Every day, every hour, a person passes away. What would they say? What would they say if they knew what would happen to their corpses’ after their passing? What would they say if they knew the cost of their funeral? In Jessica Mitford’s “Behind the Formaldehyde Curtain” the practices of the funeral agency are examined in detail. Mitford raises questions regarding the legality behind the embalmment process and goes into the gory aspects of what goes on in the backrooms of funeral groups nationwide. Additionally, “Behind the Formaldehyde Curtain” presents a compelling and unnerving argument, against the perpetuation of the commercialism of death, and the funeral industry in North America.
Art is a practice that is constantly evolving around the world. Art practices during the Renaissance in Italy and in Northern Europe depict similar themes, but artists express their understanding of narratives differently. Giotto di Bondone, an artist during the Renaissance in Italy, and Rogier van der Weyden, an artist during the Renaissance in Northern Europe, depict the crucifixion of Christ in two similar, yet distinct manners. Giotto created The Lamentation in 1305 and van der Weyden created The Deposition in 1435. The strategies each artist uses in their work highlight the important factors that influenced artists in each region.
Death was an important part of the ancient Egyptian’s complex system of religious beliefs. Once someone died they prepared for the afterlife. The afterlife was believed to be a party that went on forever in a perfect version of Egypt. People brought items they thought were necessary for the journey to the afterlife. If they failed during the journey they would cease to exist. They believed in many gods of death, and saw Anubis as one of the more important ones. Anubis was also the god of mummification. He guided the soul through the underworld and helped at every step of the journey. Mummification was a necessary process for the preservation of the body in the afterlife. The mummy represented the “house” of the spirit of the departed person. Anubis and mummification are an important part of Egypt's religious beliefs about death.
In this field observation I attended a catholic mass of a friend’s church. I was born in a Christian family and never thought that I would ever attend a Sunday catholic mass. I only have one friend who still attends a church, a catholic church. I attended this mass with my friend Paul and his family who are Pilipino. Paul was nice enough to let come to his church to be an observer and a bit of a participant. I wanted to know more about what happened at a Catholic Church mass and what it meant to the catholic community. In addition, the church is located on Vinland and Stagg in Sun Valley, and the church is named, our lady of the holy rosary.
In The Minister’s Black Veil, the veil holds different meanings for the minister and for the people in his congregation. The congregation starts out confused about the meaning, and even though they get hints of the meaning over the years, they never understand it fully, and their obsessive fear of the minister continues even though he remains a good and harmless person. The minister seems to know what the symbolic meaning of the veil is, although he only reveals it slowly in bits and pieces until the climactic scene on his deathbed. He, too, views the veil with fear, because he sees it as a symbol of the secret sin in himself and everyone. In addition to the meaning the veil holds for the congregation and for the minister, it is important to consider the effect of the veil on the relationship between the two. Hawthorne seems to be saying that the minister’s perception of the sin in all people puts up a barrier between himself and everyone else and ruins his life.
The Shroud of Turin, currently located in in Turin, Italy, is considered one of the most important and valuable relics, by Christians all over the world. It is said to be the shroud that Jesus Christ was wrapped, and buried in after being crucified. This makes it one of very few items that proves that Jesus Christ, did live, and was crucified on the cross. Not only is the shroud a renowned artifact, but it is also one of the most scientifically studied objects ever. After meticulous testing, scientists still aren’t confident in either the origins of the shroud, or how it was created. Regardless of whether Jesus is divine and part of the holy trinity, the Shroud of Turin is the burial cloth of Jesus Christ.
Here lies Queen Ruby Riley, the most beautiful Queen of Egypt, leaving this world on 167 B.C. She was born into the Riley family in 225 B.C, her father, King John Riley, was the Pharaoh at the time. He passed away shortly after her birth in 225 B.C, due to a battle wound that could not be tended to. After her father 's death, her older brother, King Rob Riley, became the ruler at 12 years old. He ruled for more than 20 years until the people of Egypt were fed up with him. He was removed from his throne because the Armies were not winning battles and the traders were not trading for goods. Then it was finally Princess Ruby’s turn. In 204 B.C. Princess Ruby took over the throne from her brother. Egypt was very pleased with her, after her first
Throughout decades, religious iconography has become a unique language of art, confound into religious art pieces to convey a deep implicit meaning of depicted objects. The term “icon” came from a Greek word, meaning image. An icon was originally a picture of Christ on a panel used as an object of devotion in the orthodox Greek Church from at least the seventh century on. Hence the term icon has come to be attached to any object or image that is outstanding or has a special meaning attached to it (Tate, n.d.). In fact, in order to understand the religious art, it is primarily important to closely look at pieces of iconography, to be able to
We can all say that we’ve judged people at first glance. Your appearance can say a lot about who you are. There are many situations in which people are being judged wrongfully. In the Minister's Black Veil by Nathaniel Hawthorne, Mr. Hooper was being unfairly judged by the black veil he was wearing. I, as well, have judged people unfairly by what they were wearing, but for good reasons. In my opinion, appearance directly links to the type of person you are as shown in the Minister's Black Veil, with the actions people showed towards Mr. Hooper's new look as well as my own experiences.
When a loved one that already had passed away, you prepare their funeral and when you start to prepare you have traditional of wearing black to show personal interpretations about death and the afterlife. In the time of Roman Empire they wore black togas as a symbol for mourning or in other culture they wore white to show purity towards Jesus Christ. While in ancient civilizations they prepare for their kings and queen death their tradition is more different. Our world today we place our loved ones who have passed on and into a grave, while in ancient societies placed their king or loved ones into a tomb or buried them in the ground we analysis their cultural and beliefs, the efforts they put into it, and there unique features.
Jesus rode into Jerusalem on a humble donkey as a symbol of peace – whereas if he had strode in on a horse, often used in battle, he could have been seen as a warmonger.
Lapedo Child was another treasure in the scientific world. At first, it looked like a regular child skeleton that had been specially buried in a spiritual ritual. Even the ochre stained bones, animal bones, charcoal, tiny traces of pollen, the four deer teeth and two periwinkle shells did not raise too much of an attention. Nor did the fact that Lapedo Child was just four when he died, of unknown causes. Everything about Lapedo Child indicated he was a modern human. The chin was modern. The red ocher burial was a common modern human ritual. The Scotch pine in the grave pit was dated to a time when modern humans had inhabited Portugal. However, something didn’t make sense.
“Then took they the body of Jesus, and wound it in linen clothes with the spices, as the manner of the Jews to bury” (King James Bible, John 19.40). Around Easter time, churches begin to have sermons about the crucifixion of Jesus Christ. After Jesus died on the cross, Joseph wrapped him in linen and placed him in a tomb. As Jesus rose from the dead, the linen cloth that was placed on top of him was left behind. Controversy is still a problem today whether the Shroud of Turin is truly the linen that covered Jesus’s body. According to faith and tests done on the Shroud of Turin brings the conclusion that it was a role in Jesus’s burial.
The word “critical” often conjures the incorrect image of negativity. If the Four Gospels are to be analysed critically would this study find loopholes only? This need not be the case, as the Four Gospels, and the Bible as a whole, has withstood the test of time. As a stand-alone text, the Bible has proven its accuracy in its portrayal of events, its authorship, and its date of writing. Though scholars have tried to use both textual and literary criticism to discredit the Four Gospels, there are an equal number of scholars, using these same tools, who have proved that the Four Gospels have an accurate portrayal of events. Therefore, a critical analysis need not be a negative research of the Four Gospels, as it can be a faithful study which supports it.