Compare And Contrast My Last Duchess And La Belle Dame Sans Merci

How is the separation of lovers and its consequences presented in the extract? This extract of Flora Macdonald Mayors ' novel, 'The rectors daughter ', develops the theme of hedonism being extingished by the misfortune of unrequited love, through the perspective of a middle aged woman of the 1920 's. Mary Jocelyn, the stories narrator, aims to persue the man of her desires, however his absence of affection is prominant in this extract when we discover his devotion to another woman. This extract is significant to the era, as newly upcoming 'flapper girls ' encouraged a future of female independence and open sexuality, but this segment leaves connotations that not all women took this lifestyle by storm, and still remained unsatisfied as a woman when unaccompanied by a husband, as shown through Mary 's characterisation in the text. Throughout the excerpt, the consequences faced by the separation of lovers is evident to leave a negative effect on the person on the receaving end.

In both Like Water for Chocolate by Laura Esquirel and Grapes of Wrath by John Steinbeck, the role of motherhood is emphasized. Everybody has a version of what they picture a mother to be, but some qualities, such as being nurturing and protective, can be agreed upon. In these two books the main roles of motherhood, protector and emotional supporter, are both explored. One of the roles of motherhood is to be a protector to the children, especially when a father isn’t in the picture. Mama Elena, in Like Water for Chocolate, assumes masculine power after her husband dies.

As Sigmund Freud once said, “the only person with whom you have to compare yourself is you in the past. ” In this essay, I will qualify the claim that Janie, the protagonist from Hurston’s Their Eyes Were Watching God, is a powerful role model for young readers because she pursues her own happiness despite obstacles. Janie does pursue her own happiness through her relationship with Joe Starks and Tea cake, even though they both come to a crashing end. The obstacles she has to overcome however, are created by herself. Janie creates her own adversity, and is then forced to overcome it to achieve what she desires.

Romance comes in all different forms and sizes, and Calbert understands that along with these she apprends why people fall in and out of love. Falling in love has a sense of vulnerability that requires taking risks that people are “willing to fail, / why we will still let ourselves fall in love,” in order to sustain real love. Calbert ends her poem with listing the romances with her husband and vows, “knowing nothing other than [their] love” because that is all that matters to her

This paper will argue that although the social norms set women under men, Heloise will not be subservient like the rest of the female population when it comes to her life, marriage, and her presence at the nunnery. Abelard and Heloise are that typical love story that always contains a twist. Their twist however, involves a threatening uncle of Heloise named Fulbert on a mission to fix Abelard and Heloise’s wrong. Abelard was a thirty-sever year old Professor of Logic and Canon of Notre Dame who does what every other man in a love story does, falls deeply in love with someone who challenges the usual role of women. After falling in love with Heloise, the two soon find out that he impregnated her, which in this time was a big shame for

The author said,"... and the smile, when she thought of sweet Elijah bravely fighting someone, somewhere– that was hers too" (46). This being the last sentence in the short story made me very confused. I read this and thought is that all she wanted in a husband, a "brave" and "kind" man to complete her perfect life. She was trying to love the perfect life that is unattainable for a normal female. She was trying to compare her life to a fairytale.

For instance, she says that “First my lord went out away… Then I went forth a friendless exile to seek service in my sorrow’s need” (6-10). Since she felt agony, she was seeking the attention by cheating (betraying) on her King with another man’s wooing. Although these characters express similar themes/emotions, they show it in different forms. As an example, the poem about the wife isn’t written in Anglo-Saxon, while the excerpt from Beowulf is. Anglo-Saxon is a culture that has a lot of belief in fate, treasure is their success, and where loyalty to a leader is crucial.

Furthermore, Feminist Criticism provides a better view of literature because it shows that women can be powerful. When Emilia finds out that her husband has been plotting an evil plan she says,” Tis proper I obey him, but not now”(Othello V.2.195). Emilia refuses to help her husband after she finds the cruel intentions he has despite the expectation of women always being submissive to their husbands. Women also have a voice and feelings, they are capable of defying their husbands commands when they know what he expects is simply wrong. In a literary article,The Role of Women in Othello: A Feminist Reading states that,” Society weighs heavily on the shoulders of women; they feel that they must support the men and defer to them, even if the actions of the men are questionable” (Literary Articles).

The inner strength that Mandy Jane has is shown in the very beginning of the story through details and description that the author gives. Mandy Jane must dig deep to find every bit of her inner strength after Mama died while giving birth to her baby sister. Yolen shows this when writing about Mandy Jane’s response to her mother’s death. “”Mama Gone,” Bubba wailed again. But I never cried.” Some might believe that Mandy Jane’s absence of crying shows that she does not care about her mother.

This image seems at first cold, but it is a realistic judgment of her ideas of parenthood. The feeling of distance is also shown in: “I’m not more your mother than the cloud that distils as mirror to reflect its own slow effacement at the wind’s hoard.” The final lines of the poem present the reassuring vision of a loving mother attending to her baby's needs. Plath’s self-image – ‘cow-heavy and floral in my Victorian nightgown’ – is self-deprecating and realistic. The final image is an optimistic one. It ends in celebration of her hope for her baby's future ‘And now you try Your handful of notes The clear vowels rise like