William’s play A Streetcar Named Desire presents a variety of perspectives on relationships, especially addressing the idea that bonds which aren’t bound by trust, loyalty and lust in an even balance will inevitably fail. Tennessee Williams uses the interaction between his characters, predominantly Blanche, Mitch, Stella and Stanley; to express a variety of ideas regarding relationships. These connections can be witnessed in scenes 2, 3, 6 and 11, through the use of stage directions, dialogue and expressionism to display different perspectives of character interaction. Trust acts as the foundation to any relationship, establishing a strong link between individuals and without it, the connection will eventually disintegrate. The importance …show more content…
Stella is a prime example for this case as she constantly shifts her loyalty between Blanche and Stanley throughout the play. Scene 11 is the pivotal scene where Stella makes the final decision as to who to side with. The dialogue “I couldn’t believe her story and go on living with Stanley” suggests she believes Blanche’s story to some extent but is consciously choosing to think Blanche is lying in order to live peacefully with Stanley. Stella’s choice is symbolic of relationships which are made to conserve an individual’s existence. She carries a seed of doubt towards her husband however in order for her to survive especially when she bears a baby, Stella chooses Stanley, hence sustaining her placid lifestyle. Williams uses the expressionist technique “The ‘Varsouviana’ is filtered into weird distortion, accompanied by the cries and noises of the jungle” to parallel Blanche’s inner mind and depicts Blanche’s deranged mental state after Stella’s betrayal. The imagery ‘Lurid reflections appear on the walls in odd, sinuous shapes’ highlights her mental turbulence and the stage directions ‘mysterious voices behind walls, as if reverberated through a canyon of rock…the echo sounds in threatening whispers’ heightens tension, positioning the audience to witness the overwhelming fear and exaggeration of her senses, further emphasising the detrimental impact Stella’s decision made. The Streetcar Named Desire also examines the influence that a person’s social standing can have. Stanley’s statement in scene 2 ‘The Kowalskis and Dubois have different notions’ indicates their social upbringing has influenced the way they think, hence disrupting their connection and loyalty towards one another. The use of their family name is metonymic for their ancestry and social standing, addressing the barriers derived from a social hierarchy which have affected their relationship. Similarly, the
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Examining Marriage in Tennessee William’s A Streetcar Named Desire Tennessee William’s 1947 play A Streetcar Named Desire takes place in Elysian Fields, New Orleans, and portrays the marital situation of this time. This play illustrates conflict over the marriage of Stella and Stanley. This marriage can be seen as strict, and controlling but also full of lust.
Tennessee Williams is acclaimed for his ability to create multi faced characters such as Blanche Dubois in the play, A Streetcar Named Desire. She comes to New Orleans after losing everything including her job, money, and her family’s plantation Belle Reve, to live with her sister Stella. During her time there she causes many conflicts with Stella’s husband Stanley and tries to get involved with the people there, all while judging them for their place in society, although she is imperfect too. Through her, Williams has created a complex character. She is lost, confused, conflicted, lashing out in sexual ways, and living in her own fantasies throughout the entirety of the play.
She also prefers keeping her past to herself because of all the problems she has had. She prefers for people to not find out what has happened and why she is the way it is. An example is when Blanche panicked because they took off the little paper covering the lamp which made the room dim and got pissed because she did not want to show how she looks. Stanley is shown to be the “manliest man” but he is unstable and irrational when he realizes what he has done when the damage has been done. For example, when Stanley physically abused Stella he realized what he had done when he was brought back to his senses.
In the play A Streetcar Named Desire by Tennessee Williams, the main characters, Blanche Dubois and Stanley Kowalski, share a great dislike and distrust towards one another, ultimately becoming the basis for the story’s conflict. Their common contemption stems from their contrasting personalities and backgrounds, their incompatibility of being able to function under the same environment, and inability to adapt to the situations they find themselves in. Although Blanche detests Stanley and the manner in which he behaves in, she realises that he is a necessary part for Stella’s life in New Orleans, an environment that greatly differs from the southern aristocracy that Stella and Blanche once lived in. Blanche expresses this idea by stating, “Oh,
Tennessee Williams wrote “A Streetcar Named Desire” (Williams, 1947) It is based in New Orleans a new cosmopolitan city which is poor but has raffish charm. The past is representing old south in America 1900’s and present is representing new America post world war 2 in 1940’s. Past and present are intertwined throughout the play in the characters Stanley, Blanche, Stella and mitch. Gender roles show that males are the dominant and rule the house which Stanley is prime example as he brings home food and we learn of one time when he got cross and he smashed the light bulbs.
The Fight for Dominance In today’s society, gender norms convince men that unless they are able to control women, they are weak. Considered the inferior gender, women must find new ways to prove their own strength, whether it be through manipulation or their sexuality. The battle between the two continues as men strive to remain dominant, often by immoral means, and women attempt to gain the upper hand. In the screenplay, “A Streetcar Named Desire” by Tennessee Williams, the sexual tension and struggle for dominion between Blanche and Stanley is evident, and as the play continues, Blanche's promiscuity and Stanley's predatory nature foreshadow an inevitable confrontation.
In the play A Streetcar Named Desire written by Tennessee Williams, the main character, Blanche DuBois, travels to New Orleans to stay with her sister, Stella, and Stella’s husband, Stanley Kowalski. Throughout the play, sexulaity is seen as a strong motivator for many of the characters actions. Early in the play, Stanley is introduced as a particularly sexual character, “ Since earliest manhood the center of his life has been pleasure with women, the giving and taking of it, not with weak indulgence... He sizes women up with a glance, with sexual classifications…” (Williams 25).
The themes of violence and power in ‘A Streetcar Named Desire’ hold an important role in the criticism of 1940s American society. Conflicts perpetuated by violence and power, such as abusive relationships and violent oppression are projected through the characters within the play. Williams uses these conflicts to highlight his criticisms of faltering values and social norms, from the perspective of an individual constrained by the expectations of a strict, Southern society. To begin with, there is an indefinite violence between men and women within ‘A Streetcar Named Desire’. Stanley Kowalski, a focal character, is the epitome of male dominance and primitive aggression.
Desire can be defined as a strong feeling of wanting or wishing for something. The something could be an object, idea, or an event. In A Streetcar Named Desire, Blanche Dubois believes that the opposite of death is desire. Logically speaking, the real opposite of death is life; so why does Blanche believe that it’s desire? Possibly because she relates desire to life it’s self.
Playwright Tennessee Williams once said “a symbol in a play has only one legitimate purpose which is to say a thing more directly and simply and beautifully than it could be said in words”. He seems to take his own advice to heart when writing such a thought provoking play as A Streetcar Named Desire. While Williams makes extensive use of symbols in Streetcar, the use of animals and animal-like characteristics as a symbol are constantly used to define Stanley Kowalski’s character and convey his desires as primal and ferine. Stanley has the first line in the play and is immediately characterized by Williams with the use of his stage direction “bellowing” (Williams 244; sc. 1). Like a wild animal, Stanley has a desire for unrefinement and
Not only has Tennesse Williams portrayed Stella and Blanche to be seen as delicate and dependent, our own society has created this image but this not only affects how individuals see themselves but affects relationships immensely. Tennessee Williams reinforces the stereotype in which women are often the victims of unfortunate fate within the usage of the character Blanche. Throughout the whole play, we have witnessed Blanche being on the bitter end of life's miseries as she has encountered the tough loss of Belle Reve, dealing with her ex-husband's suicide and the loss of her relationship with Mitch. Arguably, the expectations and beliefs of women were either to be a housewife or a mother, whereas Blanche shows neither, as a result of automatically feeling out of place possibly leading to her downfall. Blanche was constantly fantasizing about the traditional values of a southern gentlemen, proving her dependence on this sex.
In A Streetcar Named Desire, the author Tennessee Williams exaggerates and dramatizes fantasy’s incapability to overcome reality through an observation of the boundary between Blanches exterior and interior conveying the theme that illusion and fantasy are often better than reality. Blanche, who hides her version of the past, alters her present and her relationship with her suitor Mitch and her sister, Stella. Blanche was surrounded by death in her past, her relatives and husband have passed away, leaving her with no legacy left to continue. The money has exhausted; the values are falling apart and she is alienated and unable to survive in the harsh reality of modern society. Throughout the novel Williams juxtaposed Blanche’s delusions with
“A Streetcar Named Desire” is a very elegant film in which the Southern gothic culture is demonstrated profoundly. Tennessee Williams uses the characters in the play to bring about a sense of how corrupt society truly was in the 1940’s in the South. The 1940’s was marked by an immense amount of violence, alcoholism, and poverty. Women at the time were treated as objects rather than people. Throughout the play Tennessee Williams relates the aspects of Southern society to the characters in the play.
In the play written by Tennessee Williams, “A Streetcar Named Desire,” the reader is introduced to the protagonist, a lady by the name of Blanche, who struggles to better herself, help her sister Stella, and leave her past experiences behind. Throughout the play, Blanche is verbally abused by Stanley and the reader sees this when Blanche finally stands up for herself and quotes, “Poems a dead boy wrote. I hurt him the way that you would like to hurt me, but you can’t” (1793). It seems that Blanche still feels guilty and takes the blame for the death of her husband, but she is also done with Stanley antagonizing her. When Stanley is going through her belonging, she can already tell he is dangerous and has bad intentions of hurting others.
Eliza Penn Gender roles in the mid-1900s held a prominent place in society because they defined an individual’s behavior and outlook. In A Streetcar Named Desire, by Tennessee Williams, two of the protagonists, Stanley and Blanche, strongly represent and embody the extremes of masculinity and femininity. Stanley exemplifies the strong and aggressive male in the 1900s, while Blanche represents the frail and superficial woman. When these two types of characters are placed in close proximity to one another, the results can be devastating. Tennessee Williams wrote this play in order to demonstrate what happens when Blanche, a feminine woman, and Stanley, a masculine man, are brought into conflict; when these extremes clash, it can result in violence and the shattering of an individual’s defense system.