who had sexual relations with young boys and her no stability in her life (49).