The roles and social status of women in ancient times are being described by many well-known playwrights and poets. Yet, different works shows different opinions towards “women power”. In this essay, I am going to compare Homer’s Iliad and The Code of Hammurabi along with Sophocles’ Antigone.
Greek Mythology is notoriously anti-female revolution. From Aeschylus’s depiction of Clytemnestra’s thirst for power to one’s own Euripides’ depiction of Medea’s rampage of revenge, Greek mythology is terrified of powerful women. The Bacchae by Euripides makes no exception and continues stifling female empowerment; however, Euripides adds his own unique spin on terrifying female depiction. Instead of just representing women in power as monsters to fear, he instead blames femininity as the culprit. He uses the Bacchae, Dionysus, and Pentheus as examples of the danger in accessing one’s own femininity.
The union of both sexes is a notable metaphor in both “Symposium” and “Lysistrata”; however, the nature of the love between the sexes draws a distinction between both works. In Symposium, Aristophanes described how both sexes were so powerful when united; and when they were separated, human beings still strived to be united once more by any means. On the other hand, in Lysistrata the characters were already married and united; however, women found their true strength when they started a psychological war on their men. Even though both works drew the readers’ attention to the need for love, Symposium emphasizes the union of sexes in a way that the characters in Lysistrata will never reach; where love is not only about sex and physical attraction, but it’s also about a healthy relationship occupied with affection and caring.
Women’s roles has changed dramatically throughout history. By looking at the lives of women, it would be possible to tell how the civilians at that specific period of time were living. In this paper, women’s lives in mainly three civilizations would be discussed, the Sparta, the Athens, and the Hellenistic era. In Sparta, women were needed to live at home, while their husbands remained in military barracks until the age thirty.
Aristophanes Lysistrata and Homer’s Odyssey both show how women can thrive in their society and fight for what they believe in, even if that goes against the gender roles portrayed in Greek Civilization. In Aristophanes Lysistrata, the author portrays how one woman can fight for what she believes in and make a difference in society. Lysistrata ultimately wanted to end the Peloponnesian War, she knew the only way to do so was to take advantage of the Men. Men were dying day after day because of this war and Lysistrata had enough, she wanted to end it. Lysistrata decided to take a stand; she voiced her plan to
Explaining why the women are being treated unfairly and the outcomes that can happen to women in the Greek society. How men are portrayed in Greek society. Explaining why men have different expectations than women and the political aspects of the male gender role in Greek society. The effects of the non-traditional roles the men and women played in the Medea play. Also, discuss the
Countless of these tearful songs have been written, describing the image of the woman behind a hero’s victory. In The “Odyssey”, Homer transforms the audience’s perspective about women significantly. All of them, whether beautiful woman or powerful goddesses, are occupied by sorrows. Especially, Penelope and Calypso--the two most influential women in both appearance and the complicated relationship with the guile hero. Although they have very different personalities and backgrounds--one is the queen of Ithaca, and the other is a magnificent goddess.
In many societies today, individuals are led to believe that the concept of women possessing their own strength or independence is abnormal. As a result, women experience the world in a constrained way in comparison to men, even if they are in higher classes of society. However, these extensive aspects of females are contradicted in some ancient Greek literature. In the epic poem, The Odyssey, Homer portrays women as a vital and powerful force through the characters Penelope and Circe, who counter the normality of misogyny in Homer’s time. Penelope’s character displays how some women are able to exceed society’s standards and show strength and cleverness when it is necessary.
The women felt that the war was causing disruption and ruining the unity between the people. Particularly, the main protagonist Lysistrata herself, gathers the power of females in hopes for peace and the reunion of Greece. Although the women initially were dubious about ending the war with a sex strike, it was Lysistrata who brought leadership to the group, encouraging all to contribute their powers for good, as she says, “Our country’s fortunes are in our hands; and whether the Spartans shall perish and the Boeotians shall be completely annihilated” (Aristophane 34-35). During this process, the women were faced with corrupted men, who believed that females should have no participation in the topic of war. Rather than succumbing to the demands of the men, Lysistrata insisted and argued for women to take charge and restore Athens.
World Literature Paper – Role of Athena and Penelope in The Odyssey Homer’s, The Odyssey is an epic which was written many years ago. At that time, in Ancient Greek society, the dominant role was played by men and the women were considered and given an inferior position. But The Odyssey was often considered a women’s epic because women played an important role. Women in The Odyssey are portrayed as powerful, wise and controlling because they ensure that the illusion of male success will go on - they speak as men through women.
In “Gender and the Homeric Epic”, an article by Nancy Felson and Laura M. Slatkin, the gender roles of various characters in The Odyssey, an epic poem by Homer, are examined in the constraining and progressive lens Homer takes. The characters of the epic most explicitly analyzed are Odysseus and his wife, Penelope; in this article the authors show the traditional gender roles both adhere to, but also exhibit the ways in which the characters are able to reach across the restraining gender roles, without making this story entirely about gender. Through this article one can see that the constraining nature of gender roles seen in society, is not inherent in the society presented in The Odyssey, which describes an intrinsic fluidity which is seen in a plethora of characters. “Gender and the Homeric Epic” discusses the gender roles conceived throughout Homer’s story through the characters Homer and Penelope. Homer represents the masculine war hero, returning home with what should be glory and happiness.
Lysistrata tells the women that they must resist their men in order for them to stop fighting in war. These women swear on oath, by pouring wine in a bowl, to not have sex with their husbands until the war is over. They will try to seek the mens attention by dressing vulgarly and wearing a lot of makeup but they will not have sex. Once the war is over the Spartans and Athens get together with Lysistrata and the goddess Reconciliation. In this scene Lysistrata tells them what to do so they could make peace, she explains to them how they have both done many good things for each other so this is why they should not be going to war.
To accomplish this analyzation I have structured this paper into an intro paragraph, four body paragraphs, and a conclusion paragraph. The first body paragraph explains how Penelope’s forced marriage with Odysseus supports the patriarchy. The second paragraph analyzes Penelope’s character, and how the story diminishes her character to make men seem more powerful. The third paragraph dives into the relationship with the suitors and Penelope. I analyze how Penelope uses her situation to her advantage, and how that undermines the patriarchy.
Upon being left by her husband during a decade-long journey, Penelope’s depressed character, like Hecuba’s character, accentuates the misery of women during that time. Once stripped of the only source of power and happiness they had—men in society—women were deemed miserable, useless, and awful in society. Penelope spent years waiting for Odysseus, and the audience watches as a beautiful, popular woman, weeps over her missing husband and lives a long, melancholy life. Penelope grows impatient and stagnantly miserable; she begins to wish for death, for life was not worth living without her husband in her life. She begs, “How I wish chaste Artemis would give me a death so soft and now I would not go on in my heart, grieving all my life and longing for love of a husband excellent in every virtue.
The relationships between gender and power in A Doll’s House and Lysistrata ‘One is not born, but, rather becomes a woman’. Lysistrata and A Doll’s House both present the disadvantaged position of women in their respective societies. The two plays present the relationship between gender and power and follow two women who go to extremes to become liberated from the restraints of their oppressive and dominating patriarchal society. Therefore, it is clear that both Nora and Lysistrata demonstrate the potential for women 's power and resistance in situations of male dominance in a hegemonic patriarchy. In order to prove this, it is important to look at the relationship between man and power, woman and power and the ways in which Nora and Lysistrata embody this power in the two plays.