The smooth taste of the wood smothered my lips as I echoed a song throughout my wooden flute. The city streets around me were dirty and loud, but I could only hear my flute above the rustle and bustle. I played sweet mishmashes of medleys, getting lost in the gentle noise, when suddenly I noticed someone, or rather something watching my performance. A small kitten was sitting in front of me attentatively watching with its amber eyes fixated on the flute I held. I paused my playing and looked at the cat puzzled. This strange phenomenon perplexed me for why would a cat of all things want to hear a poor boy play music. Suddenly the cat jumped onto the step beside me gently brushing my flute with it’s fluffy, noir black tail. The same amber eyes fixated on the flute then turned and looked straight into mine as if to say, “Keep going.” I put the …show more content…
The cat was unmoving, as if it was an audience member at a famous opera. Engrossed in me, in my performance. I kept going pouring my heart and soul into it all, when I noticed another audience member had sucked me out of this world of music. A man on a motorcycle had stopped by the side of the road, right beside me without saying a word. He wore an obviously expensive, slick black helmet, and a visor that blocked out all of his face, so you couldn’t see it. “Boy,” he said, “what is that you are playing?” My eyes trailed to the floor suddenly aware of my dirty mud filled clothes, and greasy hair in poor condition. I wished in my mind that he would just leave. The man waited for my answer and when he noticed I wasn’t going to say anything he stopped thought for a moment then spoke again, “It has a very nice sound. Whatever it is you were playing. I would like to hear you play it some more if you don’t mind.” I looked at him flabbergasted and wondered why he would stop here, in this part of town just to hear a
Dusk had come, silent, ceremonious, which brought her painful but pleasant memories in the diminishing light. Her shaking hands and arthritic fingers from the passing of time were holding the record player’s metal arm. The stylus hopped, moving lightly and quickly over damaged grooves from excessive use, landing very deep in the vinyl recording. She attempted again, one of her hands embracing the other, to the point where the overture’s rewarding hop and crepitation signified the precise spot. The incongruous speakers passed a faint melody of music.
Now that Alex’s [so far lifelong] disease has been cured, he is playing out side. Some of the boys his age were playing with some round object that Alex had never seen. He went to go sit near a tree, when he sat down he found one near him. He reached over to pick it up. Being the observer he is he wrote down in his, observation note book, some facts.
The seasons turned into years, “the wax melted as the years progressed and other horses resided in the stalls, and their tail strands were added to the aging threads.” The farmer decided the strands of hair he had before wasn’t enough, he added more hairs to his already “aging threads.” The sound that soothed the farmer’s ears was now encased in a rope. He was able to string the rope to form a sound, similar to that of a violinist.
Finally, the words of the piano tuner are disrespectful, unmistakably threatening, and meant to frighten the narrator, revealing the tone towards him as
The narrator describes how his brother looks while playing the piano, “The light from the bandstand spilled just a little short of them and watching them laughing
Later I would find out that was not the only reason he worked that god-forsaken job. "Pretty good game huh? " I asked. "I haven't been watching but I've been listening. It sounds like our defense is playing better than they have been," Roman said as he continued to scrape.
This is told through the narrator’s own perspective as he watches the scene play out, “I had never before thought of how awful the relationship must be between the musician and his instrument. He has to fill it, this instrument, with the breath of life, his own. He has to make it do what he wants it to do. And a piano is just a piano.” (Baldwin 383).
In the text it states, “In the assumption that every sound you made was overheard, and, except in darkness, every movement scrutinized,”(1984). This shows that the reader would feel confining, because no one wants someone to be watching and hearing them at every and or any given moment. The final mood that the author creates is weak. At the end of the excerpt, the character tries to remember his childhood. Although this happens, “But it was no use, he could not remember: nothing remained of his childhood except a series of bright-lit tableaux, occurring against no background and mostly unintelligible,” (1984).
The faint buzzing of an old street light in the distance was the only sound that filled the air. The loud dogs that paced yellow lawns and fenced in porches were deep asleep. It was as melancholy as it could get. My hand trembled, I looked down at the paper weapon clasped between my fingers. I lifted my hand and pressed the cold cigarette to my chapped lips, long ago accepting the fact that I 'd never remember the taste of his mouth, in the same way I didn 't remember the last time my life wasn 't anything more than a huge fucking shit show.
‘Be Music, Night’ by Kenneth Patchen is an intriguing piece of literary art. A picture is painted of human interaction with Earth immediately. The manner in which humans fall into her beauty and vastness is apparent in even the first lines of Patchen’s poem, but why is this important? “Be music, night, That her sleep may go Where angels have their pale tall choirs” This choir is brought on by our musical mother nature.
This shows how the monster was enticed by the old mans’ playing of an instrument, a surprising feat considering the monster was ostracized by humanity. This shows that even the coldest of creatures can succumb to the simplest pleasures of humanity. Similarly, Grendel from the novel also faces the same enticement by the lyrics of the shaper. Grendel states that, “I listened, felt myself swept up. I knew very well that all he said was ridiculous, not light for their darkness but flattery, illusion, a vortex pulling them from sunlight to heat, a kind of midsummer burgeoning, waltz to the sickle.
Response to “A Race of Sound” by Gregory Corso Reading this poem made me think of my brother, Milo. I can easily connect this poem to him because he is very loud, especially when he doesn’t get what he wants. Recently, my brother keeps on going in my room, I scream at him and tell my parents that he’s in my room and they told him to get out or they would take his tablet away. Eventually, he got out of my room but not before his tablet got taken away.
Elledge then confronted the woman who then punched Elledge in the face and left her with a bloody nose. What’s more, it’s not uncommon for men to expose their genitals to her, or for cops to tell her to stop busking. Those threats aside, she keeps playing. She relishes the expressed attitude of people–their “thank you,” the delight on their faces–from people she presumes wouldn’t necessarily like the sounds coming from her accordion. She expresses delight when people start freestyling
As the narrator pays closer attention to the abundance of music in his environment, he becomes more accepting and perceptive of it. His analyses of music in his society starts of simple and gradually increases in complexity as the story progresses. His first discovery involves "one boy [who] was whistling a tune, at once very complicated and very simple, it seemed to be pouring out of him as though he were a bird...only just holding its own through all those other sounds" (Baldwin 123). Here, the narrator learns that music can be used as a simple form of expression of one's feelings, yet even in its simple forms, can still be complicated. This level of complexity is also evident in his relationship with his brother Sonny as he struggles to understand how music is benefiting Sonny and Sonny himself is on his own journey to finding his purpose in life through
“That’s when I see him. He’s dressed in rags on a busy downtown street corner, playing Beethoven on a