Cross Dressing In Shakespeare Essay
From Casting to Casting Away Gender: Cross-Gendering in Modern Shakespeare Performance The year 1660 marked an important juncture in the English theatre. Not only was monarchy restored in England but Charles II also allowed women to enter the stage. Thus, women replaced the young adolescent males who cross-dressed in order to portray the women characters in Shakespeare’s plays. Although, the cross-dressing motif might seem strange to some, this practice can be traced back to Ancient Greeks who did not allow women to enter the stage and therefore, men had to wear costumes and masks to represent women. Shakespearean critics, on the other hand, have been divided over the use of ‘cross-dressing’ in his plays. Questions like does Shakespeare use …show more content…
Gender was no longer seen in terms of biological or anatomical but social and cultural. For Judith Butler, Gender is a cultural construct formed through repeated ‘acting’ which gives the notion of a static gender while at the same time obscuring the instability of a person’s gender act (Butler 179). In this sense, cross-dressing in Shakespeare becomes an important motif as it supports the fluidity of gender characteristic. Cross-dressing, according to Marjorie Garber, points to the ‘constructedness of gender categories’ (Garber 9). She further suggests that there is a tendency to look beyond cross-dressing or ‘transvestism’ as it challenges the binary of ‘female and ‘male’. Garber is careful not to call it the ‘third sex’; instead she classifies it as ‘third’ which puts into question “identities previously conceived as stable, unchallengeable, grounded and known” (Garber 13). Keeping this in mind it is also important to answer certain questions regarding the cross-dressing motif. Questions such as does the use of cross-dressing motif point towards an interest in the historical practices or does it bring out the contemporary debate around gender? Secondly, what is accomplished by using this motif: - blurring of the gender differences or the heightening of the same? Lastly it is important to map the changes in the relationship between characters when one or more are
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1821 Words | 8 PagesThe very act of cross-dressing itself was subversive, especially in Spain where costume was hugely important, not just on stage but in real life. Literary critic William Egginton notes in An Epistemology of the Stage, that when it came to costume the "Spanish public was extremely sensitive to such signifiers of class and could not, for example, tolerate or comprehend a scene in which the signs of social status presented by costume and speech would conflict". (402) With the audience so sensitive to costume details, what must they have thought about Rosaura 's male attire? Women dressing as men was a common device used by playwrights in the Golden Age (mujer vestida de hombre ) and one wonders was it merely because it was practical?
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