In the nineteenth century, woman had no power over men in society. They were limited in their freedom, as their lives were controlled by their husbands. Some women did not mind this lifestyle, and remained obedient, while some rebelled and demanded their rights. “The Yellow Wallpaper” by Charlotte Perkins Gilman, and “The Birthmark” by Nathaniel Hawthorne, are short stories that exposes the lifestyle women lived in the nineteenth century. The protagonists from both stories, Jane and Georgiana, similarly lived a male dominated lifestyle. Although both Georgiana and Jane lived the same era, in which their husbands dominated them, their behaviors, social reputation, and tolerance differed. Georgiana from “The Birthmark” and Jane, from “The Yellow …show more content…
In the text, Georgiana demonstrates her tolerance towards Alymer, as she remains obedient, and faithful, as his experiment reveals her a narrow chance of success. She is too tolerant to him, which made her easy to manipulate and control, as Hawthorn writes, “Much as he had accomplished, she could not but observe that his most splendid success were almost invariably failures, if compared with the ideal at which he aimed” (8). Although she noticed the slight chance of success, she still viewed her husband as a god, who she must not reason with further. Jane, on the other hand was intolerant to her husband. She was aware of the mistreatment by her husband, which ultimately compelled her to get revenge against him by making him faint, as Gilman writes “Now why should that man have fainted? But he did, and right across my path by the wall, so that I had to creep over him every time! (10). Jane in the end breaks, and can no longer tolerate her husbands dominance, she revolts, and manages to get him to faint. Both women had differences in tolerance towards their husbands, as Georgiana was tolerant, and Jane was
Ultimately, as a woman, she is a limited agent and can only do so much indecently. Jane breaks off from the domestic sphere to which she is confined
The hand on Georgiana’s cheek is a symbol for the sins of this world. Even Aylmer states that, “as being the visible mark of earthly imperfection.” I personally think Georgiana knows that she will die in order for Aylmer to remove the Birth Mark. That is why she keeps putting the surgery off. Rosenberg explains, “Aylmer never truly sees his wife; even when she is dying, he misperceives the true import of her symptoms.
During the 19th century, women were overshadowed by the men of their household, therefore they had no sense of independence nor dominance. In Mary Freeman’s short story, “The Revolt of Mother,” the author presents Sarah Penn, a woman who takes a stand against her husband. In the beginning, the reader learns that Sarah is a hardworking mother and wife. She maintains the household work and meets her children needs. She is suddenly confused of her husband’s actions concerning their future.
Georgiana took note of Aylmer’s displeasure of the birthmark from the dream and through his stealthy stare, causing Georgina displeasure (Nathaniel Hawthorne 114). Aylmer’s further loathing of the birthmark, causes Georgiana to give up for the sake of his happiness. She tells, Aylmer after bringing up the conversation of the birthmark, “Either remove this dreadful hand, or take my wretched life!” (Nathaniel Hawthorne 114). Aylmer could have avoided tragedy, however he failed to listen to his assistant Aminadab, who stated he would “never part with that birthmark” (Nathaniel Hawthorne 114).
Submissive Women Women, for the longest time, have been under men in the social hierarchy, society, and in politics. Even now, it is thought that women are under men in certain circumstances, but in the 19th century it was very different from now. “The Birthmark” shows a good example of how women were thought of back then. Georgiana, wife to Aylmer, is that example. Based on 19th century standards, Georgiana is the exemplar of a successful wife, based on her obsequiousness.
Aylmer does not seem integrally evil at the beginning of the story; he is described as a brilliant scientist, and it is palpable he loves his wife. A couple days after he married her he becomes the antagonist of the story. In this circumstance he begins to forget how beautiful Georgiana is and instead only focuses on her birthmark. His constant undermining of her self-image is pure evil camouflaged as loving criticism. His stupidly wicked experimentation on her body cause her definitive death.
Being in an unhealthy relationship is something women nowadays are not obligated to put up with. If they ever feel that their husband is not treating them good; they have the right to ask for a divorce. Otherwise, they could end up with mental problems or death. Back in the nineteenth century, divorce was not an option for women. Females were forced to stay with their husband whether they were treated right or not.
His obsession over the birthmark became overwhelming for his loving wife, to the point where she feels as if “a red-hot iron had touched her cheek” whenever the birthmark is mentioned. While she once referred to her mark as a “charm” she changes her tone to describe it negatively after she now associates it as the object of Aylmer’s “horror and disgust.” To intensify Aylmer’s obsession leading to Georgiana’s insecurity, it is mentioned that he did not think about the birthmark until after they had married, after Georgiana had grown to love Aylmer and his view of her
Gilman intentionally tried to make Jane a typical woman of the time period. She is economically dependent on her husband, as she does not work out of the house. She is not allowed to make her own decisions, John will not let her out of bed, even though she wishes to do so; and she is often treated like a child, John gives her a dirty look when she expresses that she is still not well when he believes that she is getting
Aylmer’s views on perfection led to the demise of Georgiana. He skewed Georgiana’s views by making it seem that if she wasn’t perfect then he could not love her. Throughout the process Georgiana was scared of her husband’s actions but she was made to believe that what he was doing was normal so she went along with it.
The Birthmark The short story “The Birthmark” was written by Nathaniel Hawthorne in 1834. The story follows a brilliant, yet insane scientist named Aylmer. He creates so many brilliant inventions in hoping to improve his life; his wife is just as perfect, despite a small hand shaped birthmark on her cheek. While Georgiana is considered gorgeous and beautiful by hundreds of men, only Aylmer sees the fault in the birthmark and deems it as a flaw that only he can fix with science. Nathaniel Hawthorne uses symbolism and figurative language to help convey the meaning of the short story to readers.
Susan S. Lanser’s “Feminist Criticism, ‘The Yellow Wallpaper,’ and the politics of color in America” examines the impacts “The Yellow Wallpaper” had on feminist writing styles and critiques. Lanser writes that the story helps to analyze the reading trough “the lens of a female consciousness” and apply the knowledge gained from a female perspective onto other literature (418). The transition that the narrator displays from being dependent on John to becoming independent reflects the feminist movement and challenges the “male dominance” that currently takes precedence in society (418). The “patriarchal prisonhouse” that is society controls the narrator and oppresses women not only in “The Yellow Wallpaper” but in real life as well (419). The
Symbolism in “The Birthmark” In “The Birthmark” Nathaniel Hawthorne gives us a story that is telling us on some level to accept your own, as well as other people's imperfections or it could destroy not only your relationship with them, but also your relationship with yourself. In this story Hawthorne uses symbolism to show us exactly how this kind of behavior can lead to not just ruining relationships, but in this case even death. In “The Birthmark” Hawthorne uses a wide variety of objects and people such as a withering flower, a birthmark, poison, Aylmer's dream and Georgiana's death, and even a character named Aminidab to symbolize that nobody is in fact perfect and we all must accept each others flaws in order to have good and healthy relationships.
He abused her into hating her birthmark. Georgiana would of not died on that day if Aylmer had not caused her to hate something she once appreciated about
Gender Inequality: A Woman’s Struggle in “The Yellow Wallpaper” In “The Yellow Wallpaper”, Charlotte Perkins Gilman captures the lives of women in a society based on societal expectations during the late nineteenth century. She focuses on the issue of gender inequality where women were often discriminated against and expected to fulfill the role of a perfect wife and mother. The narrator is based on on Gilman’s personal experience of suffering from her treatment for postpartum depression due to the social restrictions on women which represents a reflection on women's social status in society. The narrator, who remains anonymous, is depicted as a depressed and isolated prisoner who is oppressed under her husband’s control and struggles to break free.