Mary Lonergan
Mr. Pellerin
Ap Lit
2/8/2023
Both poems by Willbur and Collins explore the consequences of shielding children from harsh truths, as Willbur describes a caretaker lying to a child about an owl’s call in the “Barred Owl”, while Collins’ poem, the “History Teacher” contains a history teacher who disguises the truth about historical events to his class. Although both poems deal with themes of truthfulness, Collins’s poem explores the serious consequences of sugarcoating historical information, while the lie described in Wilbur’s poem has far less of an impact. Furthermore, although Wilbur and Collins make different choices in terms of literary devices, both poems follow a similar structure, with the content of the lies presented
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As explained in the opening stanza of the poem, the teacher chooses to lie in an effort to “protect students’ innocence”. However, the teacher’s efforts backfire after the students begin to target “the weak and the smart”, as a result of not experiencing the opportunity to learn from history. This demonstrates the serious consequences of the teacher’s lie, despite the fact that the teacher had good intentions. Although the tone of Colin’s poem is somewhat comedic, Colin manages to demonstrate the effect of not learning from history through the story of the history …show more content…
While the history teacher in Collins’ poem lies to protect the students’ innocence, the parents in Wilbur’s poem lie to soothe the child’s fear. For instance, in the second stanza, Wilbur shifts to explain that language can either provide inspiration for fear, or “domesticate” fear, which emphasizes the power of language. However, As Wilbur explains, although the child’s fear is temporarily alleviated by the lie, the parent’s lie does nothing to actually eliminate the reality of the situation, as the owl is still outside the child’s window hunting. In this way, Wilbur emphasizes how comforting lies do little to actually solve problems, even though they may provide short-term consolation. In this way, both Wilbur and Colins explore similar themes of dishonesty. Although the consequences of the lie described in Wilbur’s poem are less serious compared to the consequences of the lie described by Collins, both poems explore the impact of avoiding difficult topics by sugarcoating information. Wilbur and Collins’ poems also follow a similar structure, with the lies introduced in the first stanzas of the poem, and the impact of the lies detailed in the later
In a world where things are constantly changing, parents must work hard to protect their children from the evils of the world and sometimes in order to do that little lies must be told. The difference is what extent the adult will go to in order to protect the innocence of children and knowing when they have gone too far. Two poems that include examples of adults providing explanations to children are “A Barred Owl” by Richard Wilbur and “The History Teacher” by Billy Collins. Although both share the idea of explaining things to children, Richard Wilbur’s “A Barred Owl,” is centered around a young child that is awoken by the sounds of an owl’s voice and is then comforted by her parents telling her that there is nothing to fear. He makes a
In Wilbur's poem does have irony for what creates two different kinds of world and makes the poem contradict each other. "Small thing in a claw ... eaten raw," is able to contradict with the small child sleeping peacefully to the using
The use of allusion in the two poems “The History Teacher by Billy Collins and “Outdistanced” by Larry Rubin punctuate the shared theme that that a willful lack of self-awareness can quickly lead to a greater ignorance of what could shape humanity. Throughout both poems, allusion is applied in order to create the theme that ignorance, due to a lack of self-awareness, can shape humanity. In Collins’ poem, a history teacher tries and fails to disseminate the misinformation that there is no violence in history in order to protect the innocence of his pupils. However, this severe lack of wisdom leads to the, “torment of the weak/ and the smart,” (lines 14-15) on the playground.
Willey makes a point that the father only refers to the owl as her. The reader now knows the father is projecting his emotions about his wife onto the owl. Willey shows evidence of the father’s projection by describing his “change of voice” and when “he acted like it was funny.” The father draws the parallel because, like the owl, the mother only wants to be seen on her terms and can leave when she wants. The boy continues telling his father the details of the latest encounter and the father interrupts him by repeating, ‘“ Who?
The poem “The History Teacher” by Billy Collins has a greater lie than “The Death of Santa Claus”, in its intention to save the innocence of students. It is necessary to tell the truth when the lie is destroying students future and breeding ignorance. To begin, in this poem the history teacher is trying to protect the innocence of his students by simplifying most historic allusions to make them sound friendly and less important. For example Collins writes, “The Spanish Inquisition was nothing more than an outbreak of questions...” (Collins 7-8).
These lines are saying that you should tell the truth but tell it bit by bit and maybe not going straight to the truth would be successful. In lines 3,4,5 and 6, Dickinson is saying the truth might be hard like explaining lighting to a child. She uses the comparison of explaining lighting to a child because you might explain it with ease so it doesn’t scare or hurt a child. Lastly,
The particular sequence portrays Wright’s viewpoint of young child losing their personal innocence. As the father instructs the young, innocent child to ‘”end what you have begun”, this symbolises the authority and power the adult figure has, as well as the imperative and direct speech conveys wisdom and knowledge. Additionally, as the child “wept / Owl blind” symbolically conveys that the loss of innocence is a bitter and unpleasant experience. Metaphorically speaking, as the “spider grief swings in his bitter geometry”, this unveils the coldness and ‘bitterness’ of death and the spreading of grief throughout the communities involved. Similarly in Barn Owl, the young child is deemed and looked upon as the “master of life and death, / A wisp-haired judge,” metaphorically results in authoritative powers, and the eventual loss of the child’s
The poem “History Lesson” written by Natasha Trethewey has a unique form of style and rhythm that causes the reader to rely more on their comprehension of the story than the presented facts. Specifically, in the beginning of the poem the writer describes herself standing, with her hands on her hips in a flowered bikini while her grandmother, beaming, takes a photograph of her. In the middle of the poem she states that the beach has recently been opened to people like her and her grandmother. Finally, at the very end of the poem she says “Forty years since the photograph where she stood on a narrow plot of sand marked colored, smiling, her hands on the flowered hips of a cotton meal-sack dress.” The writer formatted this poem in a way where she did not put the information together in order to create ambiguity.
The formulistic construction and simplistic language echo a child’s understanding of the world, enhanced by the synecdoche “beak and claw”. Harwood’s repeated references to literal and figurative blindness through “daylight riddled eyes”, are metaphoric of the child’s ignorance. The child belief of “death clean and final not this obscene” is left reeling, highlighted through alliteration and grotesque imagery “stuff that dropped and dribbled through loose straw tangling in bowels”.
In the poems “A Barred Owl” by Richard Wilbur and “The History Teacher” by Billy Collins, both poets portray how different explanations to children pan out. Both poems describe the speaker being dishonest to one or multiple students, however, one is more of a little white lie while the other is a lie on a much bigger scale. The first poem utilizes personification and humor to coax a child back to sleep by easing her fears. The second poem applies homonyms and hyperbole to maintain the innocence of a room full of students. Through the use of these different literary techniques, the poets are able to express how the adults provide an explanation for children.
She utilises a diptych structure which portrays the contrast of a child’s naive image of death to the more mature understanding they obtain as they transition into adulthood. This highlighted in ‘I Barn Owl’ where the use of emotive language, “I watched, afraid/ …, a lonely child who believed death clean/ and final, not this obscene”, emphasises the confronting nature of death for a child which is further accentuated through the use of enjambment which conveys the narrator’s distress. In contrast, ‘II Nightfall’, the symbolism of life as a “marvellous journey” that comes to an end when “night and day are one” reflects the narrator’s more refined and mature understanding of mortality. Furthermore the reference to the “child once quick/to mischief, grown to learn/what sorrows,… /no words, no tears can mend” reaffirms the change in the narrator’s perspective on death through the contrast of a quality associated with innocence, “mischief”, with more negative emotions associated with adulthood, “sorrows”.
Alice Walker uses imagery and diction throughout her short story to tell the reader the meaning of “The Flowers”. The meaning of innocence lost and people growing up being changed by the harshness of reality. The author is able to use the imagery to show the difference between innocence and the loss of it. The setting is also used to show this as well.
His mother calls him a“[p]oor bird! [who’d] never fear the net nor lime” (4.2.34). The mother says the boy does not fear things he should, using the motif of birds to both warn the boy and create a sense of foreboding. In that way, the birds warn that peace is destined to be broken. The birds’ quick shift from hopeful to foreboding highlights how order leads to chaos.
He could imagine his deception of this town “nestled in a paper landscape,” (Collins 534). This image of the speaker shows the first sign of his delusional ideas of the people in his town. Collins create a connection between the speaker’s teacher teaching life and retired life in lines five and six of the poem. These connections are “ chalk dust flurrying down in winter, nights dark as a blackboard,” which compares images that the readers can picture.
In the short story “The Flowers”, Alice Walker sufficiently prepares the reader for the texts surprise ending while also displaying the gradual loss of Myop’s innocence. The author uses literary devices like imagery, setting, and diction to convey her overall theme of coming of age because of the awareness of society's behavior. At the beguining of the story the author makes use of proper and necessary diction to create a euphoric and blissful aura. The character Myop “skipped lightly” while walker describes the harvests and how is causes “excited little tremors to run up her jaws.”. This is an introduction of the childlike innocence present in the main character.