Compare And Contrast Bernini's David And Michelangelo

While both the Northern Renaissance style painting by Jan van Eyck, titled The Arnolfini Portrait, and the Baroque style painting, by Johannes Vermeer, titled Woman Holding a Balance, indeed share some similarities, like painting for wealthy merchants and not just the church or royalty, there are some noted variations in the type of form used, between the different paintings. Eyck uses lines that are solid, bold, clearly defining each element and miniscule detail of the painting. The Northern Renaissance was well known for its attention to fine details, and Eyck does a great job of displaying this with The Arnolfini Portrait. In addition, the colors used for this portrait are bold and intense. The Renaissance period is also known for being

Donatello was one of the greatest Florentine sculptor of the Renaissance era, before Michelangelo [1386-1466] and was the most significant unique artist of the 15th century in Italy. Donatello was known for creating lots of sculptures in which some he emphasized the nude in his sculptures. One of Donatello`s famous work was the bronze sculpture “David”. The “David” sculpture, emphasized the ideal figure of nudity capturing natural representation of balance and proportion. Donatello studied the anatomy of the human body in order to understand how to best represent his sculptures; as a noted scientific approach. That approach to his work was consider as “Classical” which influences are easy to see. So, with

Peter Paul Rubens is one of my favorite painters, he opened the Baroque style. Rubens was the first European Baroque painter; he was representative of the early Baroque painting. From a viewer’s point of view, people can see that his paintings are colorful, beautiful composition, and all his paintings have story. Rubens thinks that color is just important as the emotion and acting, so he chose the moment when David taken his swords is about to cut the head of his adversary, the acting itself. The style that Rubens used was a very good use of color, he emphasizing the movement; people can see the acting that David is taking. David represents very muscular, he wearing a robe. And this robe is the Roman style robe, ever thought David is not a

In both these pieces of art we see the same subject matter Pieta. Both sculptures were created using the carving method which is a subtractive processes (136). Tilman Riemenschneider's sculpture was done with wood. On the other hand Michelangelo's sculpture was done with stone.

Giovanni Bellini, an Italian renaissance painter. He came from a family of artists but not much is known about this part of his life, his career on the other hand is a major focus of Renaissance advances. His skills brought realism to paintings that weren’t there before. Without him, realism painting may never have taken off, plus historical understanding of his time may never had advanced in the ways it did. Giovanni Bellini was an Italian hand to sway the tide of artistic history.

The Statue of David is considered as "the most well-known work" by Michelangelo. It was created between 1501 and 1504 and depicts his interpretation of the famous biblical figure, David. He carved the 17ft statue when he was in his late 20s, and took around 4 years to complete it due to its very fine detail. After unveiling his new masterpiece to the public, in the year 1504, Michelangelo is known for supposedly saying "You just chip away the stone that doesn 't look like David!", as though he were making his work out to be easy. The Sistine chapel is a famous chapel with a giant ceiling that measures 40x14 metres. When the Pope requested that he repainted the ceiling of the Sistine chapel, Michelangelo was reluctant, but he couldn 't refuse. The Pope wanted the ceiling to be painted in figures, rather than its original blue colour. Even though Michelangelo constantly protested against doing the job, the Pope ignored him completely, so he finally relented and the long project began in 1508. It took him 4 years to complete, coming to an end during 1512. He worked on the project alone most of the time as "he was too much of a perfectionist to put up with other people 's slipshod work." The Statue of David and the painting of the ceiling in the Sistine Chapel are just two examples of his many incredible works and achievements, and help to prove how talented and influential

The Pietà and David are very different in style. The Pietà, although a conglomeration of both Greek periods, would be considered Hellenistic compared to David. The sculpture of David is completely of classic Hellenic style in that it

“The greatest danger for most of us is not that our aim is too high and we miss it, but that it is too low and we reach it.” The author of this quote, Michelangelo, explains how many can achieve a goal almost effortlessly, but few actually try to achieve something that requires toilsome work. Such work that is not always successful, but when it is, the result is superior compared to an insufficient effort. The extraordinary man who wrote this quote achieved greatness by striving for excellence. Michelangelo Buonarroti is easily understood by others, even though he has surpassed the average expectations. In the novel “The Chosen” written by Chaim Potok, a main character named Mr.Malter claims that “great men are difficult to understand.” Mr.

Donatello’s David shows realism more than it does an ideal condition of man as in the Greek Hellenistic period. There are a few ways to tell. First, David’s skinny body and his arrogant expression reveal a confident man and anon-mythical expression that would not have been made as artwork during the Hellenistic period. Second, David shows the physically small instead of big figure and delicate figure of humans. This is important because he has the ability to beat Goliath even though he is much bigger than David (Allen

Michelangelo famously carved many sculptures throughout his lifetime. One of his most famous pieces is the Rome Pietà. The French cardinal Jean de Bilhères Lagraulas commissioned Michelangelo to carve a memorial piece for his own burial in 1497 (Wallace, 243). The Pietà is currently on display in St. Peter’s Basilica on a pedestal as an altarpiece. William Wallace’s article “Michelangelo’s Rome Pietà: Altarpiece or Grave Memorial?” discusses whether the Pietà should be viewed as an elevated altarpiece or at eye level as a memorial through historical context and the intention of how the work was made to be viewed by an audience. The Rome Pietà should be moved to ground level as it was meant to be viewed when Michelangelo carved the piece.

Michelangelo was a sculptor before painting, his sculptor skills and talents are definitely seen in the Sistine Ceiling. In this painting, all the people are drawn more realistically than the Maesta, he is able to illustrate both strength and elegance while also representing the ideal beauty. The most important part of the Sistine Ceiling are the series of nine scenes that move across the central panels, it starts with the creation of the world and god separating light from darkness. Michelangelo wanted to honor God through the Sistine Ceiling by constructing a connection between man and God in all his panels. He used this connection because god in the Rome religious society was considered to be an almighty and powerful being. In this painting Michelangelo painted each of his character which such grace and detail making the painting more realistic, not only were the characters realistic but they were also perceived as masculine. The detailed arm and leg muscles and male features add to the masculinity, even the women are portrayed as masculine one example of this is the Lilyan silby , we see her twisted body as well as every muscle in her back . It is said that Michelangelo used male models to not only help him paint the Lilyan silby but also for other of his female characters. Another important characteristic in the Sistine

There are over 7 billion people in the world. Of that 7 billion, there are many people who go against the norms of society. These people may go into the wild, like Chris McCandless, or they may be like Henry David Thoreau, who played a key role in the Transcendentalist movement. These people were thrilled for their adventures, even if they were being judged by others.

People have told stories with marble, as well as ink. The focus of the Renaissance was the arts. Artists had evolved their skillsets since the Middle Ages, for example, their paintings weren’t 2D and they focused on people rather than just gods. The detail of sculptures and paintings became more realistic than it had been during the Middle Ages. In Michelangelo's sculpture David completed in 1504, he sculpted an image of David from David and Goliath holding a slingshot, before he kills the beast with a stone. (Document 7). This is vital to explaining the difference between the Middle Ages and the Renaissance because it depicts a mortal human with lifelike details. During the Middle Ages, sculptures were less realistic, and typically of higher beings that were not human. However, during the Renaissance, that changed. Sculptors had a firmer grasp on drapery, as seen in David, anatomy, and perspective. Humanism also played a part in the arts, since most art was influenced by the art of the Greeks and Romans. Artists wanted to revive the techniques and styles from those cultures. You can also see the difference between the Middle Ages and the Renaissance in artwork. In Leonardo Da’ Vinci’s 1490 painting The Vitruvian Man he depicts a sketch like picture of the male anatomy in motion. (Document 6) That’s a very important piece of artwork in comparing the two time periods because it shows how Renaissance men were

In art, it is very common to compare two bodies of work. One example of the comparison of art is the Statue of David by Michelangelo and Donatello. In my paper, I will be comparing the Kroisos and the Kritios Boy. Both of these bodies of work are statues made around the same time period, 480 and 530 BCE. As any normal comparison, both pieces have similarities that are shared and differences that make them unique. With this thinking, let us examine the statues of Kroisos and Kritios Boy.

Much like the Olympians from ancient mythology, Renaissance artists are regarded as gods. They revolutionized the art world, reviving themes and styles derived from the Ancient Greeks and Romans. The style they created completely contrasted with that of its predecessor, International Gothic. But how did this “Rebirth” come about? There are many answers to this question, but much of it lies in patriotism and civic values, especially in sculpture. One of the best examples of this is in 15th century Florence, which was virtually the birthplace of the Renaissance. It is there that sculpture reached its culmination, as a result of pride in the city, its history, and its values.