Anne Bradstreet Rhetorical Devices

Daisy Buchanan’s reality is very stressful and problematic, so she finds solace in coping methods that aren 't the most effective. “‘Oh, you want too much’ she cried to Gatsby ‘I love you now- isn 't that enough? I can 't help what 's past,’ she began to sob helplessly. ‘I did love him once-

Edna says she wants to do her own thing without being fettered by her children or the society that is saying that you can’t get divorced. Edna also states that her children are bringing her down and damning her soul; Edna thought about her being free and realized that it is just another fantasy and the one person who actually gave her pleasure was Robert and he had left her for the sake of herself. Edna had been getting frustrated with the idea of her not being satisfied and her not receiving the love that she wanted and the realization of her not getting love or independence she didn’t give love back. She did love her kids but she never really wanted to be in this grouping of a mom or a housewife essentially.

She wanted to create an atmosphere where we are suspecting and doubting the words of the mother. Whatever the mother says, the reader is to take the opposite of what is really happening into account. She exemplifies this through the use of repetition of the mother saying that the child walks backwards, and by the second time she repeats this phrase we are fully aware of the mother’s true intentions of abuse. Perhaps the poet intended to invoke emotions of anger and confusion from the reader as they have written the poem in a very raw, realistic way.

Anne Bradstreet was born in 1612 and grew up to become a prominent English poet. As she was growing up, the Puritan society expected her to become a good housewife, consequently a caretaker to her children. She wrote primarily for herself, and her children, for she didn’t want the attention from men and their scrutiny. Anne lived in a time where society’s standards of women included lack of skill, only being good housewives, and notably, only pedestrian. “For my mean pen are too superior things …

Many controversies was revolving around the word “romped” and individuals believe “romped” was meant as a negative connotation. Even though “romped” could mean engage in sexual activity, it could also mean to play roughly. In the context of the poem, “romped” appears to mean play roughly and it doesn’t show a negative connotation. “Romped” may have in fact only been playing around and that nothing abusive was happening. To further add on, the author used words like “countenance” and “unfrown” after the falling of pans to show us that it was because of the pans the mother frowned.

Despite of being right in my accusations of her sister’s ingenuine behavior, every time I demand that my wife tries to see the true side of the story, she keeps quiet and avoids confrontation. As follows, I become extremely irritated and annoyed by her withdrawal from the conflict. According to the book, the person using the avoidance conflict style wishes the problem or conflict would go away by itself and appears uninterested in managing the conflict or in meeting the needs of the other person involved in the disagreement. As a positive side of her conflict management style in this particular situation by withdrawing she does not allow me gunny-sacking, that only leads to increasing tension, escalating emotions, and reducing listening effectiveness, as mentioned in the textbook. However, by not resolving this issue the tension in relationship with my spouse builds

In the novel, The Great Gatsby, by F. Scott Fitzgerald, I dislike Daisy more than Tom. I dislike Daisy more than Tom because she backed out on leaving Tom and going to live with Gatsby. Gatsby was trying to control Daisy because Daisy was getting discouraged, she says “ ‘Please, Tom! I can 't stand this anymore.’ Her frightened eyes told that whatever intentions whatever courage she had had, were definitely gone.”

She considered it a weakness. After reading a verse from a book called “The Prophet” she shuts it and states, “I wanted nothing to do with the world of love; I thought wanting love was a weakness to be overcome. And besides, I thought to myself, the world of

In the poem, “No Assistance,” Ntozake Shange writes about the struggle a woman goes through with recognizing that she is in a one sided relationship. Not only is this shown by the woman’s words, but also with the specific tones she uses. The title, “No Assistance” is the woman stating that she no longer needs her partner anymore because they weren't any help at all. She also says “this was an experiment, to see how selfish I could be” this is the woman rejecting the idea that she is being used. She is in denial that this is unrequited love and that she was in love with him in the first place.

(I.465-472). Seeing Abigail cry, it suggests that Abigail’s affair with John Proctor has influenced her behavior in jealousy and lust as she strives for nothing more than her love for John Proctor. By only being heartbroken, Abigail is not to be fully blamed for the hysteria within the town as her actions are only based on desperate attempts to win John Proctor over, and no intentional harm whatsoever. However, on the other hand, Abigail cannot be excused with outside forces making her the way she is due to the fact that she has clearly had a choice in most of her decisions and actions throughout the witchcraft crisis. When Mary Warren, another girl involved in the forest incident, enters the court, she explains to Danforth, the judge, that the girls are lying and are only pretending to see spirits.

Even though she will well aware that her husband, sister and doctor find it a un- likely cure and are against it. We are also to that the narrator tries to cope with her problems as well. Unlike John, who simply ignores his obstacles, the narrator descends into a sense of imagination to help mentally heal herself. The narrator becomes almost compulsively obsessed with the idea of freeing the women behind the bars of the yellow wallpaper. She says, “There are things in that paper which nobody knows but me, or ever will.

No one enjoys being called out for a wrongdoing or urged to confess a mistake. However, that is exactly what Audre Lorde does in her paper “Age, Race, Class and Sex: Women Redefining Difference.” She discusses the role of the oppressors and the oppressed while both reprimanding and sympathizing with her readers. At a first glance, Lorde’s paper may seem like it attempts to tackle too much, from race and gender to socioeconomic class and sexuality, all at the cost of potentially ostracizes those in positions of power. Because of that, Lorde must work to not divide her readers between the privileged and those less fortunate while also answering the question of whether or not society can combat prejudice programming without falling into the paralyzing

This woman can’t find it within herself to blame the changing world for the outcome of the situation so instead turns the whole problem on herself and convinces herself it is her fault. This is Porter puncturing the outer layer of the average human and investigating the darker side that we all have inside of us which was new for this time period. In all of Katherine Anne Porter’s pieces of literature an essence of disillusionment is present.

The poem "To My Dear and Loving Husband", and parts of the play "The Crucible" have many similarities. In the poem Bradstreet states her love for her husband, and how she'd rather not live than live without him. For example, she says, "That when we live no more, we may live ever." This statement shows how much love she has for her husband, and how she couldn't go without him. This relates to "The Crucible" because both of the stories show their love for their significant other.

America, the land of the free and the home of the brave. This phrase is sung with pride and passion by American citizens. However, some of America’s hardest working citizens are shackled down by a factor that they have no control over. Poverty, is what’s keeping citizens imprisoned while they should be living free. An appalling 44 percent of homeless Americans are employed (http://nationalhomeless.org/).