Conformity in the Handmaid’s Tale A Japanese proverb says, “the nail that sticks out gets hammered down”. As seen in several historical events such as the Salem Witch Trials or the Holocaust, this concept illustrates the idea that nonconformity will get punished or suppressed. During the Holocaust, Adolf Hitler’s populist regime led to subservience out of fear because resistance was too dangerous. The results of the Holocaust demonstrates that conformity can lead to dangerous situations and have a major influence on the behavior and actions of people. In Atwood’s The Handmaid’s Tale, the Handmaid, Offred, lived in a totalitarian society where feelings and opinions were suppressed, reading and writing banned, and individuality discouraged. …show more content…
When Offred is in the bathtub, the lack of connection she feels with her body is revealed: “Now the flesh arranges itself differently. I’m cloud, congealed around a central object, the shape of a pear, which is hard and more real than I am and glows red within its translucent wrapping” (Atwood 73). Here, she is describing her body as “flesh,” which connotes the separation she feels from her body, as “flesh” is a word often used to describe dead things. The “central object” that she feels “congealed around” is her womb, because the only purpose she feels she has in the society of Gilead is to bear children. This reveals Offred’s lack of motivation to defend her body or her beliefs, and her assimilation to Gilead. As Fredrik Pettersson stated in his criticism, “[Offred] might not have any real belief in the theocratic values, but they affect her life and actions nonetheless.”(8) Even though Offred may disagree with the values of Gilead, she is too fearful to actively oppose the society, and has internalized some of Gilead’s views. When Offred sees the black van coming towards her, Nick tells her that “it’s Mayday” and to “trust” him. Offred is suspicious, “but snatch[es] at it, this offer. It’s all [she’s] left with” (Atwood 294). She is so desperate by this point because failing to stand up to her beliefs has left with no other option. She depended on her friend Moira to fix everything, but since Moira has stopped fighting, they are now both in less than ideal situations. By making her internal beliefs clear and then depicting her conforming to and participating in the society that she so strongly opposed, Atwood demonstrates Offred taking actions that contradict her beliefs because she is afraid to directly defy the society. Consequently, Atwood shows the negative impacts of not protesting when Offred is taken by the van. Her desperateness left her in
‘Positive characters … usually prove miserably ineffectual when contending with ruthless overwhelming powers’ claims Amin Malak, noting on such protagonists as Winston Smith and Offred in George Orwell’s Nineteen Eighty-Four and Margaret Atwood’s The Handmaid’s Tale, and, when looking at the dystopian genre as a whole, he certainly seems to be correct. Dystopian fiction does seem to portray the worse side of human nature than the better, leaving the positive traits to the struggling protagonists. While utopian writers seemed to think that the essence of human nature was to do good, dystopian writers seem to think very differently and it is from this notion that these novels seem to be written. Nineteen Eighty-Four certainly seems to do this, with almost every member of the society representing one or more negative aspects of humanity.
Outward conformity along with inward questioning, that is what the main character, presented in Margaret Artwood’s The Handmaid’s Tale, has to undertake in order to survive in a theocratic society. Stepping out of line in any way risks your life, so in a place where freedom of speech and basic human right’s no longer apply, Offered must comply with whatever rules they have in place and pretend to agree with the system, but in the inside, she cannot help but think about her past life, her husband, her daughter, before everything began. Flashbacks are integrated in the novel to not only compare the old society with the new one, but to also demonstrate this fake conformity Offred has to display to others and her internal struggle with giving up on escaping the Republic or just accepting her fate and playing by
O’Connor successfully conveys humanity through realistic and uncomfortably relatable or recognizable characters. She illustrates the human ability to be redeemable, but amplifies it with characters who require the grace of God to get them there. It is almost a challenge to her readers to be better people. O’Connor grew up in the rural south, seeing discrimination with her own eyes, but was still able to hope that humans could change for good. It’s a good idea to read her works because they include messages like the one in this, and could help people see the world more clearly, in a less selfish way.
Offred is suspicious of what the handmaid 's did. She looks at their hands, and a clue is given to her when she sees “black gloves”(Atwood 275). She ponders what they could have possibly done to have warranted such action from the authorities. Her speculation shows how the society of Gilead functions. The government of Gilead wants the handmaids to see that the prisoners are being hanged, as their suspicion is how Gilead gains control of them.
The protagonist of The Handmaid’s Tale is referred to as Offred (of Fred). Through the manipulation of literary devices such as juxtaposition, allusion, and descriptive diction, Margaret Atwood voices her concerns about our future, and reveals just how quickly and completely our present could transform. As chapter 33 begins, the Handmaids are off to the Women’s Prayvaganza (a portmanteau of pray and extravaganza). The event, juxtaposed to the ‘fun festival’ it resembles, is really a mass wedding with girls as young as fourteen married off to Angels (troops).
In the novel The Handmaid’s Tale by Margaret Atwood, the protagonist, Offred, expresses her wish that her “story [is] different,” that it is “happier,” or at least “more active, less hesitant, less distracted” than it is ultimately portrayed (267). However, as her story is told, these characteristics are evident in the way she talks and acts, especially around those with authority. Hesitant to express her true thoughts and feelings, and distracted by memories from her previous life, Offred attempts to piece together her role in the society that has taken her freedom. The result is a compilation of moments, of memories, both from her present, her past, and even speculation about her future.
Le Guin takes this a step further when she “reinterprets [the essential truths] to reflect our contemporary world” (Rochelle). The major flaw is that there are problems that remain unaddressed, simply because one fails to think about them. Le Guin uses Omelas as a warning to readers, imploring that they search for the flaws in their own society. As a result, the reader is forced to see the flaws of Omelas’ social and political structure. Shaky societal structures, such as Omelas’, are a key element in dystopian elements.
“No woman can call herself free who does not control her own body”. When Margaret Sanger spoke these words, she was expressing her belief on a woman’s right to have an abortion. This quote, however, speaks to the fact that women are oppressed on more than just abortions. In the novel, The Handmaid’s Tale by Margaret Atwood, Atwood portrays the dehumanization of sexuality through both the characters and events within the novel, therefore proving that women will always be considered less than men will. Margaret Atwood was born in Ottawa, Ontario in 1939.
One of the factors used by the characters in the two novels for their survival is conformity. An example of conformity that plays an important role in the two novels is clothing. In The Handmaid’s Tale, the classifications of each individual are conformed by different clothing. The Handmaids wear red dresses, Marthas wear green, Wives wear blue, Ecowives wear stripes dresses of the three colours, and Commanders and the Angels wear black clothing. According to Offred from The Handmaid's Tale, “The wings too are prescribed issue; they are to keep us from seeing, but also from being seen” (Atwood 9).
There were limits but my body was nevertheless lithe, single, solid, one with me. Now the flesh arranges itself differently. I’m a cloud, congealed around a central object, the shape of a pear, which is hard and more real than I am and glows red within its translucent wrapping.” (Atwood 91). This makes the reader believe that Offred has given into the social injustice at Gilead being the oppression of women.
One’s power can be abused due to indolence; it ruins the lowest social class. In the handmaid 's tale, the Handmaids are treated poorly, making the person no longer themselves. The reader learns that Offred is being told what to do and has no say for her opinion, since it is against the law to go against the government. According to the handmaid’s tale, "You go out through the door and turn right. There 's another door, it 's open.
Rebellion in The Handmaid’s Tale Imagine not being able to do what you used to do because some actions are forbidden in this new society. In the Handmaid's Tale, Gilead is a dystopian society where people are limited to certain actions. Throughout the story, Offred’s actions are rebellious because she has broken so many rules. Atwood demonstrates that restricted expression leads to rebellion by showing the Commanders and Offred’s affair developing throughout time and the actions of both characters.
Offred initially feels a sense of loss due to her position as a fertile woman since the independence and individuality she once enjoyed has since been stripped from her by the Republic of Gilead. It is only through rebellion that Offred is able to slowly regain her sense of self and reject the role that Gilead forces her into. By rebellion, however, it is often more dangerous for the perpetrators than to the government’s grip on the people. Offred’s societal role as a handmaid in Gilead forces her to first obey, then causes her to question, which finally allows her to realize her
So, generally speaking, the people of Gilead are so passive about the way that they are treated because this is the only way for them to continue to survive. Offreds passivity is something that is touched on several times throughout the novel, but she does not just learn this skill on her own, but is taught by a woman named Aunt Lydia. “Aunt Lydia said it was best not to speak unless they asked you a direct question. Try to think of it from their point of view she said, her hands clasped and wrung together, her nervous pleading smile.
Through breaking small rules, Offred is connecting to her past identity. At dinner, Offred steals butter, “As long as we do this, butter our skin to keep it soft, we can believe that we will someday get out, that we will be touched again, in love or desire. We have ceremonies of our own, private ones,” (Atwood 96). This simple action represents the hope of a future that is like their past. Rebelling by stealing butter, playing Scrabble, reading magazines, and having love interests allows her to come back to part of her identity.