In the novel, Their eyes were watching God written by Zora Neale Hurston, the character who I believe sacrificed the most would be, Janie. At the age of sixteen, She was forced into marriage, which had caused her to give up her innocence. Throughout the novel, she is viewed as a strong, powerful, and a hopeful woman, who is degraded and belittled by men. In the end, Janie married Tea Cake who showed her the way life should of been and learned what it was like being loved by a man who had not taken her for granted. At the age of sixteen, She unwillingly married Logan Killicks and had a hard time transitioning into the wife that Logan wanted.
In the novel How to Read Literature Like a Professor, Thomas Foster discusses the importance of Geography in literature, particularly the idea that “ when writers send characters south, it’s so they could run amok” (Foster 179). This idea emerges in Zora Hurston’s Their Eyes Were Watching God as Janie travels to discover her identity. Janie feels tied down by the people in her life, particularly her husband Joe in Eatonville. She comments that he “wanted me tuh sit wid folded hands and sit dere.
The pursuit of dreams has played a big role in self-fulfillment and internal development and in many ways, an individual 's reactions to the perceived and real obstacles blocking the path to a dream define the very character of that person. This theme is evident in Zora Neale Hurston’s Their Eyes Were Watching God, which is about the search for identity. A woman of a mixed ethnicity resides in several communities, each playing an important role and serve as crucial influences on her life. During the story, she endures two failed relationships and one good relationship, dealing with disappointment, death, the wrath of nature and life’s unpredictability.
Self-discovery is essential to a prosperous life. In the novel Their Eyes Were Watching God by Zora Neale Hurston, Janie, the main character, discovers who she is through her relationships. Janie learns from each of her experiences, but the most significant are her husbands: Logan, Jody, and Tea Cake. Each of these people attempt to control her thoughts and actions, but Janie rebels against them. Janie stands up for what she believes in, and through these confrontations, she better understands herself.
Her Story, Her Voice The unique story that is Their Eyes Were Watching God is a story of voices collected together to create one big voice. Hurston uses many characters’ voices to help Janie find her own, actual voice and tell her story by the end of the novel. The story by Zora Neale Hurston is a frame story which is a story within a story. Hurston, like many other authors, uses the frame narrative to help the story come full circle and create a sense that the reader is part of the story.
People come into our lives for different reasons. Some leave a positive impact, while others bring negativity. Readers and critics alike have treasured Zora Neale Hurston’s 20th century novel, Their Eyes Were Watching God, for generations particularly for its complex portrayal of the different main characters. The people a person meet and the experiences that person many go through in their lifetime can alter a person significantly. Through the tyrannical words of Joe Starks and the inconsiderate actions of Nanny, Janie in the novel Their Eyes Were Watching God is negatively influenced as her actions and thoughts alter her life.
Maria Leonard AP English Literature & Composition Their Eyes Were Watching God Essay March 13, 2023 A Journey Through Janie’s Eyes The novel Their Eyes Were Watching God, by Zora Neale Hurston, is a self-realization psychological-fiction book about a young woman named Janie Crawford and her lessons through life and love. Throughout the novel, Zora Neale Hurston employs various literary devices to guide the reader through Janie's journey of self-discovery. Hurston uses literary devices such as dramatic irony, symbolism, imagery, and syntax to depict the downfall of Janie's inner damage, marriage to Joe Starks, and discovery of different types of romantic relationships.
Have you ever been in a past relationship and started a new one only to realize you have been comparing the two? You may realize that you desire the past spark that the present does not have. In Zora Neale Hurston's novel, Their Eyes Were Watching God, she utilizes juxtaposition to discreetly invite the audience to compare two scenes; whether it be Janie’s reactions to events, Janie’s outlook on a goal or fantasy versus someone else's, or how Janie is treated by her spouse. One of the juxtapositions Hurston includes in her novel is presented after the death of Janie’s second husband, compared to the death of Janie’s final husband. Any individual knowing Janie would idealize a grand funeral and a truly sorrowful widow to the death of her prosperous and well-known
Janie disliked the rag, but said nothing because it please Joe. Janie would do anything to please her husband's. Hurston shows this through her text, “This business of the head rag irked her endlessly. But Jody was set on it”. This not only reveals the willingness Janir has to please her husbands, but also resembles the power her husbands had over Janie.
He becomes paranoid and tries to attack Janie so she shots her husband to protect herself. At the end of the book, Janie finishes telling her tragic love story to her best friend. Zora Neale Hurston uses figurative language to explain to the readers Janie's search for love and her struggles through her life in doing so. She gives us an image of Janie being a woman who has been through marriage three times already and has lost love through either death or
She was a rut in the road,” (Hurston 76). By this Janie was not well respected by Jody, she was not able to say how she felt. Considered being the wife of a rich man, she was treated less than
Pulled it from around the waist of the world and draped it over her shoulder. So much of life in its meshes! She called in her soul to come and see” (265). Hurston beautifully depicts this image of Janie’s soul emerging as a statement of her love for Tea Cake and of her vulnerability when she is with him. Likewise, at the end of the story, Janie calls on her soul to come out yet again at the moment in which she reflects upon her life with Tea Cake and in a way thanks him for allowing her to be free.
In the novel, Their Eyes Were Watching God by Zora Neale Hurston, the protagonist Janie, is influenced by others to change her ideals. Hurston vividly portrays Janie’s outward struggle while emphasising her inward struggle by expressing Janie’s thoughts and emotions. In Kate Chopin’s The Awakening the protagonist is concisely characterized as having “that outward existence which conforms, the inward life which questions,” as Janie does. Janie conforms outwardly to her life but questions inwardly to her marriages with Logan Killicks, her first husband, and Joe Starks, her second husband; Janie also questions her grandmother's influence on what love and marriage is.
In the novel Their Eyes Were Watching God, Janie is a main character whose outward existence conforms, and her inward life questions. This tension helps to evolve the author’s theme of the importance of individuality and how individuality creates happiness. Janie experiences most of her life in trying to conform, and grows to despise it. Once free, she becomes herself and becomes happy. Early in the novel, Janie marries Logan Killicks.
“Their Eyes Were Watching God” is a novel written by Zora Neale Hurston. The novel portrays Janie, a middle aged black woman who tells her friend Pheoby Watson what has happened to her husband Tea Cake and her adventure. The resulting telling of her story portrays most of the novel. Throughout the novel, Zora Neale Hurston presents the theme of love, or being in a relationship versus freedom and independence, that being in a relationship may hinder one’s freedom and independence. Janie loves to be outgoing and to be able to do what she wants, but throughout the book the relationships that she is in with Logan,Jody and Tea Cake, does not allow her to do that.
