Mud, dirt, sweat, tears, disease, injury, are all normalities for a deployed military man. The Things They Carried, the men who made it home from fighting in the war came back different than they once were. Once they have seen the unspeakable and experienced what they have experienced, coming home can be a foreign feeling; home may not feel like home anymore. People are taught to forget their troubles and move forward in life, but the lasting emotional and physical burdens of war make this close to impossible. In the stories Enemies and Friends, two short but incredibly impactful stories, Lee Strunk and Dave Jenson go through immense changes together. One day these two men get into a fistfight over a “lost” jackknife. Jenson assumes Strunk took it and doesn’t let up when he asks for his possession back. Sadly Strunk didn’t feel the need to correctly reply and lied saying he hadn’t seen it before. Amidst the fighting Jenson breaks Strunks nose while repeatedly punching him in the face. “But that wasn’t the bizarre part. Because late that same night he borrowed a pistol, gripped in by the barrel, and used it as a hammer to break his own …show more content…
O’Brien seems to be in complete and utter shock, while others like Azar seem to be mocking the deceased. “Oh, man, you fuckin’ trashed the fucker,” Azar said “You scrambled his sorry self, look at what you did, you laid him out like shredded fuckin’ wheat!” (125). Others, like Kiowa, tried to make actual sense of the horrors. “Listen to me.” Kiowa said. “You feel terrible I know that.” … “Okay maybe I don’t know” (127). But when O’Brien sees the body laying lifeless and limbless he finally said “The body lay almost entirely in the shade…” Years later O’brien alludes to the remembrance of the man he killed, he never quite forgot the image of the corpse laying in front of
Most war stories are labeled as fiction or nonfiction; however Tim O’Brien breaks this rule in The Things They Carried by creating a fictitious story that yet seeps the truth, and labelling it as a work of fiction. The book is compiled of various stories that correlate together, but it can be unclear what is fact and what is fiction. O’Brien purposely does this to draw in the reader to question what is and what isn’t, and no one exactly knows the right answer. By utilizing intentional, rhetorical tactics, O’Brien has the power of blurring the lines between fact and fiction; which allows the reader to distinguish between fact and fiction in chapters, such as “Sweetheart of the Song Tra Bong”, “Stockings”, and “Speaking of Courage”.
In Tim O'Brien's The Things They Carried, O’Brien is the narrator recounting his experiences as a Vietnam War veteran through the form of storytelling. After death, people and experiences fade away and are often forgotten, and the only way to keep their lives remembered is to continue to tell them through story. There were many traumatic events that O’Brien had to deal with, namely the deaths of soldiers, the vietnamese soldier he killed, and the death of his childhood friend Linda. Many of the surviving soldiers developed PTSD and had flashbacks, while O’Brien held them in and blocked away the memories, as a form of catharsis. Storytelling becomes his form of therapy, and method of preserving the lives of the deceased.
What if you were chosen in the next draft for a war between your country and a distant nation, but you had an indifference to the conflict? This becomes a reality for the narrator Tim O'Brien, as he is drafted into the Vietnam war. In the novel, The Things They Carried, written by the narrator Tim O'Brien, the reader is taken through a series of stories ranging from before O'Brien enters the war, when he is stationed in Vietnam during the war, and years after he returns home from the war. These stories are arranged in no particular order, and they all reflect the influence the Vietnam war has on O'Brien's personal experiences of the harsh realities he faces accompanied by his fellow comrades. In the novel, The Things They Carried, the author
He carries an illustrated New Testament, a hatchet, and a pair of moccasins. “But instead he opened his New Testament and arranged it beneath his head as a pillow. The fog made things seem hollow and unattached. He tried not to think about Ted Lavender, but then he was thinking how fast it was, no drama, down and dead, and how it was hard to feel anything except surprise” (O’ Brien 17). Out of all the characters throughout the novel Kiowa is the most innocent.
Throughout The Things They Carried, author, and narrator, Tim O’Brien uses what the soldiers figuratively carry, cowardice and loss, to explain what effect the war had on them. According to O’Brien, these two intangibles turn into a physical burden the soldiers are forced to carry because of the psychological effects of war. His main purpose for writing The Things They Carried is for the reader to be able to feel the same reality the soldiers feel as a result of fighting in the war. One of the main themes of these war stories is the fear of being labeled a coward by the people of the soldiers’ home country.
Your perspective is reality, true or not it is. However, when something happens and you your perspective is lost is it true that you lose your sense of reality? Or perhaps you don 't lose reality but rather gain perspective, which can be confusing in a whole other light. Author Tim O’Brien, through his narrative, The Things They Carried, emphasises the idea the perhaps there is no way to lose perspective; instead you are constantly gaining it causes more confusion while you 're still writing your story. But perhaps when you take a step back after you’ve made it through the mess the pieces (the memorable moments good and bad) seem to fall into place creating a glance “across the surface of my [your] history” (233).
O’Brien feels extremely guilty for killing someone. He is not sure what to do or how to feel. O’Brien does not exactly say if he was the man who actually killed him, or if someone else did. He hints that if it was not him that killed the poor man. Death has a way of changing a
He mainly wrote about the man he killed. O’Brien talked in much detail of what the man looked like, what he thought he was like, and how he wished he could take it back. He was distraught and seemed very distant, and his friends could not seem to keep him from staring at the body and thinking about it. Tim focused on a butterfly that was flying around the body as a way to try to cope with the gruesome death, he kept doing that throughout the book during deaths. O’Brien was definitely affected by killing this man, and it added to the baggage he already was carrying.
War: The Idea of Friendship In the novel The Things They Carried by Tim O’Brien, the stories are mainly focused on the Vietnamese War and it’s effects on the soldiers. The two stories, Friends and Enemies clearly portray the personal problems faced by the soldiers during the war instead of problems in the actual war that the soldiers are fighting. In Enemies, Dave Jensen breaks Lee Strunk's nose over a stolen jackknife and is later found contemplating whether or not Strunk will get his revenge on him, causing him to become delusional. In Friends, however, both Strunk and Jensen agree to sign a pact that says if anyone of them gets hurt badly, the other will kill them.
"The mind fills in for what the eyes don’t see, and surprise can make us perceive events differently. As these events replay over and over again in our heads, we discover fictional nuances that, while they may not be real, may represent our emotions towards the said events. This exact process can be found in Tim O’Brien’s The Things They Carried, in the description of the deaths of Curt Lemon and the baby water buffalo. Beautiful: the way that Tim O’Brien describes Curt Lemon’s death.
Death was inevitable in war, and in this war, nearly 2 million people died. In the chapter “The Lives of the Dead” it talks about how Dave Jensen was using his dark humor and poking fun at a dead old man whose arm was blown off. Kiowa, instead wouldn’t join in on the joke because of his strong faith and his morals towards respecting elders. O’Brien also reflects back on when he first experienced the mourning of death. O’Brien’s way of mourning now is the complete opposite of how he did in the past, due to the
Soldiers lugging onward in the heat or freezing air with a hundred pounds of gear through tough terrain in gunfire or silence they must keep moving forward to accomplish what they were sent out to do. In “The Things They Carried” by Tim O’Brien it is made evident that the men and women who go to war face many struggles and make many sacrifices. Brave military personnel have to overcome personal issues, physical hurdles, and mental barriers while under the pressures of fighting a war. Everyone has personal issues something that is going on in their lives that ponder their minds and can be a distraction to our daily lives. That goes for those in the military as well; personal issues don’t just vanish in the face of war, although that may be
The Challenge of Bravery and Courage are unexpected obstacles for everyone who was drafted into the Vietnam War, especially for Tim O’Brien who is the narrator and the Author of “The Things They Carried”. Before O’Brien gets drafted into the Vietnam War, he highlights the consumption of tone and juxtaposition on the effects of war while his allies are trying to empathize to his feelings. The theme also relates to Khaled Hosseini’s story “Kite Runner” where as a kid, Amir struggled with bravery and courage when he wasn’t there for Hassan. In Order for O’Brien to seek truth behind War, he’ll need to experience the environment in-action which is why he was forced to see everything later on in the story.
The use of a ‘dead’ end shows that the thought of dying is on his subconscious. It also ties in with the warmth spilling out as he becomes cold just a dead body would. In summary, the images O’Brien uses in this passage are very much surreal and no doubtedly prove that he uses surrealism in his work. He does so in a meaningful manner to give insight to his character’s subconscious thoughts just as the definition
While O’Brien is shocked at his ability to kill another man instead of the man killing him, Hardy seems less shocked by killing the man, and more shocked by the fact that he killed someone in lieu of being their friend. Throughout O’Brien’s short story, the main character keeps describing the man he killed, as if in shock, and creating the story of the dead man with similarities to his, stating that “...the young man would not have wanted to be a soldier and in his heart would have feared performing badly in battle.” This not only shows the guilt the main character has, but also shows the shock he is in through his description of the dead man’s “story.” Hardy’s viewpoint on death in war leans more towards a “what could have been” perspective, stating “You shoot a fellow down / You’d treat if met where any bar is, / Or help to half-a-crown.”